The text's elaborate illumination also brings to life a vibrant artistic center, the Monastery of Gladzor, which long ago disappeared." "The Armenian Gospels of Gladzor includes sixty color reproductions of the manuscript's illuminated pages, ten black-and-white illustrations, and two maps along with an essay that explores the book's artistic richness and theological complexity."--BOOK JACKET.

'Once Upon A Time' aims to recall the joys of childhood reading, by presenting illustrations from the collection of Victorian illustrated books amassed by Arthur & Ellen Liman.

36 splendid illustrations, accompanied by quotes from Tennyson's poem, dramatically recapture the love story of Lancelot and Guinevere, the tale of the fair Elaine, and more.

An un-cut, un-edited journey into Catalonian visual culture through illustrated books, by the most creative, provocative, and even transgressive artists from the mid 70's (during Franco's dictatorship) until the present era of globalization and mass culture. This is a presentation of compelling editorial collaborations between Catalunyas most avant-garde artists, writers, and creative book designers. An exceptional selection of 100 classic to experimental works.

. By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.

The Album of Armenian Paleography provides a comprehensive selection of some 200 definitively dated, handwritten texts, sampled from among the 30,000 manuscripts preserved in the major public collections of Europe, the Middle East, the former USSR and North America. Selected specimen pages from these manuscripts are presented in chronological order, and span the period from AD 862 to 1911. Each text is illustrated by a high-quality colour facsimile of a typical page, and is accompanied by an alphabet table for the folio in question and a sample transcription. All photographs are new, taken especially for the Album. Thanks to the large format of the volume it has been possible to show ail manuscript pages (except the very largest) in actual size. In addition, each facsimile page is accompanied by a colour enlargement of several lines of the text, enabling the reader to study the lettering in even greater detail.In a separate section, computerized tables are used to show changes in the forms of individual letters. By following the development of letter shapes, it is possible to discern the evolutionary process of the Armenian scripts in a far more detailed and sophisticated manner than the traditional division of the Armenian hands into types: erkat'agir, bologir, notrgir, Olagir, thereby providing much more precise datings than those previously available to scholars. The foundations are thus laid for a better understanding of the chronology of Armenian manuscripts and the literature and art they contain.This volume will be an indispensible tool for any serious student of the Armenian language, literature and art, and its innovative approach to the study of lettering will be ofinterest to paleographers and codicologists.

This splendid celebration of the many breeds of domesticated cats and their intriguing histories will enthrall and delight cat fanciers of every persuasion. Full-color illustrations.

French Illuminated Manuscripts in the J. Paul Getty Museum introduces the public to the richness of the J. Paul Getty Museum's holdings in French manuscripts from the ninth to the eighteenth century. This volume includes full-color reproductions of masterpieces from such works as a bible from ninth-century Tours; a sacramentary attributed to Nivardus of Milan from the first quarter of the eleventh century; the Shah Abbas Bible, made in northern France about 1250; a book of hours made in the atelier of the Bedford Master in Paris about 1450; and a book of prayers of the mass, written and illuminated in Paris by Jean Pierre Rousselet about 1720-30. It also includes many multiple illuminations from such manuscripts as a psalter by the Master of the Ingeborg Psalter, made after 1205 and probably in Noyon; the Wenceslaus Psalter from 1250; and the Boucicaut Master's illuminated manuscript of Boccaccio's Des cas des nobles hommes et femmes from about 1415. French Illuminated Manuscripts in the J. Paul Getty Museum introduces the public to the richness of the J. Paul Getty Museum's holdings in French manuscripts from the ninth to the eighteenth century. This volume includes full-color reproductions of masterpieces from such works as a bible from ninth-century Tours; a sacramentary attributed to Nivardus of Milan from the first quarter of the eleventh century; the Shah Abbas Bible, made in northern France about 1250; a book of hours made in the atelier of the Bedford Master in Paris about 1450; and a book of prayers of the mass, written and illuminated in Paris by Jean Pierre Rousselet about 1720-30. It also includes many multiple illuminations from such manuscripts as a psalter by the Master of the Ingeborg Psalter, made after 1205 and probably in Noyon; the Wenceslaus Psalter from 1250; and the Boucicaut Master's illuminated manuscript of Boccaccio's Des cas des nobles hommes et femmes from about 1415.