Interdoc was established in 1963 by Western intelligence services as a multinational effort to coordinate an anti-communist offensive. Drawing on exclusive sources and the memories of its participants, this book charts Interdoc's campaign, the people and ideas that lay behind it and the rise and fall of this remarkable network during the Cold War.

One of the most vibrant artists of her generation, Pegi Nicol MacLeod was a charismatic bohemian whose expressive images of the contemporary world were an essential component of Canadian modernism during the 1930s and 1940s. In Pegi by Herself, the first full-length biography of Nicol MacLeod, Laura Brandon draws on the artist's remarkable autobiographical paintings and extraordinarily vivid letters. Remembered as much for her colourful life, love affairs, and significant friendships with Vincent Massey, Norman Bethune, Frank Scott, and Graham Spry as for her artistic achievement, Nicol MacLeod exhibited successfully and received significant commissions from the National Gallery of Canada to paint the wartime women's services. She was honoured there with a memorial exhibition following her early death in 1949. Lavishly illustrated, Pegi by Herself accompanies Pegi Nicol MacLeod: A Life in Art, a touring retrospective exhibition of the artist's work that opens at the Carleton University Art Gallery in February 2005, and the premiere of an NFB film biography.

Wheelock's (1886-1978) memoir is based on tape recorded interviews conducted in 1967 for the Oral History Research Office at Columbia U., with Wheelock's stipulation that they not be used until January 1, 1990. In addition to his writing of poetry as a schoolboy, and a Harvard apprenticeship, the text covers his career as a poet, his friendships with a wide range of literary figures, and the 46 years spent at Charles Scribner's Sons as an editor who assisted and then succeeded Maxwell Perkins as editor in chief. Bruccoli (English, U. of S. Carolina) is considered the leading authority on the House of Scribner and its authors. Annotation copyrighted by Book News, Inc., Portland, OR

Sealab is the underwater Right Stuff: the compelling story of how a US Navy program sought to develop the marine equivalent of the space station—and forever changed man’s relationship to the sea. While NASA was trying to put a man on the moon, the US Navy launched a series of daring experiments to prove that divers could live and work from a sea-floor base. When the first underwater “habitat” called Sealab was tested in the early 1960s, conventional dives had strict depth limits and lasted for only minutes, not the hours and even days that the visionaries behind Sealab wanted to achieve—for purposes of exploration, scientific research, and to recover submarines and aircraft that had sunk along the continental shelf. The unlikely father of Sealab, George Bond, was a colorful former country doctor who joined the Navy later in life and became obsessed with these unanswered questions: How long can a diver stay underwater? How deep can a diver go? Sealab never received the attention it deserved, yet the program inspired explorers like Jacques Cousteau, broke age-old depth barriers, and revolutionized deep-sea diving by demonstrating that living on the seabed was not science fiction. Today divers on commercial oil rigs and Navy divers engaged in classified missions rely on methods pioneered during Sealab. Sealab is a true story of heroism and discovery: men unafraid to test the limits of physical endurance to conquer a hostile undersea frontier. It is also a story of frustration and a government unwilling to take the same risks underwater that it did in space. Ben Hellwarth, a veteran journalist, interviewed many surviving participants from the three Sealab experiments and conducted extensive documentary research to write the first comprehensive account of one of the most important and least known experiments in US history.