Following their rampage through Southeast Asia and the Pacific in the five months after Pearl Harbor, Japanese forces moved into the Solomon Islands, intending to cut off the critical American supply line to Australia. But when they began to construct an airfield on Guadalcanal in July 1942, the Americans captured the almost completed airfield for their own strategic use. The Japanese Army countered by sending to Guadalcanal a reinforced battalion under the command of Col. Kiyonao Ichiki. The attack that followed would prove to be the first of four attempts by the Japanese over six months to retake the airfield, resulting in some of the most vicious fighting of the Pacific War. During the initial battle on the night of August 20–21, 1942, Marines wiped out Ichiki’s men, who—imbued with “victory fever”—had expected a quick and easy victory. William H. Bartsch draws on correspondence, interviews, diaries, memoirs, and official war records, including those translated from Japanese sources, to offer an intensely human narrative of the failed attempt to recapture Guadalcanal’s vital airfield.

In 1966, everyone who was anyone wanted an invitation to Truman Capote's "Black and White Dance" in New York, and guests included Frank Sinatra, Norman Mailer, C. Z. Guest, Kennedys, Rockefellers, and more. Lavishly illustrated with photographs and drawings of the guests, this portrait of revelry at the height of the swirling, swinging sixties is a must for anyone interested in American popular culture and the lifestyles of the rich, famous, and talented.

The #1 New York Times bestselling author delivers a stunningly original thriller in this powerful page-turner. Trouble will find you They watch you through mirrors… “Your mother was twenty-seven when it came to her. Now you’re twenty-seven, and it’s come to you.” The skin of Alex’s arms tingled with goose bumps. By her twenty-seventh birthday insanity had come to his mother…. Turning twenty-seven may be terrifying for some, but for Alex, a struggling artist living in the mid-western United States, it is cataclysmic. Inheriting a huge expanse of land should have made him a rich and happy man; but something about this birthday, his name, and the beautiful woman whose life he just saved, has suddenly made him — and everyone he loves — into a target. A target for extreme and uncompromising violence… Where do you turn when your own reflection spells doom? In Alex, Terry Goodkind brings to life a modern hero in a whole new kind of high-octane thriller.

Winner of the George Washington Prize Winner of the Barbara and David Zalaznick Book Prize in American History Winner of the Excellence in American History Book Award Winner of the Fraunces Tavern Museum Book Award From the bestselling author of the Liberation Trilogy comes the extraordinary first volume of his new trilogy about the American Revolution Rick Atkinson, author of the Pulitzer Prize-winning An Army at Dawn and two other superb books about World War II, has long been admired for his deeply researched, stunningly vivid narrative histories. Now he turns his attention to a new war, and in the initial volume of the Revolution Trilogy he recounts the first twenty-one months of America’s violent war for independence. From the battles at Lexington and Concord in spring 1775 to those at Trenton and Princeton in winter 1777, American militiamen and then the ragged Continental Army take on the world’s most formidable fighting force. It is a gripping saga alive with astonishing characters: Henry Knox, the former bookseller with an uncanny understanding of artillery; Nathanael Greene, the blue-eyed bumpkin who becomes a brilliant battle captain; Benjamin Franklin, the self-made man who proves to be the wiliest of diplomats; George Washington, the commander in chief who learns the difficult art of leadership when the war seems all but lost. The story is also told from the British perspective, making the mortal conflict between the redcoats and the rebels all the more compelling. Full of riveting details and untold stories, The British Are Coming is a tale of heroes and knaves, of sacrifice and blunder, of redemption and profound suffering. Rick Atkinson has given stirring new life to the first act of our country’s creation drama.

New York Times bestseller Maureen Johnson takes on Jack the Ripper in this captivating paranormal thriller! The day that Louisiana teenager Rory Deveaux arrives in London to start a new life at boarding school is also the day a series of brutal murders breaks out over the city, killings mimicking the horrific Jack the Ripper spree of more than a century ago. Soon "Rippermania" takes hold of modern-day London, and the police are left with few leads and no witnesses. Except one. Rory spotted the man police believe to be the prime suspect. But she is the only one who saw him--the only one who can see him. And now Rory has become his next target. In this edge-of-your-seat thriller, full of suspense, humor, and romance, Rory will learn the truth about the secret ghost police of London and discover her own shocking abilities.

From the dramatization of local legends to the staging of plays by Shakespeare and other canonical playwrights to the exploration of contemporary sociopolitical problems and their effects on women and children, Mayan theatre is a flourishing cultural institution in southern Mexico. Part of a larger movement to define Mayan self-identity and reclaim a Mayan cultural heritage, theatre in Mayan languages has both reflected on and contributed to a growing awareness of Mayans as contemporary cultural and political players in Mexico and on the world's stage. In this book, Tamara Underiner draws on fieldwork with theatre groups in Chiapas, Tabasco, and Yucatán to observe the Maya peoples in the process of defining themselves through theatrical performance. She looks at the activities of four theatre groups or networks, focusing on their operating strategies and on close analyses of selected dramatic texts. She shows that while each group works under the rubric of Mayan or indigenous theatre, their works are also in constant dialogue, confrontation, and collaboration with the wider, non-Mayan world. Her observations thus reveal not only how theatre is an agent of cultural self-definition and community-building but also how theatre negotiates complex relations among indigenous communities in Mayan Mexico, state governments, and non-Mayan artists and researchers.

A snow-day journey with Grandma highlights all of the beauty, magic, and fun of winter. With sparkling flakes calling from outside, this sister and brother bundle up for an outdoor adventure with Grandma. In the hushed woods, they see and hear wildlife thriving under a new blanket of snow. In the bustle of town, they help their grateful Grandpa dig out. Then, it’s time to get sledding! Snowy scenes capture the beauty of freshly fallen snow, and the lyrical verse delights in the magic of playing in the snow and the warm comfort of family.