When Miles Garth locks himself in an upstairs room during a dinner party and communicates only through notes slipped under the door, his involuntary hosts beg help from childhood friend Anna, who is unwittingly thrust into the family's surreal world. By the Whitbread Award-winning author of The Accidental.

MAN BOOKER PRIZE FINALIST • A novel all about art's versatility, borrowing from painting’s fresco technique to make an original literary double-take. "Cements Smith’s reputation as one of the finest and most innovative of our contemporary writers. By some divine alchemy, she is both funny and moving; she combines intellectual rigor with whimsy" —The Los Angeles Review of Books One of the New York Times’s 100 Best Books of the 21st Century How to be both is a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real—and all life’s givens get given a second chance. Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith’s novels are like nothing else. A NOTE TO THE READER: Who says stories reach everybody in the same order? This novel can be read in two ways, and the eBook provides you with both. You can choose which way to read the novel by simply clicking on one of two icons—CAMERA or EYES. The text is exactly the same in both versions; the narratives are just in a different order. The ebook is produced this way so that readers can randomly have different experiences reading the same text. So, depending on which icon you select, the book will read: EYES, CAMERA, or CAMERA, EYES. (Your friend may be reading it the other way around.) Enjoy the adventure. (Having both versions in the same file is intentional.)

From the critically acclaimed, award-winning author comes a collection of uniquely inventive stories that thread the labyrinth of coincidence, chance, and connections missed and made. What happens when you run into Death in a busy train station? (You know he’s Death because when he smiles, your cell phone goes dead.) What if your lover falls in love with a tree? Should you be jealous? From the woman pursued by a band of bagpipers in full regalia to the artist who’s built a seven-foot boat out of secondhand copies of The Great Gatsby, Smith’s characters are offbeat, charming, sexy, and as wonderfully complex as life itself.

A NEW YORK TIMES NOTABLE BOOK OF 2022 “Think of [Companion Piece] as a B-side to the seasonal quartet—more up-to-the-minute observations of our confusing world, more playful language to get lost in.” • ONE OF THE MOST ACCLAIMED BOOKS OF 2022—The National UK, The Guardian, iNews, Financial Times, Daily Mail UK, The Irish Times, Evening Standard, New Statesman, The Scotsman, Waterstones, Book Bar A story is never an answer. A story is always a question. Here we are in extraordinary times. Is this history? What happens when we cease to trust governments, the media, each other? What have we lost? What stays with us? What does it take to unlock our future? Following her astonishing quartet of Seasonal novels, Ali Smith again lights a way for us through the nightmarish now, in a vital celebration of companionship in all its forms. Every hello, like every voice, holds its story ready, waiting.

BOOKER PRIZE FINALIST • Forget room service: this is a riotous elegy, a deadpan celebration of colliding worlds, and a spirited defense of love. Blending incisive wit with surprising compassion, Hotel World is a wonderfully invigorating, life-affirming book. Five people: four are living; three are strangers; two are sisters; one, a teenage hotel chambermaid, has fallen to her death in a dumbwaiter. But her spirit lingers in the world, straining to recall things she never knew. And one night all five women find themselves in the smooth plush environs of the Global Hotel, where the intersection of their very different fates make for this playful, defiant, and richly inventive novel.

“A stimulating combination of literary criticism, essay, and fiction” (The New Yorker) from the incomparable Ali Smith Artful is a celebration of literature’s worth in and to the world—it is about the things art can do, the things art is made of, and the quicksilver nature of all artfulness. A magical hybrid that refuses to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted—literally—by a former lover, the writer of a series of lectures about art and literature. Ali Smith’s heady powers as a novelist and short story writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.

From a literary master, a moving and genre-bending story about our era-spanning search for meaning and knowing Set in an uncertain future, where children are recruited by the surveillance state and new boundaries are drawn between people daily, Gliff begins when two siblings, Rose and Briar, are deposited by their mother's partner, Leif, in an empty house, in a city entirely new to them. Left alone while Leif goes to get their mother, the children must fend for themselves for the first time in their lives, subsisting off canned goods and tentatively venturing into their new surroundings. Their most constant companion a horse they've found in the pasture out back, a horse they name Gliff, a horse slated to be taken to the slaughterhouse in a few days. From a Scottish word meaning a "transient moment" or "faint glimpse," Gliff explores how and why we endeavour to make a mark on the world. In a time when western industry wants to reduce us to algorithms and data—something easily categorizable and predictable—Smith shows us why our humanity, our individual complexities, matters more than ever.

In these energetic, exhilarating stories, Ali Smith portrays a world of everyday dislocation, where people nevertheless find connection, mystery, and love. In “Astute Fiery Luxurious,” a fetid misdelivered package throws the life of a couple into disarray. A boy’s mysterious illness in “I Know Something You Don’t Know” drives his mother to seek guidance from homeopathic healers, with inconclusive results. In “The Child,”an unnervingly mature young boy voices offensive humor that genteel society would rather not acknowledge. And a woman meets her fourteen-year-old self but can’t figure out how to guide her--or even whether she should in “Writ.” As Smith explores the subtle links between what we know and what we feel, she creates an exuberant, masterly collection that is packed full of ideas, humor, nuance, and compassion. Ali Smith and the short story ae made for each other.

A collection of short stories that share the same theme of examining the distances and connections between people.

From Man Booker Prize Finalist Ali Smith, Winter is the second novel in her Seasonal Quartet. This much-anticipated follow-up to Autumn is one of the Best Books of the Year from the New York Public Library. “A stunning meditation on a complex, emotional moment in history.” —Time Winter. Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. And now Art’s mother is seeing things. Come to think of it, Art’s seeing things himself. When four people, strangers and family, converge on a fifteen-bedroom house in Cornwall for Christmas, will there be enough room for everyone? Winter. It makes things visible. Ali Smith’s shapeshifting Winter casts a warm, wise, merry and uncompromising eye over a post-truth era in a story rooted in history and memory and with a taproot deep in the evergreens, art and love.