Producing Culture and Capital is a major theoretical contribution to the anthropological literature on capitalism, as well as a rich case study of kinship and gender relations in northern Italy. Drawing on ethnographic and archival research on thirty-eight firms in northern Italy's silk industry, Sylvia Yanagisako illuminates the cultural processes through which sentiments, desires, and commitments motivate and shape capitalist family firms. She shows how flexible specialization is produced through the cultural dynamics of capital accumulation, management succession, firm expansion and diversification, and the reproduction and division of firms. In doing so, Yanagisako addresses two gaps in Marx's and Weber's theories of capitalism: the absence of an adequate cultural theory of capitalist motivation and the absence of attention to kinship and gender. By demonstrating that kinship and gender are crucial in structuring capitalist action, this study reveals these two gaps to be different facets of the same omission. A process-oriented approach to class formation and class subjectivity enables the author to incorporate the material and ideological struggles within families into an analysis of class-making and self-making. Yanagisako concludes that both "provincial" and "global" capitalist orientations and strategies operate in an industry that has always been integrated into regional and international relations of production and distribution. Her approach to culture and capitalism as mutually constituted processes offers an alternative to both universal models of capitalism as a mode of production and essentialist models of distinctive "cultures of capitalism."

Federico Chabod (1901-1960) was one of Italy's best-known historians, noted for his study of Italian history in a European context. This is the first English translation of his most important book. Although he carried out his extensive archival research for this work from 1936 until 1943, the fall of fascism and Chabod's active participation in the Resistance delayed its completion. When it was published in 1951, it was immediately hailed as a masterpiece. Chabod intended to write a new kind of diplomatic history-- one in which political history is seen as part of a larger historical whole. He does not present a detailed chronological account of Italian foreign policy during the period studied, but rather the "moral and material" underpinnings of that policy. In fact, he crafts a highly developed portrait of an age, with the real subjects being the Italian state and society, the ruling class and political culture. This work offers readers a superb picture of post-Risorgimento Italy and an outstanding example of Chabod's historiographical method. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Ordinary Violence in Mussolini's Italy reveals the centrality of violence to Fascist rule, arguing that the Mussolini regime projected its coercive power deeply and diffusely into society through confinement, imprisonment, low-level physical assaults, economic deprivations, intimidation, discrimination, and other everyday forms of coercion. Fascist repression was thus more intense and ideological than previously thought and even shared some important similarities with Nazi and Soviet terror.

From the Baltic to the Black Sea, four major empires with ethnically and religiously diverse populations encountered each other along often changing and contested borders. Examining this geographically vast, multicultural region through a variety of methodological lenses, this volume offers informed and dispassionate analyses of how the many populations of these borderlands managed to coexist in a previous era and why the areas eventually descended into violence. An understanding of this region will help readers grasp the preconditions of interethnic coexistence and the causes of ethnic violence and war in many of the world's other borderlands both past and present.

This is a major new contribution to the historiography of the First World War. It examines the lively battle of ideas which helped to destroy Austria-Hungary. It also assesses, for the first time, the weapon of 'front propaganda' as used by and against the Empire on the Italian and Eastern Fronts. Based on material in eight languages, the work challenges accepted views about Britain's primacy in the field of propaganda, while casting fresh light on the creation of Yugoslavia and the viability of the Habsburg Empire in its last years.

The First World War did not end in November 1918. In Russia and Eastern Europe it finished up to a year earlier, and both there and elsewhere in Europe it triggered conflicts that lasted down to 1923. Paramilitary formations were prominent in this continuation of the war. They had some features of formal military organizations, but were used in opposition to the regular military as an instrument of revolution or as an adjunct or substitute for military forces when these were unable by themselves to put down a revolution (whether class or national). Paramilitary violence thus arose in different contexts. It was an important aspect of the violence unleashed by class revolution in Russia. It structured the counter-revolution in central and Eastern Europe, including Finland and Italy, which reacted against a mythic version of Bolshevik class violence in the name of order and authority. It also shaped the struggles over borders and ethnicity in the new states that replaced the multi-national empires of Russia, Austria-Hungary and Ottoman Turkey. It was prominent on all sides in the wars for Irish independence. In many cases, paramilitary violence was charged with political significance and acquired a long-lasting symbolism and influence. War in Peace explores the differences and similarities between these various kinds of paramilitary violence within one volume for the first time. It thereby contributes to our understanding of the difficult transitions from war to peace. It also helps to re-situate the Great War in a longer-term context and to explain its enduring impact.

After a century that has been described as the most violent in the history of humanity, Professor Richard Bessel has written an intelligent and fascinating book on the history of our violent world and how we have become obsessed about violence. He critiques the great themes of modern history from revolutionary upheavals around the globe, to the two world wars and the murder of the European Jews, to the great purges and, more recently, terrorism. Violence, it seems, is on everyone's mind. It constantly is in the news; it has given rise to an enormous historical, sociological, and philosophical literature; it occupies a prominent place in popular entertainment; and it is regarded as one of the fundamental problems affecting social, political and interpersonal relations. Bessel sheds light on this phenomenon and how our sensitivity towards violence has grown and has affected the ways in which we understand the world around us - in terms of religious faith, politics, military confrontation, the role of the state, as well as of interpersonal and intimate relations. He critiques our modern day relationship with violence and how despite its continuing and inevitable nature, we have become more committed to limiting and suppressing it. Both historically questioning and intensely evocative of the most vicious and brutal violence enacted by mankind, this book shows how the place of violence in the modern world presents a number of paradoxes and how it is an inescapable theme in human history.

In 1945, Germany experienced the greatest outburst of deadly violence that the world has ever seen. Germany 1945 examines the country's emergence from the most terrible catastrophe in modern history. When the Second World War ended, millions had been murdered; survivors had lost their families; cities and towns had been reduced to rubble and were littered with corpses. Yet people lived on, and began rebuilding their lives in the most inauspicious of circumstances. Bombing, military casualties, territorial loss, economic collapse and the processes of denazification gave Germans a deep sense of their own victimhood, which would become central to how they emerged from the trauma of total defeat, turned their backs on the Third Reich and its crimes, and focused on a transition to relative peace. Germany's return to humanity and prosperity is the hinge on which Europe's twentieth century turned. For years we have concentrated on how Europe slid into tyranny, violence, war and genocide; this book describes how humanity began to get back out.