In a refreshingly wide-ranging look a the art of the twentieth and twenty-first centuries, the catalogue throws new light on the concept of monumentality in a series of essays, hitherto unpublished interviews with artists and commentaries on individual works.

Sixty of the artist's works are presented at the Pompidou Centre, showcasing a panorama Jim Hodges' work, from floral cut-outs to gold leaf rectangles, collages made with musical scores.

This exhibition brings together a selection of over 500 works by more than 200 women artists, from the beginning of the 20th century up to the present day.

Catalogue de la plus grande rétrospective consacrée au travail des frères Bouroullec en France et présentée au Centre Pompidou Metz du 7 octobre 2011 au 30 juillet 2012. L'exposition "Bivouac" et le présent catalogue rendent compte des réalisations et des recherches des designers Ronan et Erwan Bouroullec au cours des quinze dernières années. Dans un millier de mètres carré, cette exposition composée uniquement de leurs objets, souligne un parcours international singulier, ponctué de collaborations avec les plus grands éditeurs de design et distingué par de nombreux prix.

The full range of one of today s most versatile artists is on vivid display in this heavily illustrated, lavishly produced and comprehensive monograph on the art of Annette Messager. From her earliest works, in which she posed taxidermized sparrows in knitted garments, to her magnificent three-room installation, Casino, which won her the Golden Lion award at the 2005 Venice Biennale, Annette Messager has long tackled issues of femininity, prejudice, social mores, birth, and death. Illustrated with more than 600 images that track her entire career to date, this book designed by the artist herself includes interviews, texts by the artist, sketches, installations and photographs of her work. Messager s work encompasses the highly personal, such as ink blots made from her own signatures, diary entries, her children s drawings, to the political, for example effigies displaying acts of torture and abuse. She employs a wide range of materials, including fabric, wool, found objects, personal sketches and photography, through which she catalogs and mines these themes. As varied as its subject, this beautifully produced volume demonstrates Messager's powerful ability to transform the stuff of life into objects of potent expression.