The control over marble and metal resources was of major importance to the Roman Empire. The emperor's freedmen and slaves, officers and soldiers of the Roman army, equestrian officials, as well as convicts and free labour were seconded to mines and quarries throughout Rome's vast realm. Alfred Hirt's comprehensive study defines the organizational outlines and the internal structures of the mining and quarrying ventures under imperial control. The themes addressed include: challenges faced by those in charge of these extractive operations; the key figures, their subaltern personnel and their respective responsibilities; the role of the Roman army; the use of civilian partners in quarrying or mining ventures; and the position of the quarrying or mining organizations within the framework of the imperial administration.

Hittite prayers were at first heavily influenced by Babylonian and Hurrian prototypes, but soon developed their own creative style, highly emotional and rich in metaphors. The twenty-four prayers assembled in the volume cover the entire span of Hittite literary history. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org).

This collection of scholarly essays centered in Hittitology pays tribute to the life and distinguished career of Hans Güterbock. Stemming from research papers presented at the 1997 meeting of the American Oriental Society, this volume reexamines the philological, historical, and archaeological evidence from the Hittite period. Reporting on new archaeological excavations, philological study, and historical research, these scholars inform and sharpen our knowledge of ancient Anatolia.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

While biblical prophets ridiculed the notion of humans fashioning an idol that they would then worship, ancient Near Eastern theologians developed a sophisticated religious system in which divine beings could be physically manifest within the material of a cultic image without being limited by that embodiment. The four essays in this compact volume examine the intriguing subject of cultic images and divine iconography in Mesopotamia, Egypt, Anatolia and Syria-Palestine. This interesting and eclectic group of essays explores the textual and artifactual evidence for the creation and veneration of divine images in the ancient Near East. The recent resurgence of scholarly interest in the study of divine representation in ancient Israel and the Near East makes this comprehensive reexamination especially timely.

Personification, the anthropomorphic representation of any non-human thing, is a ubiquitous feature of ancient Greek literature and art. Natural phenomena (earth, sky, rivers), places (cities, countries), divisions of time (seasons, months, a lifetime), states of the body (health, sleep, death), emotions (love, envy, fear), and political concepts (victory, democracy, war) all appear in human, usually female, form. Some have only fleeting incarnations, others become widely-recognised figures, and others again became so firmly established as deities in the imagination of the community that they received elements of cult associated with the Olympian gods. Though often seen as a feature of the Hellenistic period, personifications can be found in literature, art and cult from the Archaic period onwards; with the development of the art of allegory in the Hellenistic period, they came to acquire more 'intellectual' overtones; the use of allegory as an interpretative tool then enabled personifications to survive the advent of Christianity, to remain familiar figures in the art and literature of Late Antiquity and beyond. The twenty-one papers presented here cover personification in Greek literature, art and religion from its pre-Homeric origins to the Byzantine period. Classical Athens features prominently, but other areas of both mainland Greece and the Greek East are well represented. Issues which come under discussion include: problems of identification and definition; the question of gender; the status of personifications in relation to the gods; the significance of personification as a literary device; the uses and meanings of personification in different visual media; personification as a means of articulating place, time and worldly power. The papers reflect the enormous range of contexts in which personification occurs, indicating the ubiquity of the phenomenon in the ancient Greek world.

This is the first thorough account of the nature and the spread of the cult of Cybele, the Great Mother, and the first to present her worship soberly as a religion rather than sensationally as an orgiastic celebration of self-castrated priest-attendants.