Examines the horror, supernatural, fantasy, and quasi-science fiction written by six masters from the genre's heyday, 1880-1940. Rigorous literary criticism, but also accessible to the nonscholar fan. Paper edition available at $12.95 (ISBN 0-292-79057-0). Annotation copyrighted by Book News, Inc., Portland, OR

Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having their wits scared out of them. What, after all, are those "paradoxes of the heart" that make us want to be horrified?

From the New York Times best-selling author of The Southern Book Club's Guide to Slaying Vampires comes a nostalgic and unflinchingly funny celebration of the horror fiction boom of the 1970s and ’80s. Take a tour through the horror paperback novels of two iconic decades . . . if you dare. Page through dozens and dozens of amazing book covers featuring well-dressed skeletons, evil dolls, and knife-wielding killer crabs! Read shocking plot summaries that invoke devil worship, satanic children, and haunted real estate! Horror author and vintage paperback book collector Grady Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary’s Baby. Complete with story summaries and artist and author profiles, this unforgettable volume dishes on familiar authors like V. C. Andrews and R. L. Stine, plus many more who’ve faded into obscurity. Also included are recommendations for which of these forgotten treasures are well worth your reading time and which should stay buried.

This "vigorous, witty look at the undead as cultural icons in 19th- and 20th-century England and America" examines the many meanings of the vampire myth ( Kirkus Reviews). From Byron's Lord Ruthven to Anne Rice's Lestat to the black bisexual heroine of Jewelle Gomez's The Gilda Stories, vampires have taken many forms, capturing and recapturing our imaginations for centuries. In Our Vampires, Ourselves, Nina Auerbach explores the rich history of this literary and cultural phenomenon to illuminate how every age embraces the vampire it needs—and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach follows the evolution of the vampire from 19th century England to 20th century America. Using the mercurial figure as a lens for viewing the last two hundred years of Anglo-American cultural history, "this seductive work offers profound insights into many of the urgent concerns of our time" (Wendy Doniger, The Nation).

“The Stephen King companion to end all Stephen King companions . . . An indispensable insider’s guide” to his influences, stories, adaptations, and more (Publishers Weekly). The Stephen King Universe is a vast expanse of grotesque horror, dark magic, and fearsome wonder. Conjured from on man’s imagination, it is an ever-expanding kingdom of twisting, dark pathways—a place where one might easily get lost without guidance. The Complete Stephen King Universe is the only definitive reference work that examines all of Stephen King’s novels, short stories, motion pictures, miniseries, and teleplays, and deciphers the threads that connect all of his work. This ultimate resource includes in-depth story analyses, character breakdowns, little-known facts, and startling revelations on how the plots, themes, characters, and conflicts intertwine.

Goethe is the most famous German author, and the poetic drama Faust, Part I (1808) is his best-known work, one that stands in the company of other leading canonical works of European literature such as Dante’s Inferno and Shakespeare’s Hamlet. This is the first new translation into English since David Constantine’s 2005 version. Why another translation when there are several currently in print? To invoke Goethe’s own authority when speaking of his favorite author, Shakespeare, Goethe asserts that so much has already been said about the poet-dramatist “that it would seem there’s nothing left to say,” but adds, “yet it is the peculiar attribute of the spirit that it constantly motivates the spirit.” Goethe’s great dramatic poem continues to speak to us in new ways as we and our world continually change, and thus a new or updated translation is always necessary to bring to light Faust’s almost inexhaustible, mysterious, and enchanting poetic and cultural power. Eugene Stelzig’s new translation renders the text of the play in clear and crisp English for a contemporary undergraduate audience while at the same time maintaining its leading poetic features, including the use of rhyme. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Johann Wolfgang von Goethe's poetic drama Faust, A Tragedy is his best-known work and a classic of world literature. Stelzig's beautiful new translation shines new light on Faust's almost inexhaustible, mysterious, and enchanting poetic and cultural power.

This celebrated Gothic novel is explored through essays providing critical, historical, anthropological, philosophical and intellectual contexts that serve to further the understanding and appreciation of Dracula in all its many guises. Together the essays offer exciting new critical approaches to the most famous vampire in literature and film.

The Legend of Sleepy Hollow is a gothic story by American author Washington Irving, contained in his collection of 34 essays and short stories entitled The Sketch Book of Geoffrey Crayon, Gent.Written while Irving was living abroad in Birmingham, England, The Legend of Sleepy Hollow was first published in 1820.Along with Irving's companion piece Rip Van Winkle, The Legend of Sleepy Hollow is among the earliest examples of American fiction with enduring popularity, especially during Halloween because of a character known as the Headless Horseman believed to be a Hessian soldier who was decapitated by a cannonball in battle.Washington Irving (April 3, 1783 November 28, 1859) was an American short-story writer, essayist, biographer, historian, and diplomat of the early 19th century.He is best known for his short stories Rip Van Winkle (1819) and The Legend of Sleepy Hollow (1820), both of which appear in his collection The Sketch Book of Geoffrey Crayon, Gent.His historical works include biographies of Oliver Goldsmith, Muhammad and George Washington, as well as several histories of 15th-century Spain that deal with subjects such as Alhambra, Christopher Columbus and the Moors.

Describes the medieval concept of the devil, discusses witchcraft and devil folklore, and examines the depiction of evil in art and literature of the period.