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  • Book cover of The Yellow Wallpaper

    Doctor's orders confine a woman suffering from anxiety and depression to her bedroom, in an effort to prevent mental stimulation of any sort. Despite her forced "rest cure," she continues to write in her journal when her husband isn't looking. Her entries record her terrible and growing fascination with the hideous yellow wallpaper that dominates the room, documenting her slow descent into madness. This work by American author Charlotte Perkins Gilman was based on the author's own experiences. She knew firsthand that the nineteenth-century medical establishment often had dangerously misguided ideas about women's mental and physical health. It is considered to be a seminal feminist work by some, a prime example of Gothic horror by others. First published in 1892, this is an unabridged version of Gilman's controversial short story.

  • Book cover of The Yellow Wall-Paper

    'The faint figure behind seemed to shake the pattern, just as if she wanted to get out.' In the throes of a ‘temporary nervous depression’ following childbirth, a woman is brought by her physician husband to recuperate in an isolated New England mansion. There she is barred from her work of writing, denied any visits to friends, and encouraged to simply get better. Sequestered in the old nursery at the top of the house, with barred windows and a bed nailed to the floor, she has little to do but examine the strange wallpaper that surrounds her – and appears to shift before her very eyes. This is the tale of a woman driven to the brink and beyond. Here accompanied by Gilman’s key wider stories, The Yellow Wallpaper endures as a groundbreaking, deeply disturbing classic of feminist horror. 'A great work of literature, the product of a questing, burning intellect' Maggie O’Farrell The Vintage Classics Weird Girls series: Dive into the depraved, delectable depths of weird fiction with nine books by nine pioneering female authors. Bold, disruptive, chilling and enchanting, these tales of the weird are strange enough to get lost in.

  • Book cover of Herland

    When their plane crashes in the jungles of South America, the explorers find a hidden civilization that it more advance than their own. The look for the male leaders of the society and discover a utopian all-woman civilization. Herland is a novel by Charlotte Perkins Gillman, the feminist author perhaps best known for her short story, The Yellow Wallpaper. In Herland, Charlotte Perkins Gillman is able to explore her ideas about gender, motherhood, community and sexuality in a science-fiction story that transcended the boundaries of late 19th century society. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

  • Book cover of The Yellow Wallpaper Illustrated

    "The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story") is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a "temporary nervous depression - a slight hysterical tendency", a diagnosis common to women during that period.

  • Book cover of Women and Economics

    Startling in its observations and radical in its conclusions, this classic of women's rights literature, this work-by pioneering American feminist CHARLOTTE PERKINS GILMAN (1860-1935)-was a phenomenon when it was first published in 1898, and was eventually translated into in seven languages and reprinted around the world. From her characterization of women as virtual economic, social, and sexual slaves, dependent on men for everything from food to friendship to protection, to her call for women to free themselves from these shackles, Women and Economics electrified Victorian readers. It remains a foundational work of feminist theory, essential reading for anyone wishing to understand women's struggle for full and self-determined personhood.

  • Book cover of Charlotte Perkins Gilman - Women and Economics

    Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: "the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement."

  • Book cover of The Man-Made World

    The Man-Made World (1911) is a sociological study by American author and feminist Charlotte Perkins Gilman. Inspired by her work as a social reformer and advocate for women’s suffrage, Gilman sought to write a work of nonfiction that explained the effects of patriarchy not only on the lives of women, but on the structure and health of society at large. In the beginning, Gilman observes that though biology naturally attributes motherhood and fatherhood to women and men respectively, there is no evolutionary explanation for the widespread control of men over all other human activities. This inequity, Gilman explains, is what she means by the term “Androcentric Culture,” a culture organized by men, for men. Having established her thesis, Gilman dedicates chapters to such topics as the family, health, art, sports, religion, education, government, economics, and warfare in order to observe the impact of male domination on each. Ultimately, Gilman asks what, if anything, will men lose if women are granted the rights and responsibilities they have no reason not to share. The Man-Made World is a thorough and powerful experiment in sociological thought and a groundbreaking work of feminist nonfiction. With a beautifully designed cover and professionally typeset manuscript, this edition of Charlotte Perkins Gilman’s The Man-Made World is a classic of American literature and nonfiction reimagined for modern readers.

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    Startling in its observations and radical in its conclusions, this classic of women's rights literature, this work-by pioneering American feminist CHARLOTTE PERKINS GILMAN (1860-1935)-was a phenomenon when it was first published in 1898, and was eventually translated into in seven languages and reprinted around the world.

  • Book cover of Women and Economics (Annotated)

    Differentiated book- It has a historical context with research of the time-Women and Economics by Charlotte Perkins Gilman. It is a book written by Charlotte Perkins Gilman, published in 1898. It is considered by some to be the best work of the writer, and like others of her writings, it examines the themes of the transformation of marriage, family and home, and its Central argument is "the economic independence and specialization of women as foundations for the improvement of marriage, motherhood, domestic industry, and racial improvement." The 1890s was a period of intense political debate and economic challenge, where the feminist movement claimed the female vote among other reforms. Women found themselves "joining the workforce in important ways, seeking new opportunities and shaping new definitions of themselves." It was at the end of this tumultuous decade that Gilman's book emerged. Gilman argues primarily that women must change their cultural identities. From the beginning, he mentions that the human being is the only species where women depend on the male gender to survive. Women pay off this dependency through domestic or sexual services. Gilman argues that women "work harder and longer than most men,

  • Book cover of The Yellow Wall Paper - Scholar's Choice Edition

    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.