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  • Book cover of History of the Forty-second Indiana Volunteer Infantry
  • Book cover of Total Quality Management, (Revised Edition)
  • Book cover of Mountaineer Jamboree
    Ivan M. Tribe

     · 2014

    Jamboree! To many country music fans the word conjures up memories of Saturday nights around the family radio listening to live broadcasts from that haven of hillbilly music, West Virginia. From 1926 through the 1950s, as Ivan Tribe shows in his lively history, country music radio programming made the Mountain State a mecca for country singers and instrumentalists from all over America. Wilma Lee and Stoney Cooper, Little Jimmy Dickens, Hawkshaw Hawkins, Red Sovine, Blaine Smith, Curly Ray Cline, Grandpa Jones, Cowboy Loye, Rex and Eleanor Parker, Lee Moore, Buddy Starcher, Doc and Chickie Williams, and Molly O'Day were among the many who came to prominence via West Virginia radio. Wheeling's "WWVA jamboree," first broadcast in 1933, attracted a wide audience, especially after 1942, when the station increased its power. The show's success spawned numerous competitors, as new stations all over West Virginia followed WWVA's lead in headlining country music. The state also played an important role in the early recording industry. The Tweedy Brothers, Frank Hutchison, Roy Harvey, Blind Alfred Reed, Frank Welling and John McGhee, Cap and Andy, and the Kessinger Brothers were among West Virginians whose waxings contributed to the state's reputation for fine native musicianship. So too did those who sought out and recorded the Mountaineer folksong heritage. As Nashville's dominance has grown since the 1960s, West Virginia's leadership in country music has lessened. Young performers must now seek fame outside their native state. But, as Ivan Tribe demonstrates, the state's numerous outdoor festivals continue to keep alive the heritage of country music's "mountain mama."

  • Book cover of History of Kern County, California
  • Book cover of Uganda's White Man of Work
  • Book cover of Ecological Systems
    Rik Leemans

     · 2012

    Earth is home to an estimated 8 million animal species, 600,000 fungi, 300,000 plants, and an undetermined number of microbial species. Of these animal, fungal, and plant species, an estimated 75% have yet to be identified. Moreover, the interactions between these species and their physical environment are known to an even lesser degree. At the same time, the earth’s biota faces the prospect of climate change, which may manifest slowly or extremely rapidly, as well as a human population set to grow by two billion by 2045 from the current seven billion. Given these major ecological changes, we cannot wait for a complete biota data set before assessing, planning, and acting to preserve the ecological balance of the earth. This book provides comprehensive coverage of the scientific and engineering basis of the systems ecology of the earth in 15 detailed, peer-reviewed entries written for a broad audience of undergraduate and graduate students as well as practicing professionals in government, academia, and industry. The methodology presented aims at identifying key interactions and environmental effects, and enabling a systems-level understanding even with our present state of factual knowledge.

  • Book cover of The Carry On Films

    Saucy, rude and vulgar—the 31 Carry On films remain an important part of the history of British cinematic and low brow comedy. In this book, Gerrard discusses the Carry On roots in the music halls of the Victorians and the saucy seaside postcards of Donald McGill. Made in post-war Britain, these films reflect a remarkable period of social change as the British Empire faded and a nation learned to laugh at itself. Nothing was sacred to the Carry On team. James Bond and Cleopatra were mercilessly lampooned, Miss World competitions and toilet factories came in for a cinematic pasting, while Sid James’ laugh, Barbara Windsor’s wiggle, Kenneth Williams’ flared nostrils and Charles Hawtrey’s “Oh, hello!” became synonymous with laughter, merriment and fun. Gerrard’s work examines the Carry On films as part of a wider canvas linking both their heritage and tradition to the contextual world they mirrored. The Carry On Films is an essential read for Carry On fans the country through.“div>Ding dong! Carry On!/div

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  • Book cover of The MUP Encyclopaedia of Australian Science Fiction & Fantasy
    Sean McMullen

     · 1998

    This book covers all Australian science fiction and fantasy authors, books and stories, as well as important magazines, sub-genres and works published electronically.

  • Book cover of Charlestown Navy Yard