Ludwig Knauss (b.ca. 1685) and his family immigrated from the Palatinate of Germany to Montgomery County, Pennsylvania in 1723. Descendants and relatives lived in Pennsylvania, Ohio, Indiana, Michigan, Kansas, Iowa, Washington, California and elsewhere. Some descendants immigrated to British Columbia and elsewhere in Canada.

For decades, previous editions of John Knauss’s seminal work have struck a balance between purely descriptive texts and mathematically rigorous ones, giving a wide range of marine scientists access to the fundamental principles of physical oceanography. Newell Garfield continues this tradition, delivering valuable updates that highlight the book’s resourceful presentation and concise effectiveness. The authors include historical and current research, along with a 12-page color insert, to illuminate their perspective that the world ocean is tumultuous and continually helps to shape global environmental processes. The Third Edition builds a solid foundation that readers will find straightforward and lucid. It presents valuable insight into our understanding of the world ocean by: • Encompassing essential oceanic processes such as the transfer of heat across the ocean surface, the distribution of temperature and salinity, and the effect of the earth’s rotation on the ocean. • Providing sensible and well-defined explanations of the roles played by a stratified ocean, global balances, and equations of motion. • Discussing cogent topics such as major currents, tides, waves, coastal oceans, semienclosed seas, and sound and optics.

Sex, Media and theology – a provocative mix. Reactions can vary from rejection to openness and curiosity. This volume follows the latter path: on the background of changes in contemporary sexual culture and theological developments in the reflection on sexuality, three media – internet, advertising and film – are analysed with respect of their representation of sexuality and their contribution to theological reflections on sex. This shows: sex in media is more than a provocation; it provides an inspiration for theological thinking about human beings, their relationships with others, and also with God.

Berchtesgaden, Germany, is a beautiful place, set among the gentle meadow-clad hills rising to the sheer heights of bare Alpine peaks. It is here where an elderly woman arrives and recollects her past—and her peripheral role in a chapter of world history. She walks along a beaten path, which has come into being because so many tourists have ventured this way . . . to see something that exists only in her memory. In the summer of 1944, twenty-year-old Marlene is thrilled when her older, more glamorous cousin, Eva Braun, Adolph Hitler’s mistress, invites her to come to the Fuhrer’s Bavarian mountain retreat. Against her father’s wishes, Marlene accepts, and immediately sets forth to Berghof. There, while Hitler is away desperately trying to turn the tides of war, Marlene finds herself in a strange paradise, a world of opulence and imminent danger, of freedom and surveillance. The two women sneak off and skinny-dip in a nearby-lake, watch films in the Fuhrer’s private cinema, and flirt with the SS officers at the dinner table—one of whom will become Marlene’s first lover. Initially delighted by Eva’s attentions, Marlene later tries to understand the elusive connection between her cousin and the man she loves. In quiet defiance, she begins to commit her own acts of subversion, which include listening to BBC radio broadcasts, forbidden by the Fuhrer. But a clandestine mission of mercy will force her to question her allegiance to both her cousin and her country—and to face the chilling reality that exists outside her sheltered world. Based on the true experiences of Eva Braun’s cousin, Gertrude Weisker, who has shared her memories with Sibylle Knauss after more than fifty years of silence, Eva’s Cousin is a novel that illuminates the banality of the domestic face of evil. It casts a special light on the profound questions of innocence and complicity that still haunt much of the world today.

"This work represents a basic introduction to the Pennsylvania Germans in the 18th century as reflected in the German-American press. ... This is basically a two-tier history: On one level it provides a descriptive analysis of the German-American press of Pennsylvania, and on another it provides an in-depth analysis of who the readers of this press were."--Page V.

From "Once Upon a Time in the West" to "Moulin Rouge", from Ghanaian video-movies to Japanese Manga, from Christian symbolism in advertising to the mythic significance of female messiah figures, from the relationship of the arts and theology to the role of the audience in the meaningmaking process, this book provides a feast for anyone wanting to explore the interconnectivity of religion, media and society.

This sociopolitical study shows why patriarchy has been the dominant pattern in Algeria, in spite of colonialism, revolutionary war, and the implementation of state socialism after independence. Knauss carefully analyzes Algerian class formation, ideology, and gender relations, and then demonstrates how these factors decisively influenced the persistence of patriarchy as well as the status of women. To further enhance this model historical drama, there are interviews with former President Ahmed Ben Bella, Berber activist Hocine Ait Ahmed, and exiled socialist Mohammed Boudiaf.

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