Stories define how we think, the way we play, and the way we understand our lives. And just as Gutenberg made possible the stories that ushered in the Modem Era, so is the computer having a profound effect on the stories of the late 20th century. Today we are confronting the limits of books themselves -- anticipating the end of storytelling as we know it -- even as we witness the advent of a brave new world of cyberdramas. Computer technology of the late twentieth century is astonishing, thrilling, and strange, and no one is better qualified than Janet Murray to offer a breathtaking tour of how it is reshaping the stories we live by. Can we imagine a world in which Homer's Iyre and Gutenberg's press have given way to virtual reality environments like the Star Trek® holodeck? Murray sees the harbingers of such a world in the fiction of Borges and Calvino, movies like Groundhog Day, and the videogames and Web sites of the 1990s. Where is our map for this new frontier, and what can we hope to find in it? What will it be like to step into our own stories for the first time, to change our vantage point at will, to construct our own worlds or change the outcome of a compelling adventure, be it a murder mystery or a torrid romance? Taking up where Marshall McLuhan left off, Murray offers profound and provocative answers to these and other questions. She discusses the unique properties and pleasures of digital environments and connects them with the traditional satisfactions of narrative. She analyzes the state of "immersion," of participating in a text to such an extent that you literally get lost in a story and obliterate the outside world from your awareness. She dissects the titillating effect of cyber-narratives in which stories never climax and never end, because everything is morphable, and there are always infinite possibilities for the next scene. And she introduces us to enchanted landscapes populated by witty automated characters and inventive role-playing interactors, who together make up a new kind of commedia dell'arte. Equal parts daydream and how-to, Hamlet on the Holodeck is a brilliant blend of imagination and techno-wizardry that will provoke readers and guide writers for years to come.

A foundational text offering a unified design vocabulary and a common methodology for maximizing the expressive power of digital artifacts. Digital artifacts from iPads to databases pervade our lives, and the design decisions that shape them affect how we think, act, communicate, and understand the world. But the pace of change has been so rapid that technical innovation is outstripping design. Interactors are often mystified and frustrated by their enticing but confusing new devices; meanwhile, product design teams struggle to articulate shared and enduring design goals. With Inventing the Medium, Janet Murray provides a unified vocabulary and a common methodology for the design of digital objects and environments. It will be an essential guide for both students and practitioners in this evolving field. Murray explains that innovative interaction designers should think of all objects made with bits—whether games or Web pages, robots or the latest killer apps—as belonging to a single new medium: the digital medium. Designers can speed the process of useful and lasting innovation by focusing on the collective cultural task of inventing this new medium. Exploring strategies for maximizing the expressive power of digital artifacts, Murray identifies and examines four representational affordances of digital environments that provide the core palette for designers across applications: computational procedures, user participation, navigable space, and encyclopedic capacity. Each chapter includes a set of Design Explorations—creative exercises for students and thought experiments for practitioners—that allow readers to apply the ideas in the chapter to particular design problems. Inventing the Medium also provides more than 200 illustrations of specific design strategies drawn from multiple genres and platforms and a glossary of design concepts.

Stories define how we think, play, and understand our lives. In this comprehensive and readable book—already a classic statement of the aesthetics of digital media, acclaimed by practitioners and theorists alike—Janet Murray shows how the computer is reshaping the stories we live by. Murray discusses the unique properties and pleasures of digital environments and connects them with the traditional satisfactions of narrative. She analyzes the dramatic satisfaction of participatory stories and considers what would be necessary to move interactive fiction from the formats of childish games and confusing labyrinths into a mature and compelling art form. Through a blend of imagination and techno-wizardry, Murray provides both readers and writers with a guide to the storytelling of the future.

This memoir — the first release on best-selling author Ann Hood’s Gracie Belle imprint — about the fathomless loss of a beloved child reveals how tragedy can transform us and make us more fully alive. “Murray’s lucid meditations and living-in-the-moment attitude — e.g., providing simple pleasures like a favorite food to a sick child — serve as useful reminders to all of us that life is precious and fleeting and must be enjoyed to the fullest. It’s a simple message but an important one. As much a eulogy to Chan as a testament to the joy of life, the book is a heartwarming tale of dealing with life-altering loss . . . A tender, love-filled story of how one woman dealt with the loss of a young child.” —Kirkus Reviews “An extraordinary memoir. Forthright, honest and haunting . . . Murray’s memoir is wise and enlightened.” —Portland Press Herald Now You See the Sky is a memoir about love, motherhood, and loss. When Catharine H. Murray travels to a small town on the banks of the Mekong River to work at a refugee camp, she falls in love and marries a local man with whom she has three sons. When their middle son is diagnosed with cancer at age five, their pursuit of a cure takes them from Thailand to Seattle, before they eventually return to Thailand, settling on a remote mountaintop. Full of honesty and grace, Now You See the Sky — the debut selection in Ann Hood’s new Gracie Belle imprint — allows the reader to witness the fathomless loss of a child and learn how tragedy can transform us, expand our vision, and make us more fully alive. Now You See the Sky is the debut selection of Ann Hood’s new nonfiction imprint with Akashic, Gracie Belle. Modeled after her experience writing the memoir Comfort: A Journey Through Grief, and named after her daughter, Grace, Hood’s imprint reaffirms for authors and readers that none of us is alone in our journeys.

Why are fiberglass vaulting poles and hinged skates accepted in sport - while performance-enhancing drugs are forbidden? Are the rules that forbid them arbitrary? Should we level the playing field by allowing all competitors to use drugs that allow them to run faster or longer, leap higher, or lift more? In this provocative exploration of what draws us to sport as participants and spectators, Thomas Murray argues that the values and meanings embedded within our games provide the guidance we need to make difficult decisions about fairness and performance-enhancing technologies. Good Sport reveals what we really care about in sport and how the reckless use of biomedical enhancements undermines those values. Implicit in sports history, rules, and practices are values that provide a sturdy foundation for an ethics of sport that celebrates natural talents and dedication. You see these values when the Paralympics creates multiple level playing fields among athletes with different kinds of impairments. They appear again in sports struggles to be fair to all when an extraordinary woman athlete emerges who appears to possess a mans hormone profile and muscles. They are threatened when the effort to assure athletes a fair chance to win without doping is subverted by cheating or by corruption, as in the case of Russias state-supported doping operation. Performance-enhancing drugs distort the connection between natural talents, the dedication to perfect those talents, and success in sport. Explaining the fundamental role of values and meanings, Good Sport reveals not just what we champion in the athletic arena but also, more broadly, what we value in human achievement.

In London in the 1950s Martyn Lloyd-Jones gave a new meaning to 'conferences'. For him they were not times for learned discussion, or for the reading of papers, but a means of awakening a younger generation to big spiritual issues. From such gatherings, preachers, in particular, would carry fire back to their churches. Following his mentor's model, Iain Murray has sought, with others, to continue that practice. These pages are a selection of his more recent addresses.