This intensely personal book develops a new approach to the study of action in drama. Michael Goldman eloquently applies a method based on a crucial fact: our experience of a play in the theater is almost exclusively our experience of acting. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Few aspects of American military history have been as vigorously debated as Harry Truman's decision to use atomic bombs against Japan. In this carefully crafted volume, Michael Kort describes the wartime circumstances and thinking that form the context for the decision to use these weapons, surveys the major debates related to that decision, and provides a comprehensive collection of key primary source documents that illuminate the behavior of the United States and Japan during the closing days of World War II. Kort opens with a summary of the debate over Hiroshima as it has evolved since 1945. He then provides a historical overview of thye events in question, beginning with the decision and program to build the atomic bomb. Detailing the sequence of events leading to Japan's surrender, he revisits the decisive battles of the Pacific War and the motivations of American and Japanese leaders. Finally, Kort examines ten key issues in the discussion of Hiroshima and guides readers to relevant primary source documents, scholarly books, and articles.

Why is the World Bank so successful? How has it gained power even at moments in history when it seemed likely to fall? This pathbreaking book is the first close examination of the inner workings of the Bank, the foundations of its achievements, its propensity for intensifying the problems it intends to cure, and its remarkable ability to tame criticism and extend its own reach. Michael Goldman takes us inside World Bank headquarters in Washington, D.C., and then to Bank project sites around the globe. He explains how projects funded by the Bank really work and why community activists struggle against the World Bank and its brand of development. Goldman looks at recent ventures in areas such as the environment, human rights, and good governance and reveals how—despite its poor track record—the World Bank has acquired greater authority and global power than ever before. The book sheds new light on the World Bank’s role in increasing global inequalities and considers why it has become the central target for anti-globalization movements worldwide. For anyone concerned about globalization and social justice, Imperial Nature is essential reading.

The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation.

Chronicles star baseball player Curt Flood's attempt to overthrow the "reserve" clause system of professional baseball, which bound players to teams as a form of property. Although he lost his legal battle, the Court left the door open for the players to eventually negotiate a version of "free agency."

"A Free Ballot and a Fair Count" examines the efforts by the Department of Justice to implement the federal legislation passed by Congress in 1870-71 known as the Enforcement Acts. These laws were designed to enforce the voting rights guarantees for African-Americans under the recently ratified Fifteenth Amendment. The Enforcement Acts set forth a range of federally enforceable crimes aimed at combating white southerners' attempts to deny or restrict black suffrage. There are several aspects of this work that distinguish it from other, earlier works in this area. Contrary to older interpretative studies, Goldman's primary thesis is that, the federal government's attempts to protect black voting rights in the South did not cease with the Supreme Court's hostile rulings in U.S. v. Reese and U.S. v. Cruikshank in 1875. Nor, it is argued, did enforcement efforts cease at the end of Reconstruction and the so-called Compromise of 1877. Rather, federal enforcement efforts after 1877 reflected the continued commitment of Republican Party leaders, for both humanitarian and partisan reasons, to what came to be called "the free ballot and a fair count." Another unique aspect of this book is its focus on the role of the federal Department of Justice and its officials in the South in the continued enforcement effort. Created as a cabinet-level executive department in 1870, the Justice Department proved ill-equipped to respond to the widespread legal and extra-legal resistance to black suffrage by white southern Democrats in the years during and after Reconstruction. The Department faced a variety of internal problems such as insufficient resources, poor communications, and local personnel often appointed more for their political acceptability than their prosecutorial or legal skills. By the early 1890s, when the election laws were finally repealed by Congress, enforcement efforts were sporadic at best and largely unsuccessful. The end of federal involvement, coupled with the wave of southern state constitution revisions, resulted in the disfranchisement of the vast majority of African-American voters in the South by the beginning of the Twentieth Century. It would not be until the 1960s and the "Second Reconstruction" that the federal government, and the Justice Department, would once again attempt to ensure the "free ballot and a fair count".

Why is the World Bank so successful? How has it gained power even at moments in history when it seemed likely to fall? This pathbreaking book is the first close examination of the inner workings of the Bank, the foundations of its achievements, its propensity for intensifying the problems it intends to cure, and its remarkable ability to take criticism and extend its own reach. Michael Goldman takes us inside World Bank headquarters in Washington, D. C., and then to Bank project sites around the globe. He explains how projects funded by the Bank really work and why community activists struggle against the World Bank and its brand of development. Goldman looks at recent ventures in areas such as the environment, human rights, and good governance and reveals how despite its poor track record the World Bank has acquired greater authority and global power than ever before. The book sheds new light on the World Bank s role in increasing global inequalities and considers why it has become the central target for anti-globalization movements worldwide. For anyone concerned about globalization and social justice, Imperial Nature is essential reading.

Like the famed theme park attraction and brand-new feature film that this volume examines, The Making of Disney’s Jungle Cruise takes readers on a unique and fascinating journey. It’s an odyssey through the history and legacy of one of the most original ideas ever to come out of Walt Disney’s fertile mind, first planned for the opening of his revolutionary new theme park in 1955. This book travels from the debut of what was called the Jungle River Cruise on Disneyland’s opening day, through the arrival at long last of the thrilling feature film starring Dwayne Johnson and Emily Blunt and directed by Jaume Collet-Serra.On Disneyland’s opening day of July 17, 1955, the park’s first guests boarded authentically styled riverboats to take the first Jungle Cruises. This unique riverboat-themed attraction in Adventureland takes visitors on a short journey down expertly simulated versions of the most prominent tropical rivers of the world, including the Amazon and the Nile, to witness wild animals, exotic sights, and thrills only a handful of intrepid real-world explorers had experienced in the past. A hilarious (and “punny”) Jungle Cruise skipper narrates all the sights and action from beginning to end. This Jungle Cruise experience would ultimately be woven into three other Disney parks, where the ride was likewise an opening-day attraction—simulating comedic high-adventure cruises through rivers in the continents of South America, Africa, and Asia. Fast-forward decades and, at long last, production on the movie commenced. The project was influenced by director Jaume Collet-Serra’s love of The African Queen, Indiana Jones films, and Romancing the Stone, among others, and built on the foundation of key elements of the theme park attraction. From the re-creation of the Amazon River to the film’s hilarious take on famous skipper puns and the reams of Easter eggs for longtime fans, the Jungle Cruise movie captures the same excitement and joy as the theme park attraction, and

Shakespeare's texts are seen by the poet and critic Michael Goldman as designs for theatrical experience—the complex emotional, physical, and intellectual transaction between actor and audience that brings alive Shakespeare's imagination and makes it immediate to our own. Mr. Goldman's particular concerns are these: what the audience responds to in an acted play; how Shakespeare controls and shapes this response; what the response means, and why it matters. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.