In recent years, diversity and exclusion have become major topics of research and debate in the world of museums and of culture more generally. How can museums reflect on processes of exclusion and inclusion by revisiting their collections, modes of display and curatorial language? How can the museum be a place open to a multiplicity of publics? And what exactly does diversity entail, and how can we translate this into policy and practice? What does equality look like, for whom and why? And what does difference look like, for whom and why?00To investigate these questions further, Centraal Museum has teamed up with MOED: the Museum of Equality and Difference, established by the Gender Studies research group at Utrecht University. This partnership gives Centraal Museum the opportunity to explore new perspectives. The diverse expertise of the team helps us to critically review our own collection, and thereby our own identity.00Exhibition: Centraal Museum, Utrecht, The Netherlands (16.02.-30.06.2019).

Overzicht van de performances van de Nederlandse beeldend kunstenaar (1954-).

Best known for his purely abstract work, Malevich was inspired by diverse art movements of his day. It will be surprising to many to recognize those influences in the work of Malevich: the light touches of Impressionism, the spirituality of Symbolism, Fauvism and exotic colored geometric cubism and primitivism next to futuristic dynamism. In the exhibition we follow Malevich's development to his 'own' Suprematism, as he established in paintings, spatial 'arkhitektons' and designs for opera and film. Attention is also paid to the figurative works from the period, which in the West initially were not valued, partly because they were totally unknown. The Khardzhiev and Costakis collections provide a context for this varied oeuvre by including many works by Malevich's fellow artists of the Russian avant-garde. Exhibition: Stedelijk Museum, Amsterdam, The Netherlands (19.10.2013-02.02.2014) / Bundeskunsthalle, Bonn, Germany (12.03.-21.06.2014) / Tate Modern, London, UK (17.07.-26.10.2014).

Best known for his purely abstract work, Malevich was inspired by diverse art movements of his day. It will be surprising to many to recognize those influences in the work of Malevich: the light touches of Impressionism, the spirituality of Symbolism, Fauvism and exotic colored geometric cubism and primitivism next to futuristic dynamism. In the exhibition we follow Malevich's development to his 'own' Suprematism, as he established in paintings, spatial 'arkhitektons' and designs for opera and film. Attention is also paid to the figurative works from the period, which in the West initially were not valued, partly because they were totally unknown. The Khardzhiev and Costakis collections provide a context for this varied oeuvre by including many works by Malevich's fellow artists of the Russian avant-garde.0Exhibition: Stedelijk Museum, Amsterdam, The Netherlands (19.10.2013-02.02.2014) / Bundeskunsthalle, Bonn, Germany (12.03.-21.06.2014) / Tate Modern, London, UK (17.07.-26.10.2014)