A long-awaited history that promises to dramatically change our understanding of race in America, What Comes Naturally traces the origins, spread, and demise of miscegenation laws in the United States--laws that banned interracial marriage and sex, most often between whites and members of other races. Peggy Pascoe demonstrates how these laws were enacted and applied not just in the South but throughout most of the country, in the West, the North, and the Midwest. Beginning in the Reconstruction era, when the term miscegenation first was coined, she traces the creation of a racial hierarchy that bolstered white supremacy and banned the marriage of Whites to Chinese, Japanese, Filipinos, and American Indians as well as the marriage of Whites to Blacks. She ends not simply with the landmark 1967 case of Loving v. Virginia, in which the Supreme Court finally struck down miscegenation laws throughout the country, but looks at the implications of ideas of colorblindness that replaced them. What Comes Naturally is both accessible to the general reader and informative to the specialist, a rare feat for an original work of history based on archival research.

In this study of late nineteeth-century moral reform, Peggy Pascoe examines four specific cases--a home for Chinese prostitutes in San Francisco, California; a home for polygamous Mormon women in Salt Lake City, Utah; a home for unmarried mothers in Denver, Colorado; and a program for American Indians on the Omaha Reservation in Nebraska--to tell the story of the women who established missionary rescue homes for women in the American West. Focusing on two sets of relationships--those between women reformers and their male opponents, and those between women reformers and the various groups of women they sought to shelter--Pascoe traces the gender relations that framed the reformers' search for female moral authority, analyzes the interaction between women reformers and the women who entered the rescue homes, and raises provocative questions about historians' understanding of the dynamics of social feminism, social control, and intercultural relations.

High school and the difficult terrain of sexuality and gender identity are brilliantly explored in this smart, incisive ethnography. Based on eighteen months of fieldwork in a racially diverse working-class high school, Dude, You're a Fag sheds new light on masculinity both as a field of meaning and as a set of social practices. C. J. Pascoe's unorthodox approach analyzes masculinity as not only a gendered process but also a sexual one. She demonstrates how the "specter of the fag" becomes a disciplinary mechanism for regulating heterosexual as well as homosexual boys and how the "fag discourse" is as much tied to gender as it is to sexuality.

Eighteen months of fieldwork in a racially diverse working-class high school this is an exploration of the dynamics of masculinity among boys.

THE DEBUT NOVEL FROM THE BESTSELLING AND AWARD-WINNING COMEDIAN, WRITER AND ACTOR SARA PASCOE 'Moving and bittersweet and clever . . . I love it.' EMMA JANE UNSWORTH 'Hilarious and heartbreaking at every sentence.' CARIAD LLOYD 'Quietly profound and laughing-in-public funny.' CAITLIN MORAN 'A tragicomic masterpiece.' DAISY BUCHANAN 'A deep meditation on how it feels to be lost - in your relationship, your family, your job and even your own mind.' ELIZABETH DAY 'Funny, sad, engaging, Pascoe nails everything that confronts women today.' STYLIST 'Funny and deeply relatable.' GUARDIAN 'A tremendously exciting voice.' THE TIMES 'An incredible read.' AISLING BEA 'I loved every page.' NATHAN FILER "I USED TO THINK MY MUM COULD SEE ME THROUGH THE CAT" Deep in Essex and her own thoughts, Sophie had a feeling something was going to happen and then it did. Chris has entered the pub and re-entered her life after Sophie had finally stopped thinking about him and regretting what she'd done. Sophie has a chance at creating a new ending and paying off her emotional debts (if not her financial ones). All she has to do is act exactly like a normal, well-adjusted person and not say any of her inner monologue out loud. If she can suppress her light paranoia, pornographic visualisations and pathological lying maybe she'll even end up getting the guy she wants? Then she could dump her boyfriend Ian and try to enjoy Christmas. What readers are saying: 'Acutely and profoundly observed.' 'Brilliantly relatable and painfully honest.' 'A book that will make you laugh, think, and feel a little bit better about being yourself.' 'A funny, insightful and unusual perspective on growing into yourself.' 'This is one of the best novels I've read in a long time.'

This provocative story of contemporary high school argues that a shallow culture of kindness can do more lasting harm than good. Based on two years of research, Nice Is Not Enough shares striking dispatches from one high school's "regime of kindness" to underline how the culture operates as a Band-Aid on persistent inequalities. Through incisive storytelling and thoughtful engagement with students, this brilliant study by C.J. Pascoe exposes uncomfortable truths about American politics and our reliance on individual solutions instead of profound systemic change. Nice Is Not Enough brings readers into American High, a middle- and working-class high school characterized by acceptance, connection, and kindness—a place where, a prominent sign states, "there is no room for hate." Here, inequality is narrowly understood as a problem of individual merit, meanness, effort, or emotion rather than a structural issue requiring deeper intervention. Surface-level sensitivity allows American High to avoid "political" topics related to social inequality based on race, sex, gender, or class. Being nice to each other, Pascoe reveals, does not serve these students or solve the broader issues we face; however, a true politics of care just might.

In his celebrated manifesto, "Aircraft" (1935), the architect Le Corbusier presented more than 100 photographs celebrating airplanes either in imperious flight or elegantly at rest. Dwelling on the artfully abstracted shapes of noses, wings, and tails, he declared : "Ponder a moment on the truth of these objects! Clearness of function!" In Aircraft, David Pascoe follows this lead and offers a startling new account of the form of the airplane, an object that, in the course of a hundred years, has developed from a flimsy contraption of wood, wire and canvas into a machine compounded of exotic materials whose wings can touch the edges of space. Tracing the airplane through the twentieth century, he considers the subject from a number of perspectives: as an inspiration for artists, architects and politicians; as a miracle of engineering; as a product of industrialized culture; as a device of military ambition; and, finally, in its clearness of function, as an instance of sublime technology. Profusely illustrated and authoritatively written, Aircraft offers not just a fresh account of aeronautical design, documenting, in particular, the forms of earlier flying machines and the dependence of later projects upon them, but also provides a cultural history of an object whose very shape contains the dreams and nightmares of the modern age.

Pascoe adduces the theatrical posturing of the Della Cruscan poets, the staginess of the Marie Antoinette depicted in women's poetry, and the histrionic maneuverings of participants in the 1794 treason trials. Such public events as the trials also linked the newly powerful role of female theatrical spectator to that of political spectator. New forms of self-representation and dramatization arose as a result of that synthesis.

Discusses nearly a dozen infamous hoaxes and how they came about and why people were fooled.

Ever wonder exactly why anesthesiologists describe their job as hours of boredom, moments of panic? With gentle precision, anesthesiologist Wolf Pascoe teases apart an overlooked world and unveils the eggshell dance that takes place at the head of an operating table. A personal odyssey that goes deep into the heart of anesthesia's scariest mystery-breathing-this short book will change the way you think about life, and breath.