"Peel is by training an anthropologist, but one possessed of an acute historical sensibility. Indeed, this magnificent book achieves a degree of analytical verve rare in either discipline." —History Today "[T]his is scholarship of the highest quality. . . . Peel lifts the Yoruba past to a dimension of comparative seriousness that no one else has managed. . . . The book teems with ideas . . . about big and compelling matters of very wide interest." —T. C. McCaskie In this magisterial book, J. D. Y. Peel contends that it is through their encounter with Christian missions in the mid-19th century that the Yoruba came to know themselves as a distinctive people. Peel's detailed study of the encounter is based on the rich archives of the Anglican Church Missionary Society, which contain the journals written by the African agents of mission, who, as the first generation of literate Yoruba, played a key role in shaping modern Yoruba consciousness. This distinguished book pays special attention to the experiences of ordinary men and women and shows how the process of Christian conversion transformed Christianity into something more deeply Yoruba.

An up-to-date, comprehensive account of major issues in finitemixture modeling This volume provides an up-to-date account of the theory andapplications of modeling via finite mixture distributions. With anemphasis on the applications of mixture models in both mainstreamanalysis and other areas such as unsupervised pattern recognition,speech recognition, and medical imaging, the book describes theformulations of the finite mixture approach, details itsmethodology, discusses aspects of its implementation, andillustrates its application in many common statisticalcontexts. Major issues discussed in this book include identifiabilityproblems, actual fitting of finite mixtures through use of the EMalgorithm, properties of the maximum likelihood estimators soobtained, assessment of the number of components to be used in themixture, and the applicability of asymptotic theory in providing abasis for the solutions to some of these problems. The author alsoconsiders how the EM algorithm can be scaled to handle the fittingof mixture models to very large databases, as in data miningapplications. This comprehensive, practical guide: * Provides more than 800 references-40% published since 1995 * Includes an appendix listing available mixture software * Links statistical literature with machine learning and patternrecognition literature * Contains more than 100 helpful graphs, charts, and tables Finite Mixture Models is an important resource for both applied andtheoretical statisticians as well as for researchers in the manyareas in which finite mixture models can be used to analyze data.

Internationally acclaimed, knighted and immortalised in music's pantheon, Paul McCartney nevertheless remains one of the least fully appreciated of modern icons. Throughout his career, McCartney has initiated and participated in projects that have taken him very far away from the kind of music associated with his career in The Beatles, in Wings, and as a solo artist. From as far back as the 1960s there have been experimental solo projects, both under his own name and incognito. These include the legendary 'Carnival of Light' sixties freak-out, the Percy Thrillington diversion in the 70s, techno, ambient and chill-out releases as The Fireman, pure noise performance art as well as less-publicised activity, much of which Ian Peel now reveals in depth in print for the first time. What emerges is a unique, critical insight into an apparently over-familiar public figure - Paul McCartney, avant-garde musician. Undertaking extensive research for this book, Ian Peel interviewed many of McCartney's intimate musical associates from this less-familiar side of his career, including: Super Furry Animals - on their carrot chewing percussion and electronic sound collage collaborations. Youth - the three-times BRIT-nominated producer speaks in depth for the first time ever on his two albums of techno ambient and chill-out recorded with McCartney as The Fireman. Nitin Sawhney - on McCartney's first tentative steps into drum & bass, holed up in Sawhney's London bedsit. Richard Hewson - breaks a 20-year silence on the Thrillington project and pseudonym. David Vaughan - the renowned psychedelic artist and organiser of 60s 'happenings' airs his strong views on Carnival of Light, The Beatles' most legendary unreleased track. Other interviewees include Yoko Ono, bassist Herbie Flowers, Gong's Daevid Allen, Frank Zappa's guitarist Mike Keneally, JJ Jeczalik (Art of Noise) and members of Wings.

Score, Renald, and Pixel are snatched from different worlds and taken by Bestials to the planet Treen, where they are to be offered as a sacrifice.