In American political fantasy, the Founding Fathers loom large, at once historical and mythical figures. In The Traumatic Colonel, Michael J. Drexler and Ed White examine the Founders as imaginative fictions, characters in the specifically literary sense, whose significance emerged from narrative elements clustered around them. From the revolutionary era through the 1790s, the Founders took shape as a significant cultural system for thinking about politics, race, and sexuality. Yet after 1800, amid the pressures of the Louisiana Purchase and the Haitian Revolution, this system could no longer accommodate the deep anxieties about the United States as a slave nation. Drexler and White assert that the most emblematic of the political tensions of the time is the figure of Aaron Burr, whose rise and fall were detailed in the literature of his time: his electoral tie with Thomas Jefferson in 1800, the accusations of seduction, the notorious duel with Alexander Hamilton, his machinations as the schemer of a breakaway empire, and his spectacular treason trial. The authors venture a psychoanalytically-informed exploration of post-revolutionary America to suggest that the figure of “Burr” was fundamentally a displaced fantasy for addressing the Haitian Revolution. Drexler and White expose how the historical and literary fictions of the nation’s founding served to repress the larger issue of the slave system and uncover the Burr myth as the crux of that repression. Exploring early American novels, such as the works of Charles Brockden Brown and Tabitha Gilman Tenney, as well as the pamphlets, polemics, tracts, and biographies of the early republican period, the authors speculate that this flourishing of political writing illuminates the notorious gap in U.S. literary history between 1800 and 1820.

An inspiring story that's easy to read but will not soon be forgotten. Middle age, easy-going bachelor Dexter Phillips intends to write his first novel. His live-in girlfriend, Marilyn, departs Connecticut to be with her ailing mother in Arizona. He's unsure if she will return. Dexter has a shoebox full of photos to frame his book using these pictures anecdotally for the bones of the story. He needs a better writing environment and goes to a Staples store to purchase a new desk chair. He meets a young salesgirl, Emma, who later shows up at his door with the warranty she forgot to give him. He invites her for tea and wonders, "Does this warranty warrant a visit?" And the adventures begin. Taking Care is a story of hope and charity, friendship and passion, laughter and tears. A cross-generational saga of good people who care about each other.

Roland Barthes remains one of the most influential cultural theorists of the postwar period and Image-Music-Text is his most widely taught work. Ed White provides students with a clear guide to this essential but difficult text. As students are increasingly expected to write across a range of media, Barthes' work can be understood as an early mapping of what we now call interdisciplinary or multidisciplinary study. The book's detailed section-by-section readings makes Barthes' most important writings accessible to undergraduate readers. This book is a perfect companion for teaching and learning Barthes ideas in cultural studies and literary theory.

Hardcover reprint of the original 1915 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: White, Albert Beebe Ed. Source Problems In English History. Indiana: Repressed Publishing LLC, 2012. Original Publishing: White, Albert Beebe Ed. Source Problems In English History, . New York, London, Harper & Brothers, 1915. Subject: Constitutional History

What would an account of early America look like if it were based on examining rural insurrections or Native American politics instead of urban republican literature? Offering a new interpretation of eighteenth-century America, The Backcountry and the City focuses on the agrarian majority as distinct from the elite urban minority. Ed White explores the backcountry-city divide as well as the dynamics of indigenous peoples, bringing together two distinct bodies of scholarship: one stressing the political culture of the Revolutionary era, the other taking an ethnohistorical view of white–Native American contact. White concentrates his study in Pennsylvania, a state in which the majority of the population was rural, and in Philadelphia, a city that was a center of publishing and politics and the national capital for a decade. Against this backdrop, White reads classic political texts such as Crèvecoeur’s Letters from an American Farmer, Franklin’s Autobiography, and Paine’s “Agrarian Justice,” alongside missionary and captivity narratives, farmers’ petitions, and Native American treaties. Using historical and ethnographic sources to enrich familiar texts, White demonstrates the importance of rural areas in the study of U.S. nation formation and finds unexpected continuities between the early colonial period and the federal ascendancy of the 1790s. Ed White is associate professor of English at the University of Florida.

Contains letterpress book published by Bottle of Smoke Press (2014) with copies of two letters: one written to Ed White by Jack Kerouac March 29, 1949, response from Ed White to Jack Kerouac, April 9, 1949; sepia toned photograph of Frank Jeffries, Ed White and Bob Burford, Paris 1949; colophon; one intaglio 8 color artist's print by FAILE (Artist collective).

Contains letterpress book published by Bottle of Smoke Press (2014) with copies of two letters: one written to Ed White by Jack Kerouac March 29, 1949, response from Ed White to Jack Kerouac, April 9, 1949; sepia toned photograph of Frank Jeffries, Ed White and Bob Burford, Paris 1949; colophon; one intaglio 8 color artist's print by FAILE (Artist collective).