· 2006
An expanded and updated edition of the 2002 book that has become required reading for policymakers, students, and active citizens.
Is Hitler bigger than Napoleon? Washington bigger than Lincoln? Picasso bigger than Einstein? Quantitative analysts are rapidly finding homes in social and cultural domains, from finance to politics. What about history? In this fascinating book, Steve Skiena and Charles Ward bring quantitative analysis to bear on ranking and comparing historical reputations. They evaluate each person by aggregating the traces of millions of opinions, just as Google ranks webpages. The book includes a technical discussion for readers interested in the details of the methods, but no mathematical or computational background is necessary to understand the rankings or conclusions. Along the way, the authors present the rankings of more than one thousand of history's most significant people in science, politics, entertainment, and all areas of human endeavor. Anyone interested in history or biography can see where their favorite figures place in the grand scheme of things.
Creative Cognition combines original experiments with existing work in cognitive psychology to provide the first explicit account of the cognitive processes and structures that contribute to creative thinking and discovery. Creative Cognition combines original experiments with existing work in cognitive psychology to provide the first explicit account of the cognitive processes and structures that contribute to creative thinking and discovery. In separate chapters, the authors take up visualization, concept formation, categorization, memory retrieval, and problem solving. They describe novel experimental methods for studying creative cognitive processes under controlled laboratory conditions, along with techniques that can be used to generate many different types of inventions and concepts. Unlike traditional approaches, Creative Cognition considers creativity as a product of numerous cognitive processes, each of which helps to set the stage for insight and discovery. It identifies many of these processes as well as general principles of creative cognition that can be applied across a variety of different domains, with examples in artificial intelligence, engineering design, product development, architecture, education, and the visual arts. Following a summary of previous approaches to creativity, the authors present a theoretical model of the creative process. They review research involving an innovative imagery recombination technique, developed by Finke, that clearly demonstrates that creative inventions can be induced in the laboratory. They then describe experiments in category learning that support the provocative claim that the factors constraining category formation similarly constrain imagination and illustrate the role of various memory processes and other strategies in creative problem solving.
· 2019
Preaching is a way of life that can be beautiful and good; however, It can also be anxious, self-focused, and destructive. Preachers and teachers of preaching need a holistic view of preaching that not only paints the way to good preaching, but also to good living. They need a comprehensive practical theology of preaching that combines the ‘why’ and the ‘what’ with the ‘how’ and 'whom’ of preaching. Practicing the Preaching Life unites Christian practices, contextual virtues, and the best of homiletical pedagogy to pave the way to a beautiful preaching life. Preaching is best learned as a formative Christian practice embedded within a web of other Christian practices that form a way of life from which great sermons emerge. Therefore, preaching requires not only a way of speaking well, but also a way of living well. This embedded nature of preaching requires the enrollment of Christian practices in the formation of the preacher and the pursuit of contextual virtues for preaching that avoid cultural relativism on the one hand and cultural imperialism on the other. These requirements lead to a new vision for the preaching classroom, the rhythms of the preaching life, and the definition of what it means to be a good preacher.