In the pell-mell of life, who has not sometimes felt overwhelmed? The mind seems to be in endless churn...leading us in circles of despair, anger and frustration... Where do we turn when we are floundering? The answer lies within. Windmills offers practical and sustainable ways forward through Effective Mind Control (EMC). How to control your temper. How to cultivate patience. How to face grief. How to deal with guilt. How to escape from the well of sudden disappointment How not to feel dissatisfied with life. How to avoid despair over the lack of meaning in your life. These pages abridge the behavioral aspects of the AI thesis about the mind on the Effective Mind Control website. EMC has drawn keen interest from around the world, logging over half a million page views from over 150 countries. EMC assumes that IA, an intuitive algorithm, enables the mind to apply inductive reasoning to manage attitudes and behaviours. Windmills suggests simple mental and physical exercises, followed by wise men across the centuries, to change our own views and actions...pointing the way towards a positive life experience.

Seeks to explore the role of the Christian community in the Indian secular state. Although the Indian Christian community forms only 2.4 percent of the population, it has played an important part in the social, educational, political, and religious spheres of the recent life of India.

"Published in conjunction with the exhibition of the same name, on view at the Renwick Gallery of the Smithsonian American Art Museum, Washington, DC, from November 9, 2018 through May 5, 2019."

This timely issue of the Bulletin brings together fourteen voices from across curatorial departments and Met Trustees to consider how artists and cultures throughout history have explored the nature of leadership, interrogated the workings of society, and redefined the ideals of freedom and democracy. The essays in this issue center around one of three different themes: the ways societies are formed through collective collaboration, the symbols of leadership and civilization, and the images of leaders that commemorate, mythologize, or even obscure those who govern. By expanding worldviews and building bridges among disparate experiences, The Met plays a vital part in considering the definition of leadership and what it means to build a society. This volume asserts museums’ roles as keepers of histories and places of reflection and learning. As stewards of five thousand years of art from around the globe, The Met is privileged to preserve, share, and reevaluate the countless stories told by the objects in its collection while connecting them to the present day.

Lauren Halsey is known for her sculptures, mixed media works, and site-specific installations that remix (or, as Halsey says, “funkify”) history by combining signs, symbols, and architecture from the past, present, and future. In her new installation for The Met’s Roof Garden Commission series, she brings together ancient Egyptian–inspired iconography and sculpture with signage and texts drawn from the artist’s local community in South Central Los Angeles. Accompanied by new photography and unpublished sketches from Halsey’s studio, this compact volume contains an insightful essay by curator Abraham Thomas that examines Halsey’s artistic process and considers this installation in the context of her past work. In a revealing interview with poet Douglas Kearney, the artist discusses her diverse influences—which include ancient Egyptian relief carving, funk music, Afrofuturism, and the architecture of L.A.—and elaborates on the importance of community building and engagement in the spaces she creates.

Architect Paul Rudolph (1918–1997) was known for his iconic modern houses and exemplary Brutalist buildings in exposed concrete. Rudolph’s popularity peaked during the 1950s and 1960s, when he served as the chair of Yale University’s Department of Architecture, but his work fell from favor with the advent of postmodernism in the 1970s. This compact volume provides an introduction to and long-overdue reassessment of the architect’s trailblazing career, from his modernist Florida houses to his public and institutional buildings, unrealized megastructures, experimental interiors, and later mixed use developments in Asia. Abraham Thomas examines how Rudolph explored concepts such as functionalism, urbanism, and modular construction across decades and continents. Richly illustrated with photographs of the structures and Rudolph’s own drawings as well as models, furniture, and period press clippings, this book sheds light on the architect’s process and takes up themes as important in his time as in our own, such as civic design, housing development, and experimental materials and methods.