Presents the Pulitzer Prize-winning collection of the complete poems of twentieth-century American poet Carl Sandburg.

Written in the poet's unique personal idiom, these early poems include "Chicago," "Fog," "To a Contemporary Bunkshooter," "Who Am I?" and "Under the Harvest Moon," as well as many others on themes of war, immigrant life, death, love, loneliness, and the beauty of nature. New introductory Note. Alphabetical lists of titles and first lines. Includes 2 selections from the Common Core State Standards Initiative: "Fog" and "Chicago."

A collection of 77 new lyrical poems testifying to man's courage, frailty, and tenderness.

A fresh look at the Pulitzer Prize–winning poet laureate of the American Midwest With the publication of Chicago Poems in 1916, Carl Sandburg became one of the most famous poets in America: the voice of a Midwestern literary revolt, fusing free-verse poetics with hard-edged journalistic observation and energetic, sometimes raucous protest. By the time his first book appeared, Sandburg had been many things—a farm hand, a soldier in the Spanish-American War, an active Socialist, a newspaper reporter and movie reviewer—and he was determined to write poetry that would explode the genteel conventions of contemporary verse. His poems are populated by factory workers, washerwomen, crooked politicians, hobos, vaudeville dancers, and battle-scarred radicals. Writing from the bottom up, bringing to his poetry the immediacy of America’s streets and prairies, factories and jails, Sandburg forged a distinctive style at once lyrical and vernacular, by turns angry, gritty, funny, and tender.

Over 100 classic poems from Sandburg's second book, which came out two years after Chicago Poems (1916). Includes "Grass," "Prayers of Steel," "Flanders," "Prairie," "Shenandoah," many more. Introduction. Index of First Words.

Joyous, humorous, poetic, and always uniquely American, Carl Sandburg's Rootabaga Stories are an important part of our children's literary legacy. In inimitable prose, Sandburg created Rootabaga Country-where the railroad tracks go from straight to zigzag, where the pigs have bibs on, and where the Village of Cream Puffs floats in the wind-and populated it with baby balloon pickers, flummywisters, Poker Face the Baboon and Hot Dog the Tiger, the White Horse Girl and the Blue Wind Boy, corn fairies, blue foxes, and many more fanciful characters. Rootabaga Stories, Part One is irrepressible, zany Americana-an anthology to delight admirers of Sandburg's genius.|

"Chicago Poems" is an early collection of poems by American writer, poet, and three-time Pulitzer Prize winner Carl Sandburg. Published in 1916 and his first by a mainstream publisher, this collection was a critical success and began Sandburg's career as a notable writer. Sandburg was a champion of an American form of social realism that celebrated American people, industry, and agriculture. He expressed this sentiment in an easy-to-read and plain-speaking free verse, a style that is often compared to Walt Whitman. Sandburg began working on the "Chicago Poems" in 1912, after moving to the city from Milwaukee with his wife and their young children. He embraced the gritty realism of the city, its important and central location to American commerce, and the hardworking people who kept the industrial machine running. Lyrical, soulful, compassionate, and intimately human, Sandburg earned his reputation as the "poet of the people" with his loving treatment of the common man and his struggles. Among the dozens of poems in this honest and touching collection are many of his most famous, such as "Chicago", "Fog", "Who Am I?", and "Under the Harvest Moon". This collection by one of America's most gifted poets is a moving meditation on love, loss, war, immigration, loneliness, and the beauty of the natural world. This edition is printed on premium acid-free paper.

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Influenced by folk ballads and nonsense verse, these captivating tales are populated by corn fairies, circus performers, and other memorable characters. "Glorious for reading aloud." — The New York Times Book Review.

"What Sandburg knew and said was what America knew from the beginning and said from the beginning and has not yet, no matter what is believed of her, forgotten how to say," wrote Archibald MacLeish about Carl Sandburg - that most American of poets - and his connection to the American psyche.