Everwhen is an anxious, verdant poetry collection that is preoccupied with a chthonic era--when the secrets of long ago catch up to now, and when the past, present, and future collapse into what's long been identified by indigenous cultures and early naturalists as Uncreation or Deep Time. Driven by the voice of the betrayed Roman goddess Ceres, these poems consider what it is like to live out of time, to suffer unnamed illnesses of the female body, to love and grieve at the end of the world, and to even find hope and joy in "the way an apocalypse can mean/ to reveal."

Brazen Creature spans a young woman's awakening. The poems' concerns are twofold: violence against women and girls that has become rooted in the land, and verdant female desire and self-assertion in the face of entrenched oppression. In the poems' Midwestern towns and farmlands, patriarchy is a ghost that haunts the cottonwoods, soybean fields, and creek beds. The speaker is in limbo between fear and yearning, vulnerability and transgression, drought and flood, saving a life and needing to be saved.

"Everwhen is an anxious, verdant poetry collection that is preoccupied with a chthonic era-when the secrets of long ago catch up to now, and when the past, present, and future collapse into what's long been identified by indigenous cultures and early naturalists as Uncreation or Deep Time. Driven by the voice of the betrayed Roman goddess Ceres, these poems consider what it is like to live out of time, to suffer unnamed illnesses of the female body, to love and grieve at the end of the world, and to even find hope and joy in "the way an apocalypse can mean/ to reveal.""--

ABSTRACT: Woman by the Water and Other Stories is a collection of four short stories that range in setting from a touristy beach town in the Florida Gulf to a party school in northern Appalachia, and from old-fashioned Midwestern suburbia to a farming homestead in pre-Depression era Iowa. The common thread among them is that each story is narrated by a young woman who is embroiled in a dilemma that usually ends up being largely by her own making. Furthermore, the style of each story relies heavily on its narrative voice and point of view. I believe that my work fits in to the larger dialogue of contemporary women's literature that places value on story-telling, familial and relationship issues, self-identity and, ultimately, raw narrative honesty, even if it traditionally may seem "unbecoming" for female characters.