This book employs the concept of human security to show what the term means from the perspective of women in Afghanistan. It engages with a well-established debate in academic and policy-making contexts regarding the utility of human security as a framework for understanding and redressing conflict. The book argues that this concept allows the possibility of articulating the substantive experiences of violence and marginalisation experienced by people in local settings as well as their own struggles towards a secure and happy life. In this regard, it goes a long way to making sense of the complex dynamics of conflict which have confounded Western policy-makers in their ongoing state-building mission in Afghanistan. However, despite this inherent potential, the idea of human security still needs refinement. Crucially, it has benefitted from critical feminist and critical social theories which provide the conceptual and methodological depth necessary to apprehend what a progressive ethical program of security looks like and how it can be furthered. Using this framework, the work provides a critical reconstruction of the effect of the US-led Western Intervention on women’s experiences of (in)security in the three provincial contexts of Nangarhar, Bamiyan and Kabul. This reconstruction is drawn from a wealth of historical and contemporary sociological research alongside original fieldwork undertaken in Delhi, India, during 2011 with women and men from the country’s different communities. This book will be of much interest to students of human security, state-building, gender politics, war and conflict studies and IR in general.

Explore the fascinating world of Hopi mythology with Walter Bernard Hunt's "Kachina Dolls." Originally published in 1957 as part of the Milwaukee Public Museum Popular Science Handbook Series, this insightful guide delves into the rich symbolism and cultural significance of kachina dolls. A cornerstone of Native American art and religion, these figures represent spiritual beings central to Hopi beliefs and ceremonies. This book offers a detailed exploration of Hopi traditions through the lens of these iconic dolls, providing a valuable resource for those interested in cultural anthropology and Native American studies. Discover the artistry and meaning behind each doll, gaining a deeper understanding of their role within Hopi society. Whether you're a collector, a student, or simply curious about Native American cultures, "Kachina Dolls" provides a timeless glimpse into a vibrant and enduring spiritual heritage. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Tincture Journal is a quarterly literary journal based in Sydney, Australia and collecting interesting new works of fiction, poetry and non-fiction from Australia and the world.

From vanishing islands to talking flathead and nightmarish bushfires, Ben Walter's visionary Tasmanian fictions are unique in the landscape of Australian writing. An unemployed man chooses only to apply for jobs advertised in The Economist; a failed mountain expedition is mocked by the dead bodies of past climbers; and a father and son travel urgently to witness the miracle of Lake Pedder emptying. In What Fear Was, Walter combines beautiful, mesmerising writing with surreal discomfort and absurdist hilarity to completely upend the idea of an Australian short story. 'Lyrical and inventive, savage and strange. You've never read anyone like Ben Walter. Total mastery of language and imagery, paired with an unrivalled imagination and immense storytelling chutzpah. The shot in the arm Australian literature has been screaming for.' - Robbie Arnott 'With its unforgettable descriptions of the natural world, and the unsettling things that sometimes take place there, What Fear Was is an extraordinary collection of stories. Deeply strange, beautifully lyrical and intensely moving; no one in Australia writes like Ben Walter. The weird realism of What Fear Was is wholly unique and deeply valuable in contemporary Australian fiction.' - Ryan O'Neill. 'What Fear Was is a darkly funny, surreal and tender collection, wonderfully Tasmanian in its entanglements. You never know where Ben Walter's stories will take you - there are no straight lines here - but it's truly a pleasure to follow his trail.' - Jennifer Mills

At the tissue level asymmetric loading induced an increase in both aggregate and Young's modulus and a decrease in peak stress/equilibrium stress (in confined compression) in the concave AF along with a loss of aggrecan from the tissue. On the concave side of wedged IVDs asymmetric loading caused a reduced aggregate and Young's modulus along with an increased peak stress/equilibrium stress (in both confined and unconfined) along with increased water content.