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  • Book cover of The Troubles

    The Troubles refers to a violent thirty-year conflict, at the heart of which lay the constitutional status of Northern Ireland. Over 3,000 people were killed on all sides, and many more damaged by a legacy that continued long past 1998. After looking at the roots of Catholic discrimination of the Northern Irish state, Coogan points to Orange prejudice in housing, education and jobs and the lack of a Catholic outlet for peaceful protest. He argues that the war in the North started as a civil rights demonstration, but that radical Orange response soon turned protest into war. He takes a close look at Ian Paisley 'the great pornographer'; John Hume, the quiet peacemaker; Gerry Adams, gunman turned peacemaker; and Albert Reynolds, the first prime minister to insist on peace. In this controversial volume, Coogan covers all parts of the war, from Bloody Sunday in 1972 to the Bobby Sands hunger strike. Although written from a nationalist viewpoint, Coogan has taken a complicated history and explained it simply, with grace and wit.

  • Book cover of Pastors in the Classics

    Throughout the history of English literature, church ministers have figured prominently in novels, plays, morality tales, and even poetry. Pastors in the Classics is a unique, unprecedented collection of relevant literary masterpieces in which the pastor's experience is a major part of the story. Part 1 is a reader's guide to twelve important classics written over four centuries and covering seven different nationalities. Each chapter not only describes and interprets the work in question, it also highlights a specific feature of pastoral ministry explored in the work. Part 2 is a handbook that defines the canon of literary masterpieces that deal with the pastor's experience, offering reading suggestions for both ministers and lovers of literature. From the familiar (The Canterbury Tales; Cry, the Beloved Country; and The Scarlet Letter) to the lesser-known (Silence, Witch Wood) to the surprising (A Portrait of the Artist as a Young Man), this collection uncovers the good, the bad, and the ugly ways in which pastors have been presented to the reading public for the past half millennium.

  • Book cover of In the Loop

    In the Loop: A Political and Economic History of San Antonio, is the culmination of urban historian David Johnson’s extensive research into the development of Texas’s oldest city. Beginning with San Antonio’s formation more than three hundred years ago, Johnson lays out the factors that drove the largely uneven and unplanned distribution of resources and amenities and analyzes the demographics that transformed the city from a frontier settlement into a diverse and complex modern metropolis. Following the shift from military interests to more diverse industries and punctuated by evocative descriptions and historical quotations, this urban biography reveals how city mayors balanced constituents’ push for amenities with the pull of business interests such as tourism and the military. Deep dives into city archives fuel the story and round out portraits of Sam Maverick, Henry B. Gonzales, Lila Cockrell, and other political figures. Johnson reveals the interplay of business interests, economic attractiveness, and political goals that spurred San Antonio’s historic tenacity and continuing growth and highlights individual agendas that influenced its development. He focuses on the crucial link between urban development and booster coalitions, outlining how politicians and business owners everywhere work side by side, although not necessarily together, to shape the future of any metropolitan area, including geographical disparities. Three photo galleries illustrate boosterism’s impact on San Antonio’s public and private space and highlight its tangible results. In the Loop recounts each stage of San Antonio’s economic development with logic and care, building a rich story to contextualize our understanding of the current state of the city and our notions of how an American city can form.

  • Book cover of Ruairí Ó Brádaigh

    A biography and analysis of the influential Irish political and military leader. At his death in 2013, Ruairí Ó Brádaigh remained a divisive and influential figure in Irish politics and the Irish Republican movement. He was the first person to serve as chief of staff of the Irish Republican Army, as president of the political party Sinn Féin, and to have been elected, as an abstentionist, to the Dublin parliament. He was a prominent, uncompromising, and articulate spokesperson of those Irish Republicans who questioned the peace process in Northern Ireland. His concern was rooted in his analysis of Irish history and his belief that the peace process would not achieve peace. He believed that it would support the continued partition of Ireland and result in continued, inevitable, conflict. The child of Irish Republican veterans, Ó Brádaigh led IRA raids, was arrested and interned, escaped and lived “on the run,” and even spent a period on a hunger strike. Because he was an effective spokesman for the Irish Republican cause, he was at different times excluded from Northern Ireland, Britain, the United States, and Canada. He was also a key figure in the secret negotiation of a bilateral IRA-British truce in the mid-1970s. In a brief afterword for this new edition, author Robert W. White addresses Ó Brádaigh’s continuing influence on the Irish Republican Movement, including the ongoing “dissident” campaign. Whether for good or bad, this ongoing dissident activity is a part of Ruairí Ó Brádaigh’s enduring legacy. “A tour de force. Indispensable for all Irish studies collections. . . . Essential.” —Choice

  • Book cover of Exiles and Islanders

    The first comprehensive account of the Irish settlers of Prince Edward Island.

  • Book cover of She-Wolves: The Untold History of Women on Wall Street
    Paulina Bren

     · 2024

    A Kirkus Reviews Best Nonfiction Book of 2024 • A Washington Post Most Anticipated Book for Fall • A Next Big Idea Club Must Read • One of Lit Hub’s Most Anticipated Books for Fall 2024 • One of UnTapped New York’s Best NYC Books of All Time • A Town & Country Must-Read for Fall 2024 • In development with Mark Gordon Pictures The propulsive story of the women who sought, and gained, a piece of the action on Wall Street. First came the secretaries from Brooklyn and Queens—the “smart cookies” who saw that making money, lots of it, might be within their grasp. Then came the first female Harvard Business School graduates, who were in for a rude awakening because an equal degree did not mean equal opportunity. But by the 1980s, as the market went into turbodrive, women were being plucked from elite campuses to feed the belly of a rapidly expanding beast, playing for high stakes in Wall Street’s bad-boy culture by day and clubbing by night. In She-Wolves, award-winning historian Paulina Bren tells the story of how women infiltrated Wall Street from the swinging sixties to 9/11—starting at a time when “No Ladies” signs hung across the doors of its luncheon clubs and (more discretely) inside its brokerage houses and investment banks. If the wolves of Wall Street made a show of their ferocity, the she-wolves did so with subtlety and finesse. Research analysts signed their reports with genderless initials. Muriel “Mickie” Siebert, the first woman to buy a seat on the NYSE, threatened she’d have port-a-potties delivered if the exchange didn’t finally install a ladies’ room near the dining room. The infamous 1996 Boom-Boom Room class action lawsuit, filed by women at Smith Barney, pulled back the curtain on a bawdy subculture where unapologetic sexism and racism were the norm. As engaging as it is enraging, She-Wolves is an illuminating deep dive into the collision of women, finance, and New York.

  • Book cover of The House That Race Built

    In these essays, brought together by the scholar Wahneema Lubiano, some of today's most respected intellectuals share their ideas on race, power, gender, and society. The authors, including Cornel West, Angela Y. Davis, and Toni Morrison, argue that we have reached a crisis of democracy represented by an ominous shift toward a renewed white nationalism in which racism is operating in coded, quasi-respectable new forms.

  • Book cover of A People Under Siege
    Aaron Edwards

     · 2023

    Since the Brexit referendum of 2016, extraordinary uncertainty has hung over the future of the Union between Great Britain and Northern Ireland, creating a crisis for the unionist community. A referendum that began on the question of sovereignty quickly degenerated into cries of betrayal over a redrawn border in the Irish Sea, and has led to unionists becoming more insular again, resurrecting ethnic and nationalist notions of what constitutes the Union. In A People Under Siege, historian Aaron Edwards, a native of Belfast, explores the profound challenges facing the community and, in the process, articulates what is really meant by unionism. He explains key developments within unionism over the past turbulent century and examines how a people who believe themselves to be once again under siege are viewed by others beyond their community. In doing so he confronts the narrow, sectional beliefs and prejudices of unionists and loyalists, as well as outlining their more positive and forward-thinking aspects. By embracing these, Edwards explains how divisions could be healed and a position reached of mutual acceptance, tolerance and understanding that will benefit the entire population.

  • Book cover of Movies Made for Television

    In 2005, Scarecrow published Movies Made for Television, 1964-2004, a five-volume reference set commemorating 40 years of every made for TV film since See How They Run debuted in 1964. These books provided a comprehensive listing of every television film and mini-series, detailing each film's original network, airdate, and length of broadcast. In this latest volume, Marill adds another five years of television films, providing information for an additional 400 works produced between 2005 and 2009. Along with a brief summary, entries also include extensive production credits (director, writer, producer, composer, director of photography, and editor) and a complete cast and character listing. With a chronology of the films, an appendix of movies adapted from other sources, and separate indexes for actors and directors, Movies Made for Television, 2005-2009 is a welcome addition to a resource highly regarded by scholars and historians of television and popular culture.

  • Book cover of Forbidden Bookshelf Presents Christopher Simpson

    Three provocative exposés from a National Jewish Book Award–winning journalist address the CIA’s recruitment of Nazis and use of psychological warfare. The Splendid Blond Beast: This groundbreaking investigation into the CIA’s post–World War II liberation and recruitment of Nazi war criminals—including the pivotal role played by CIA director Allen Dulles—traces the roots not only of US government malfeasance, but of mass murder as an instrument of financial gain and state power, from the Armenian genocide during World War I to Hitler’s Holocaust through the practice of genocide today. “Revelatory and shocking.” —Kirkus Reviews Blowback: The true story of how US intelligence organizations employed Nazi war criminals in clandestine warfare and propaganda against the USSR, anticolonial revolutionaries, and progressive movements worldwide that were claimed to be Soviet pawns. “The story is one that needs to be told, and Blowback makes a major contribution to its telling, supplementing a thorough collation of known cases with ample new research.” —The New York Times Science of Coercion: Drawing on long-classified documents from the Pentagon, the CIA, and other national security agencies, Simpson exposes secret government-funded research into psychological warfare and reveals that many of the most respected pioneers in the field of communication science were knowingly complicit as their findings were employed for the purposes of propaganda, subversion, intimidation, and counterinsurgency during the Cold War era. “An intriguing picture of the relations between state power and the intellectual community.” —Noam Chomsky, Massachusetts Institute of Technology