The first of John McPhee’s works in his series on geology and geologists, Basin and Range is a book of journeys through ancient terrains, always in juxtaposition with travels in the modern world—a history of vanished landscapes, enhanced by the histories of people who bring them to light. The title refers to the physiographic province of the United States that reaches from eastern Utah to eastern California, a silent world of austere beauty, of hundreds of discrete high mountain ranges that are green with junipers and often white with snow. The terrain becomes the setting for a lyrical evocation of the science of geology, with important digressions into the plate-tectonics revolution and the history of the geologic time scale.

C.S. Lewis’s Classic Work that Is Number 7 on National Review’s List of “100 Best Nonfiction Books of the Twentieth Century” In The Abolition of Man, C.S. Lewis sets out to persuade his audience of the importance and relevance of universal values such as courage and honor in contemporary society. Both astonishing and prophetic, The Abolition of Man is one of the most debated of Lewis’s extraordinary works.

Castaways (or Naufragios) is the first major narrative of the exploration of North America by Europeans (1528-1536). It is also an enthralling story of adventure and survival against unimaginable odds. Its author, Alvar Nunez Cabeza de Vaca, a fortune-seeking sixteenth-century Spanish nobleman, was the treasurer of an expedition to claim for the Spanish Crown a vast area that includes today's Florida, Louisiana, and Texas. A shipwreck forced him and a handful of men to make the long journey to the West coast, where they would meet up with Hernan Cortes, on foot. They endured unspeakable hardships, some of them surviving only by eating the dead. Others, including Cabeza de Vaca joined native peoples he met along the way, learning their languages and practices, and serving them as a slave and later as a physician. When after eight years he finally reached the West, he was not recognized by his compatriots. Cabeza de Vaca displays great interest in the cultures - so alien to his own - of the native peoples he encountered on his odyssey, observing their customs and belief systems with a degree of sophistication and sensitivity unusual in the conquistador. As he forged intimate bonds with some of them, sharing their brutal living conditions and curing their sick, he found himself on a voyage of self-discovery that was to make his reunion with his fellow Spaniards less joyful than expected. Cabeza de Vaca's narrative is a marvelously gripping story, but it is also much more. It is a first-hand account of sixteenth-century Spanish colonization, of the encounter between the conquistador and the Native American, of the aspirations and fears of exploration. It is a trove of ethnographic information, its descriptions and interpretations of native peoples' cultures making it a powerful precursor to modern anthropology. And it is a masterpiece of exploration writing, its author keenly aware of the fictive thrust that often energizes the writing of history.

NEW YORK TIMES BESTSELLER • “From The New Yorker’s beloved cultural critic comes a bold, unflinching collection of essays about self-deception, examining everything from scammer culture to reality television.”—Esquire Book Club Pick for Now Read This, from PBS NewsHour and The New York Times • “A whip-smart, challenging book.”—Zadie Smith • “Jia Tolentino could be the Joan Didion of our time.”—Vulture FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE’S JOHN LEONARD PRIZE FOR BEST FIRST BOOK • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY AND HARVARD CRIMSON AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • Chicago Tribune • The Washington Post • NPR • Variety • Esquire • Vox • Elle • Glamour • GQ • Good Housekeeping • The Paris Review • Paste • Town & Country • BookPage • Kirkus Reviews • BookRiot • Shelf Awareness Jia Tolentino is a peerless voice of her generation, tackling the conflicts, contradictions, and sea changes that define us and our time. Now, in this dazzling collection of nine entirely original essays, written with a rare combination of give and sharpness, wit and fearlessness, she delves into the forces that warp our vision, demonstrating an unparalleled stylistic potency and critical dexterity. Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about how hard it is to see ourselves clearly through a culture that revolves around the self. In each essay, Tolentino writes about a cultural prism: the rise of the nightmare social internet; the advent of scamming as the definitive millennial ethos; the literary heroine’s journey from brave to blank to bitter; the punitive dream of optimization, which insists that everything, including our bodies, should become more efficient and beautiful until we die. Gleaming with Tolentino’s sense of humor and capacity to elucidate the impossibly complex in an instant, and marked by her desire to treat the reader with profound honesty, Trick Mirror is an instant classic of the worst decade yet. FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY

This volume contains Edwards' most mature and persistent attempt to judge the validity of the religious development in eighteenth-century America known as the Great Awakening. In developing criteria for such judgment he attacked at the same time one of the fundamental questions facing all religion: how to distinguish genuine from spurious piety? The Awakening created much bitter controversy; on the one side stood the emotionalists and enthusiasts, and on the other the rationalists, for whom religion was essentially a matter of morality or good conduct and the acceptance of properly formulated doctrine. Edwards, with great analytical skill and enormous biblical learning, showed that both sides were in the wrong. He attacked both a ?lifeless morality” as too pale as to be the essence of religion, and he rejected the excesses of a purely emotional religion more concerned for sensational effects than for the inner transformation of the self, which was, for him, the center of genuine Christianity.

The tale of a Mohican brave's struggle to protect two English girls from an evil Huron.

Selections from the books, notes, and letters of this 19th century philosopher.

Introduction by Mary Oliver Commentary by Henry James, Robert Frost, Matthew Arnold, Oliver Wendell Holmes, and Henry David Thoreau The definitive collection of Emerson’s major speeches, essays, and poetry, The Essential Writings of Ralph Waldo Emerson chronicles the life’s work of a true “American Scholar.” As one of the architects of the transcendentalist movement, Emerson embraced a philosophy that championed the individual, emphasized independent thought, and prized “the splendid labyrinth of one’s own perceptions.” More than any writer of his time, he forged a style distinct from his European predecessors and embodied and defined what it meant to be an American. Matthew Arnold called Emerson’s essays “the most important work done in prose.” INCLUDES A MODERN LIBRARY READING GROUP GUIDE

Comments on the upper classes and religious institutions of the Renaissance through the personification of traits such as folly, wealth, and flattery.

Florus, born apparently in Africa, lived in Spain and in Rome in Hadrian's time. He wrote, in brief pointed rhetorical style, a summary of Roman history (especially wars) in two books in order to show the greatness and decline of Roman morals. It is based chiefly on Livy. It was perhaps planned to reach his own times, but the extant work ends with Augustus's reign (30 BCE-14 CE). This Epitome is a useful rapid sketch of Roman military history. Poetry by Florus is also available in the Loeb Classical Library, in Minor Latin Poets, Volume II.