Focusing on the variety of genres that make up pop music, Roy Shuker explores key subjects which shape our experience of music such as music production, the music industry, music policy, fans, audiences and subcultures.

The late twentieth and early twenty-first centuries are commonly characterised as an age of ‘neoliberalism’ in which individualism, competition, free markets and privatisation came to dominate Britain’s politics, economy and society. This historical framing has proven highly controversial, within both academia and contemporary political and public debate. Standard accounts of neoliberalism generally focus on the influence of political ideas in reshaping British politics; according to this narrative, neoliberalism was a right-wing ideology, peddled by political economists, think-tanks and politicians from the 1930s onwards, which finally triumphed in the 1970s and 1980s. The Neoliberal Age? suggests this narrative is too simplistic. Where the standard story sees neoliberalism as right-wing, this book points to some left-wing origins, too; where the standard story emphasises the agency of think-tanks and politicians, this book shows that other actors from the business world were also highly significant. Where the standard story can suggest that neoliberalism transformed subjectivities and social lives, this book illuminates other forces which helped make Britain more individualistic in the late twentieth century. The analysis thus takes neoliberalism seriously but also shows that it cannot be the only explanatory framework for understanding contemporary Britain. The book showcases cutting-edge research, making it useful to researchers and students, as well as to those interested in understanding the forces that have shaped our recent past.

In Missionary Interests, David Golding and Christopher Cannon Jones bring together works about Protestant and Mormon missionaries in the nineteenth and twentieth centuries, charting new directions for the historical study of these zealous evangelists for their faith. Despite their sectarian differences, both groups of missionaries shared notions of dividing the world categorically along the lines of race, status, and relative exoticism, and both employed humanitarian outreach with designs to proselytize. American missionaries occupied liminal spaces: between proselytizer and proselytized, feminine and masculine, colonizer and colonized. Taken together, the chapters in Missionary Interests dismantle easy characterizations of missions and conversion and offer an overlooked juxtaposition between Mormon and Protestant missionary efforts in the nineteenth and twentieth centuries.

A dog, a cat and a hilarious encounter await in this action-packed book about colours. Story Attribution: ‘Bow Meow Wow’ is written by Priya Kuriyan . © Pratham Books , 2018. Some rights reserved. Released under CC BY 4.0 license. (http://creativecommons. org/licenses/by/4.0/) Other Credits: 'Bow Meow Wow' has been published on StoryWeaver by Pratham Books. www.prathambooks.org. Guest Art Director: Vinayak Varma.

Chinese Poetry and Translation: Rights and Wrongs offers fifteen essays on the triptych of poetry + translation + Chinese. The collection has three parts: "The Translator's Take," "Theoretics," and "Impact." The conversation stretches from queer-feminist engagement with China's newest poetry to philosophical and philological reflections on its oldest, and from Tang- and Song-dynasty classical poetry in Western languages to Baudelaire and Celan in Chinese. Translation is taken as an interlingual and intercultural act, and the essays foreground theoretical expositions and the practice of translation in equal but not opposite measure. Poetry has a transforming yet ever-acute relevance in Chinese culture, and this makes it a good entry point for studying Chinese-foreign encounters. Pushing past oppositions that still too often restrict discussions of translation-form versus content, elegance versus accuracy, and "the original" versus "the translated"-this volume brings a wealth of new thinking to the interrelationships between poetry, translation, and China.

Pug is happy at home until Pig arrives and he must share his bowl, his yard, and even his bed, but just as Pug is packing his belongings to leave things change for the better.

Long-awaited biography of an African American avant-garde composer Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels. In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual community in Southern California. Exploring her transformation from Alice McLeod, Detroit church pianist and bebopper, to guru Swami Turiya Sangitananda, Monument Eternal illuminates her music and, in turn, reveals the exceptional fluidity of American religious practices in the second half of the twentieth century. Most of all, this book celebrates the hybrid music of an exceptional, boundary-crossing African-American artist.

It can feel like we're swimming in a sea of corruption. It's unclear who exactly is in charge and what role they play. The same influential people seem to reappear time after time in different professional guises, pressing their own agendas in one venue after another. According to award-winning public policy scholar and anthropologist Janine Wedel, these are the powerful ''shadow elite,'' the main players in a vexing new system of power and influence. In this groundbreaking book, Wedel charts how this shadow elite, loyal only to their own, challenge both governments' rules of accountability and business codes of competition to accomplish their own goals. From the Harvard economists who helped privatize post-Soviet Russia and the neoconservatives who have helped privatize American foreign policy (culminating with the debacle that is Iraq) to the many private players who daily make public decisions without public input, these manipulators both grace the front pages and operate behind the scenes. Wherever they maneuver, they flout once-sacrosanct boundaries between state and private. Profoundly original, Shadow Elite gives us the tools we need to recognize these powerful yet elusive players and comprehend the new system. Nothing less than our ability for self-government and our freedom are at stake.

A look at the world of cults and information about the intervention process.

This book reproduces in colour, with commentary and full contextual discussion, all the miniatures from unpublished illuminated manuscripts of Le Roman de la Rose in the National Library of Wales. A central work in medieval culture, the Rose was among the most consistently illustrated of medieval secular texts. By presenting all the illuminations from all five illuminated Aberystwyth manuscripts the present study enables absorbing comparisons to be made. This is a book that will stir controversy through its scepticism about moral readings of Rose illustrations and through its insistence on an "accidental" element in the interpretative value of miniatures in secular texts. It will interest anyone who studies art and literature, including students of Chaucer - a poet who absorbed the Roman de la Rose to the core by translating it. The reader is first introduced to the narrative and to characteristic sites of illustration within it. The introduction goes on to identify existing published sources of reproductions, and then to argue the crucial role that a grasp of the practical circumstances of production should play in interpreting medieval miniatures. A final complementary chapter formally describes all seven Aberystwyth Rose manuscripts.