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  • Book cover of A Distant Mirror

    A “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August *Lawrence Wright, author of The End of October, in The Wall Street Journal The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.” Praise for A Distant Mirror “Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books “A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal “Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary NOTE: This edition does not include color images.

  • Book cover of The Arcades Project

    Focusing on the arcades of 19th-century Paris--glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources. 46 illustrations.

  • Book cover of Holy Blood, Holy Grail

    The authors present reasons why they believe Jesus did not die on the cross, but instead married Mary Magdalene and had a child creating a blood line that lives on in the modern world.

  • Book cover of The Cheese and the Worms

    A survey of popular culture in 16th century Italy.

  • Book cover of Castaways

    Castaways (or Naufragios) is the first major narrative of the exploration of North America by Europeans (1528-1536). It is also an enthralling story of adventure and survival against unimaginable odds. Its author, Alvar Nunez Cabeza de Vaca, a fortune-seeking sixteenth-century Spanish nobleman, was the treasurer of an expedition to claim for the Spanish Crown a vast area that includes today's Florida, Louisiana, and Texas. A shipwreck forced him and a handful of men to make the long journey to the West coast, where they would meet up with Hernan Cortes, on foot. They endured unspeakable hardships, some of them surviving only by eating the dead. Others, including Cabeza de Vaca joined native peoples he met along the way, learning their languages and practices, and serving them as a slave and later as a physician. When after eight years he finally reached the West, he was not recognized by his compatriots. Cabeza de Vaca displays great interest in the cultures - so alien to his own - of the native peoples he encountered on his odyssey, observing their customs and belief systems with a degree of sophistication and sensitivity unusual in the conquistador. As he forged intimate bonds with some of them, sharing their brutal living conditions and curing their sick, he found himself on a voyage of self-discovery that was to make his reunion with his fellow Spaniards less joyful than expected. Cabeza de Vaca's narrative is a marvelously gripping story, but it is also much more. It is a first-hand account of sixteenth-century Spanish colonization, of the encounter between the conquistador and the Native American, of the aspirations and fears of exploration. It is a trove of ethnographic information, its descriptions and interpretations of native peoples' cultures making it a powerful precursor to modern anthropology. And it is a masterpiece of exploration writing, its author keenly aware of the fictive thrust that often energizes the writing of history.

  • Book cover of Magnetic Mountain

    "A kind of archaeological analysis of Soviet life during the momentous years of Stalinist industrialization."—Lewis Siegelbaum, Michigan State University

  • Book cover of The Great Sea

    "First published in Great Britain in 2011 by Allen Lane"--T.p. verso.

  • Book cover of Rise And Fall Of The Third Reich

    The classic history of Adolph Hitler's rise to power and his dramatic defeat.

  • Book cover of Enlightenment Contested

    This is a managerial survey and reinterpretation of the Enlightenment. The text offers an assessment of the nature and development of the important currents in philosophical thinking arguing that supposed national enlightenments are of less significance than the rift between conservative and radical thought.

  • Book cover of The Habsburg Empire

    A EuropeNow Editor’s Pick A Choice Outstanding Academic Title of the Year “Pieter M. Judson’s book informs and stimulates. If his account of Habsburg achievements, especially in the 18th century, is rather starry-eyed, it is a welcome corrective to the black legend usually presented. Lucid, elegant, full of surprising and illuminating details, it can be warmly recommended to anyone with an interest in modern European history.” —Tim Blanning, Wall Street Journal “This is an engaging reappraisal of the empire whose legacy, a century after its collapse in 1918, still resonates across the nation-states that replaced it in central Europe. Judson rejects conventional depictions of the Habsburg empire as a hopelessly dysfunctional assemblage of squabbling nationalities and stresses its achievements in law, administration, science and the arts.” —Tony Barber, Financial Times “Spectacularly revisionist... Judson argues that...the empire was a force for progress and modernity... This is a bold and refreshing book... Judson does much to destroy the picture of an ossified regime and state.” —A. W. Purdue, Times Higher Education “Judson’s reflections on nations, states and institutions are of broader interest, not least in the current debate on the future of the European Union after Brexit.” —Annabelle Chapman, Prospect