Expository Writing It would not be rash to say that more expository thinking is done than any other kind of mental activity. The child who dismantles a clock to find its secret is doing expository thinking; the official, of however complicated a business, who ponders ways and means, is trying to satisfy his business curiosity; the artist who studies the effect of balance, of light and shade, of exclusion or inclusion, is thinking in exposition; politicians are ceaselessly active in explaining to themselves how they may, and to their constituents how they did. We cannot escape Exposition. The question then arises, since this form of writing is always with us how can we make it effective and enjoyable? All writing should be interesting; all really effective writing does interest. It may not be required that every reader be interested in every bit of writing—that would be too much to hope for in a world where sympathies are unfortunately so restricted. To peruse a directory of Bangkok, if one has no possible acquaintance in that city, might become tedious, though one might draw pleasure from the queer names and the suggestions of romance. But if one has a lost friend somewhere in New York, and hopes that the directory will achieve discovery, the bulky and endless volume immediately takes on the greatest interest. Lincoln, driven at length to write a recommendation for a book, to escape the importunities of an agent, wisely, whimsically, wrote, "This is just the right kind of book for any one who desires just this kind of book." Wide though his sympathies were, he recognized that not every one enjoys[Pg 3] everything. The problem of the writer of exposition is to make as wide an appeal as he can. Interest in reading is of two kinds: satisfaction and stimulation. And each of these may be either intellectual or emotional or both. The interest of satisfaction largely arises when the questions which the reader brings with him to his reading are answered. A reader who desires to know what is done with the by-products in a creamery, where the skim milk goes to, will be satisfied—and interested—when he learns the complete list of uses, among them the fact that skim milk is largely made into the white buttons that make our underclothing habitable. The reader who leaves an article about these by-products with the feeling that he has been only half told is sure to be dissatisfied, and therefore uninterested. In the same way, when a reader picks up an article or a book with the desire to be thrilled with romance or wonder, to be taken for the time away from the business of the world, to be wrenched with pity for suffering or with admiration for achievement—in other words, when a reader brings a hungry emotion to his reading—if he finds satisfaction, he is interested.

In Asia the "Age of Extremes" witnessed many forms of mass violence and genocide, related to the rise and fall of the Japanese Empire, the proxy wars of the Cold War, and the anti-colonial nation building processes that often led to new conflicts and civil wars. The present volume is considered an introductory reader that deals with different forms of mass violence and genocide in Asia, discusses the perspectives of victims and perpetrators alike.

Though “pejoration” is an important notion for linguistic analysis and theory, there is still a lack of theoretical understanding and sound descriptive analysis. In this timely collection, the phenomenon of pejoration is studied from a number of angles. It contains studies from phonology, morphology, syntax, semantics and pragmatics, and deals with diverse languages and their variants. The collection will appeal to all those linguists with a genuine interest in locating pejoration at the grammar-pragmatics interface.

Chess as art and recreation; checkmating combinations, endgame play, strategic principles, more. Full details and analysis of author's famous game with Emanuel Lasker. 94 diagrams; other illustrations. "Very enjoyable." — Cleveland Chess Bulletin.

Michel Geulincx is an eleven year old boy living a quiet life on an earth-like colonial planet with his adoptive parents. His life direction suddenly changes when he is offered a scholarship to a prestigious art school. But it isn’t his artistic talent that interests the recruiters. Uniquely talented and strong of character, Michel discovers his biological identity and learns he alone among the human warriors can meld with Lancelot, humanity’s most advanced weapon devised to oppose the life-eradicating berserkers. He will become a living machine dedicated to saving humanity as he takes humanity’s fight to the berserkers and to the heart of the galaxy.

Hittite prayers were at first heavily influenced by Babylonian and Hurrian prototypes, but soon developed their own creative style, highly emotional and rich in metaphors. The twenty-four prayers assembled in the volume cover the entire span of Hittite literary history. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org).