Philip Van Buskirk enlisted in the U.S. Marines in 1846, when he was twelve years old. Beginning in 1851, he recorded his thoughts and experiences on board ship, providing a firsthand account of the countries he visited, the brawling nation in which he lived, and the everyday life and homoerotic exploits of the sailors and marines who sailed with him. In this intimate portrait, the author draws on Van Buskirk's unconventional and revelatory diaries and on social, religious, and medical writings of the time.

During the seven years of British occupation that spanned the American Revolution, communities conventionally depicted as hostile opponents were, in fact, in frequent contact.

This diary is one of the most unusual produced during the Civil War because it contains very little about military life. Early in the war Van Buskirk abandoned his regiment, working as a schoolmaster, farmhand, and casual laborer. He wrote of the suffering civilians endured at the hands of contending armies. But he also found time to chronicle his fascination with handsome young lads he encountered during his life as a deserter--unwittingly providing modern readers an illuminating glimpse of class differences and sexual mores. Naval, social and sexual historians, in particular, will find much valuable source material.

Intelligently written and attractively illustrated and designed, this study of gay and lesbian history culture in San Francisco begins with the cross-dressing practices of 18th-century Native Americans and continues through to the signing of municipal transgender laws in 1995 in the "Gay Capital of the World." Some 300 well-chosen black-and- white and color photos document the history (though none are sexually explicit, there is some nudity). Annotation copyright by Book News, Inc., Portland, OR

The Russian writer Lydia Ginzburg (1902–90) is best known for her Notes from the Leningrad Blockade and for influential critical studies, such as On Psychological Prose, investigating the problem of literary character in French and Russian novels and memoirs. Yet she viewed her most vital work to be the extensive prose fragments, composed for the desk drawer, in which she analyzed herself and other members of the Russian intelligentsia through seven traumatic decades of Soviet history. In this book, the first full-length English-language study of the writer, Emily Van Buskirk presents Ginzburg as a figure of previously unrecognized innovation and importance in the literary landscape of the twentieth century. Based on a decade's work in Ginzburg’s archives, the book discusses previously unknown manuscripts and uncovers a wealth of new information about the author’s life, focusing on Ginzburg’s quest for a new kind of writing adequate to her times. She writes of universal experiences—frustrated love, professional failures, remorse, aging—and explores the modern fragmentation of identity in the context of war, terror, and an oppressive state. Searching for a new concept of the self, and deeming the psychological novel (a beloved academic specialty) inadequate to express this concept, Ginzburg turned to fragmentary narratives that blur the lines between history, autobiography, and fiction. This full account of Ginzburg’s writing career in many genres and emotional registers enables us not only to rethink the experience of Soviet intellectuals, but to arrive at a new understanding of writing and witnessing during a horrific century.

The Revolutionary War encompassed at least two struggles: one for freedom from British rule, and another, quieter but no less significant fight for the liberty of African Americans, thousands of whom fought in the Continental Army. Because these veterans left few letters or diaries, their story has remained largely untold, and the significance of their service largely unappreciated. Standing in Their Own Light restores these African American patriots to their rightful place in the historical struggle for independence and the end of racial oppression. Revolutionary era African Americans began their lives in a world that hardly questioned slavery; they finished their days in a world that increasingly contested the existence of the institution. Judith L. Van Buskirk traces this shift to the wartime experiences of African Americans. Mining firsthand sources that include black veterans’ pension files, Van Buskirk examines how the struggle for independence moved from the battlefield to the courthouse—and how personal conflicts contributed to the larger struggle against slavery and legal inequality. Black veterans claimed an American identity based on their willing sacrifice on behalf of American independence. And abolitionists, citing the contributions of black soldiers, adopted the tactics and rhetoric of revolution, personal autonomy, and freedom. Van Buskirk deftly places her findings in the changing context of the time. She notes the varied conditions of slavery before the war, the different degrees of racial integration across the Continental Army, and the war’s divergent effects on both northern and southern states. Her efforts retrieve black patriots’ experiences from historical obscurity and reveal their importance in the fight for equal rights—even though it would take another war to end slavery in the United States.

Gay men and lesbians present humorous and hard-hitting accounts of the need to belong . . . somewhere Why would a lesbian raised in a Jewish home have a sudden desire to be a tough-talking Catholic girl? And why would a gay man travel to Ireland in a desperate attempt to escape his “hillbilly” roots? Identity Envy—Wanting to Be Who We’re Not explores the connections gay men and lesbians have to religions, races, ethnicities, classes, families of origin, and genders not their own. This unique anthology takes both humorous and serious looks at the identities of others as queer writers explore their own identity envies in personal essays, memoirs, and other creative nonfiction. Gay men, lesbians, bisexuals, transgendered, intersex, and other sexual minorities often feel marginalized by mainstream culture and have a need to belong somewhere, to claim a group as their own. This surprising book presents stories of identity envy that are humorous and hard-hitting, poignant and provocative, written with energy, wit, and candor by many of your favorite writers-and some exciting newcomers. Identity Envy—Wanting to Be Who We’re Not includes: Gerard Wozek’s King Fu-infused “Chasing the Grasshopper” Max Pierce’s fantasy of being a “Child Star” that helped him through a troubled family life Lori Horvitz’s “Shiksa in my Living Room” D. Travers Scott's “EuroTex” Perry Brass's “A Serene Invisibility: Turning Myself into a Christian Girl” Jim Tushinski’s ode to Lost in Space, “The Perfect Space Family” Al Cho’s unlikely identification with Laura Ingalls Wilder characters, “Farmer Boy” Irish-American John Gilgun wishes he could be one of those “Italian-American Boys” Joan Annsfire rejects her Jewish heritage to become Catholic schoolgirl Corinne O'Donnell in “The Promise of Redemption” Andrew Ramer’s “Tales of a Male Lesbian” city slicker Mike McGinty’s life with the cattle folk, “You Picked a Fine Time to Leave Me, Helen” and much more! Identity Envy—Wanting to Be Who We’re Not is a must-read for anyone who appreciates good writing—especially gay and lesbian readers who know what it’s like to wish you were someone else.

Winning the College Admission Game: Strategies for Parents and Studentsis an innovative book that helps parents and students of all backgrounds develop a winning strategy for getting into and succeeding at the college of their choice. In a unique “flip-book” approach, this book presents parallel content to parents and students to unveil the mystique surrounding selective college admission and to create a blueprint for parent/child collaboration. By taking this unique approach of working collaboratively toward the shared goal of finding a good college “fit,” each parent will learn how best to help his or her child, while respecting that this important rite of passage belongs to the student.

A counting book in verse about objects found on the seashore.