During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.

Alexander the Great is a towering figure in world history, but despite our long-held fascination with him, his burial site is unknown. Alexander's Tomb is the epic tale of the ongoing quest to unlock one of the world's great mysteries.

Intended for laymen and students. Contains 54 "Species Accounts" : a line drawing, range map, description, habitat, behaviors, movement, reproduction, and predators for each mammal.

NEW YORK TIMES BESTSELLER • “One of our most inventive purveyors of the form returns with pitch-perfect, genre-bending stories that stare into the abyss of our national character. . . . An exquisite work from a writer whose reach is galactic.”—Oprah Daily Booker Prize winner George Saunders returns with his first collection of short stories since the New York Times bestseller Tenth of December. ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, NPR, Time, USA Today, The Guardian, Esquire, Newsweek, Kirkus Reviews, Booklist, Library Journal The “best short-story writer in English” (Time) is back with a masterful collection that explores ideas of power, ethics, and justice and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose—wickedly funny, unsentimental, and exquisitely tuned—Saunders continues to challenge and surprise: Here is a collection of prismatic, resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality. “Love Letter” is a tender missive from grandfather to grandson, in the midst of a dystopian political situation in the (not too distant, all too believable) future, that reminds us of our obligations to our ideals, ourselves, and one another. “Ghoul” is set in a Hell-themed section of an underground amusement park in Colorado and follows the exploits of a lonely, morally complex character named Brian, who comes to question everything he takes for granted about his reality. In “Mother’s Day,” two women who loved the same man come to an existential reckoning in the middle of a hailstorm. In “Elliott Spencer,” our eighty-nine-year-old protagonist finds himself brainwashed, his memory “scraped”—a victim of a scheme in which poor, vulnerable people are reprogrammed and deployed as political protesters. And “My House”—in a mere seven pages—comes to terms with the haunting nature of unfulfilled dreams and the inevitability of decay. Together, these nine subversive, profound, and essential stories coalesce into a case for viewing the world with the same generosity and clear-eyed attention Saunders does, even in the most absurd of circumstances.

By: James E. Saunders, Pub. 1899, Reprinted 2015, 556 pages, Index, ISBN #0-89308-061-6. This excellent book on the history of northern Alabama and most especially of Lawrence County is a MUST. The volume is in two parts, part one being "Recollections of the Early Settlers of North Alabama ", written by Col. Saunders. This part contains a brief history of Lawrence County, AL. and the Tennessee River Valley, sketches of many early families and personalities of the area and their origins as well as Col. Saunders writings on the Civil War. Part two, "Notes and Genealogies", was compilied by Mrs. Elizabeth Saunders Blair Stubbs, a granddaughter of Col. Saunders. The genealogies cover not only families in Northern Alabama but in other areas of the state, and also other states as well, giving much detail and family origins in this country and abroud. Among the families covered are: Banks, Bankhead, Bibbs, Billups, Blair, Cantzon, Clark, Clay, Coleman, Cox, DuBose, Dudley, Dunn, Eliott, Flint, Foster, Fry, Gholson, Goode, Gray, Harris, Hill, Hopkins, Kennedy, Lanier, Ligon, Lowe, Maclin, Manning, Maury, McCarthy, McGehee, Moore, Oliver, O'Neal, Phelan, Poellnitz, Ray, Richardson, Saunders, Shelton, Sherrod, Shorter, Speed, Swoope, Tait, Taliaferro, Thompson, Tillman, Urquhart, Walthall, Waykins, Webb, Weeden, Wells, White, Withers, Yates, and Young

This book presents modern algebra from first principles and is accessible to undergraduates or graduates. It combines standard materials and necessary algebraic manipulations with general concepts that clarify meaning and importance. This conceptual approach to algebra starts with a description of algebraic structures by means of axioms chosen to suit the examples, for instance, axioms for groups, rings, fields, lattices, and vector spaces. This axiomatic approach—emphasized by Hilbert and developed in Germany by Noether, Artin, Van der Waerden, et al., in the 1920s—was popularized for the graduate level in the 1940s and 1950s to some degree by the authors' publication of A Survey of Modern Algebra. The present book presents the developments from that time to the first printing of this book. This third edition includes corrections made by the authors.

The most complete guide to sewing basics People are always looking for ways to cut expenses and be creative and stylish at the same time. Learning to sew is a great way to arm yourself with the skills to repair and create clothing and furnishings for yourself and your family for little to no cost. But learning how to sew and how to choose the tools and supplies to begin sewing can be confusing. Now, you can turn to this hands-on, friendly guide for the most up-to-date information, the best techniques, and fun projects for learning (or brushing up on) the art of sewing. Easy-to-follow instructions and step-by-step illustrations make it easier to learn Fresh new patterns, projects, stitches, and techniques for fashion and the home Budget-conscious tips for breathing new life into existing garments Complete with a section on common sewing mistakes and how to avoid them, Sewing For Dummies, 3rd edition gives you the confidence and know-how to sew like a pro.

#1 NEW YORK TIMES BESTSELLER • WINNER OF THE MAN BOOKER PRIZE The “devastatingly moving” (People) first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented One of The New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years • One of Paste’s Best Novels of the Decade Named One of the Ten Best Books of the Year by The Washington Post, USA Today, and Maureen Corrigan, NPR • One of Time’s Ten Best Novels of the Year • A New York Times Notable Book • One of O: The Oprah Magazine’s Best Books of the Year February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body. From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul. Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end? “A luminous feat of generosity and humanism.”—Colson Whitehead, The New York Times Book Review “A masterpiece.”—Zadie Smith

NEW YORK TIMES BESTSELLER • From the Booker Prize–winning author of Lincoln in the Bardo and Tenth of December comes a literary master class on what makes great stories work and what they can tell us about ourselves—and our world today. LONGLISTED FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Time, San Francisco Chronicle, Esquire, Milwaukee Journal Sentinel, Town & Country, The Rumpus, Electric Lit, Thrillist, BookPage • “[A] worship song to writers and readers.”—Oprah Daily For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times. In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity. A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.