Forged in the fires of the Bronx and Kingston, Jamaica, Hip Hop has been a generation-defining movement. In a post-civil rights era transformed by deindustrialisation and globalisation, Hip Hop became a job-making engine and forever transformed politics and culture. Based on more than a decade of original interviews with DJs, b-boys, graffitti writers, gang members and rappers, and featuring unforgettable portraits of many of Hip Hop's forbears and mavericks, this book chronicles the rise and rise of this movement through vivid cultural criticism and detailed narrative.

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Includes primary source material in the form of photographs, transcripts, etc.

This book explores the technical and aesthetic legacy of Igor Stravinsky.

For understanding his references to places and events, and provide linguistic details about the originals that would otherwise pass unnoticed.

The Danger of Music gathers some two decades of Richard Taruskin's writing on the arts and politics, ranging in approach from occasional pieces for major newspapers such as the New York Times to full-scale critical essays for leading intellectual journals. Hard-hitting, provocative, and incisive, these essays consider contemporary composition and performance, the role of critics and historians in the life of the arts, and the fraught terrain where ethics and aesthetics interact and at times conflict. Many of the works collected here have themselves excited wide debate, including the title essay, which considers the rights and obligations of artists in the aftermath of the 9/11 terrorist attacks. In a series of lively postscripts written especially for this volume, Taruskin, America's "public" musicologist, addresses the debates he has stirred up by insisting that art is not a utopian escape and that artists inhabit the same world as the rest of society. Among the book's forty-two essays are two public addresses—one about the prospects for classical music at the end of the second millennium C. E., the other a revisiting of the performance issues previously discussed in the author's Text and Act (1995)—that appear in print for the first time.

Meyer makes a valuable statement on aesthetics, criteria for assessing great works of music, compositional practices and theories of the present day, and predictions of the future of Western culture. His postlude, written for the book's twenty-fifth anniversary, looks back at his thoughts on the direction of music in 1967.

This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the "claves" appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more.

First Published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.

It's the real stories, not the publicists' confections, that concern Colin Escott. We hear Perry Como's story in his own words: it wasn't all smooth. We learn about the astonishing twists and turns in Roy Orbison's life, and the stories behind the songs we know so well. And we go down with Vernon Oxford, the last great honky tonk singer, who came to Nashville just a little too late. These are stories for anyone who loves what Escott calls "little songs from great sorrows." They will fascinate even the most casual fan of popular music, and they're told here in sympathetic, engaging, and illuminating prose.