For Merini, it seems, the Holy Land is not the Promised Land of Canaan, but the forty years spent getting there, coming to terms with the terrifying atrocities of hell, the mystical ecstasies of paradise, and the "intense pain...of plunging back into the banality of daily living." Merini's wandering may be understood as the poet's search for the obscure laws which govern her visions, metamorphoses, and creations."--BOOK JACKET.

Originally published: New York: Random House, 1947.

One of the Top 10 "Books We Love" --Fresh Air The definitive edition of Emily Dickinson's correspondence, expanded and revised for the first time in over sixty years. Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections--alternately humorous, provocative, affectionate, and philosophical--with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter. The Letters of Emily Dickinson is the first collected edition of the poet's correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 "letter-poems" that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson's writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time. Dickinson's letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance.

The editor presents an edition that approximates the traditional Middle English version of Chaucer's classic fourteenth-century poem about the love that develops between Troilus and Criseyde in the midst of the siege of Troy that ends in betrayal and death.

Volume 1 of this comprehensive anthology features a generous selection of Native American materials, then spans the years from the establishment of the American colonies to about 1900, a world on the brink of World War I and the modern era.

Paterson is both a place--the New Jersey city in whom the person (the poet's own life) and the public (the history of the region) are combined. Originally four books (published individually between 1946 and 1951), the structure of Paterson (in Dr. Williams' words) "follows the course of teh Passaic River" from above the great falls to its entrance into the sea. The unexpected Book Five, published in 1958, affirms the triumphant life of the imagination, in spite of age and death. This revised edition has been meticulously re-edited by Christopher MacGowan, who has supplied a wealth of notes and explanatory material.

This is the first introduction to rhythm and meter that begins where students are: as speakers of English familiar with the rhythms of ordinary spoken language, and of popular verse such as nursery rhymes, songs, and rap. Poetic rhythm builds on this knowledge and experience, taking the reader from the most basic questions about the rhythms of spoken English to the elaborate achievements of past and present poets. Terminology is straightforward, the simple system of scansion that is introduced is suitable for both handwriting and computer use, and there are frequent practical exercises. Chapters deal with the elements of verse, English speech rhythms, the major types of metrical poetry, free verse, and the role of sense and syntax. Poetic rhythm will help readers of poetry experience and enjoy its rhythms in all their power, subtlety, and diversity, and will serve as an invaluable tool for those who wish to write or discuss poetry in English at a basic as well as a more advanced level.

"Gripping... Lombardo's achievement is all the more striking when you consider the difficulties of his task... (He) manages to be respectful of Homer's dire spirit while providing on nearly every page some wonderfully fresh refashioning of his Greek. The result is a vivid and disarmingly hardbitten reworking of a great classic." — Daniel Mendelsohn, The New York Times Book Review

Ford (classics, Princeton U.) addresses the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Annotation copyrighted by Book News, Inc., Portland, OR

For more than two millennia, Homer's poetry has stirred the imagination of its readers. Originally recited by traveling bards, these poems are exceptionally rich in conventional elements that helped the poets remember works thousands of lines long. As dynamic ingredients of oral poetry, these elements have accrued deep meaning, and for a well-informed audience they call significant associations to mind. In The Stranger's Welcome, Steve Reece treats eighteen "hospitality" scenes in the Iliad, the Odyssey, and the Homeric Hymns and reveals key aspects and standard elements of such scenes. Further, he demonstrates how Homeric listeners might comprehend the new and innovative by relying on their knowledge of the conventional and familiar. This tension between conventional and innovative, between the traditional background and the individual performance, distinguishes the aesthetics of Homeric poetry. Of interest to students and scholars of oral poetry, folklore, Homeric literature, and Greek literature in general, The Stranger's Welcome offers a practical approach whereby a reading audience may understand a hearing one.