Reference tool to aid students, researchers, and clinicians across all health disciplines. Addresses conducting a search of literature using electronic databases, organizing journal articles, choosing topics to abstract, and creating abstracts of research articles to write a synthesis of the literature.

Health Sciences Literature Review Made Easy, Sixth Edition is the ultimate ‘how to’ guide for learning the practical and useful methods for reviewing scientific literature in the health sciences.

Ecocriticism explores the ways in which we imagine and portray the relationship between humans and the environment in all areas of cultural production, from Wordsworth and Thoreau through to Google Earth, J.M. Coetzee and Werner Herzog’s Grizzly Man. Greg Garrard’s animated and accessible volume traces the development of the movement and explores its key concepts, including: pollution wilderness apocalypse dwelling animals earth. Featuring a newly rewritten chapter on animal studies, and considering queer and postcolonial ecocriticism and the impact of globalisation, this fully updated second edition also presents a glossary of terms and suggestions for further reading in print and online. Concise, clear, and authoritative, Ecocriticism offers the ideal introduction to this crucial subject for students of literary and cultural studies.

The New York Times bestselling memoir about identity, love and understanding. Now a major motion picture starring Nicole Kidman, Russell Crowe, and Lucas Hedges, directed by Joel Edgerton. "Every sentence of the story will stir your soul" (O Magazine). The son of a Baptist pastor and deeply embedded in church life in small town Arkansas, as a young man Garrard Conley was terrified and conflicted about his sexuality. When Garrard was a nineteen-year-old college student, he was outed to his parents, and was forced to make a life-changing decision: either agree to attend a church-supported conversion therapy program that promised to “cure” him of homosexuality; or risk losing family, friends, and the God he had prayed to every day of his life. Through an institutionalized Twelve-Step Program heavy on Bible study, he was supposed to emerge heterosexual, ex-gay, cleansed of impure urges and stronger in his faith in God for his brush with sin. Instead, even when faced with a harrowing and brutal journey, Garrard found the strength and understanding to break out in search of his true self and forgiveness. By confronting his buried past and the burden of a life lived in shadow, Garrard traces the complex relationships among family, faith, and community. At times heart-breaking, at times triumphant, this memoir is a testament to love that survives despite all odds.

“A definitive treatment of one of the Soviet Union’s most significant writers.”—The Russian Review Vasily Grossman (1905–64), one of the greatest authors of the twentieth century, served for over 1,000 days with the Red Army as a war correspondent on the Eastern front. He was present during the street-fighting at Stalingrad, and his 1944 report “The Hell of Treblinka,” was the first eyewitness account of a Nazi death camp. Though he finished the war as a decorated lieutenant colonel, his epic account of the battle of Stalingrad, Life and Fate, was suppressed by Soviet authorities, and never published in his lifetime. Declared a non-person, Grossman died in obscurity. Only in 1980, with the posthumous publication in Switzerland of Life and Fate was his remarkable novel to gain an international reputation. This meticulously researched biography by John and Carol Garrard uses archival and unpublished sources that only became available after the collapse of the Soviet Union. A gripping narrative. “Fascinating . . . gives the reader a very clear insight into the horrors of the War on the Eastern Front . . . For anyone interested either in WWII or Soviet Communism, this book is a must.”—R.J. (Dick) Lloyd, author of Three Glorious Years “Grossman is a sufficiently important Soviet cultural figure to deserve a biography, and through his the Garrards say a good deal about cultural politics, internal repression, and antisemitism in the Soviet Union.”—Foreign Affairs

This text is one of the first introductory guides to the field of literary ecological criticism. It is the ideal handbook for all students new to the disciplines of literature and environment studies, ecology and green studies.

At just 17, Lewis Hector Garrard joined a caravan heading west — and what emerged was Wah-to-yah and the Taos Trail, one of the most vivid first-person portraits of the American frontier. In the 1932 edition edited by Stanley Vestal, Garrard's youthful energy is sharpened by careful curation and historical perspective, making it the definitive version for modern readers. This isn't just travel writing — it's immersive adventure. Garrard traipses across the Santa Fe Trail, rides into the heart of the Taos Revolt, sits in courtroom scenes, and watches frontier justice unfold. His eyes capture tipi camps, mountain passes, Native dances, and the clash of cultures. Because he was a direct witness to an era in motion, every page pulses with authenticity — you sense rattling wagons, whispered treaties, and a land still wild and untameable. What makes the Vestal-edited edition stand out is the way it balances Garrard's vigor with clarity and context. Vestal's introduction and thoughtful arrangement frame Garrard's youthful narrative for a mid-20th-century audience. He smooths archaic language, corrects errors, explains unfamiliar names — but never tames Garrard's spirit. The result: a version that reads like Garrard's original journey, but without the barrier of outdated style or confusing footnotes. Still widely read today, Wah-to-yah and the Taos Trail — especially in the Vestal edition — remains a touchstone in Western literature, beloved for its immediacy and narrative power.

An accessible introduction to the life of the seventeenth-century's most celebrated women artists, now in paperback. Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women’s problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. This book breaks new ground by placing Gentileschi in the context of women’s political history. Mary D. Garrard, noted Gentileschi scholar, shows that the artist most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art.