Featuring over 100 original Makos contact sheets, reproduced in full with the photographer's editing marks and comments, Warhol | Makos in Context includes unedited, raw material of his work during the years he saw Warhol almost daily. An insider's account of the high jinks and high times at the Factory and beyond, this is an unexpurgated visual record of New York's most intriguing circle and a primary source document that puts Warhol in context in Makos' life. |I wish I could take photographs like that.| - Andy Warhol on Christopher Makos

Photographs taken by an intimate friend of the late artist detail their travels together, the New York scene, and Warhol in fashion, shopping, and art

Renown photograper focuses his lens on horses, one of nature's most mythic and evocative creatures.

This is not Andy Warhol as we are accustomed to seeing him: in dramatic eyeliner and mascara, an asymmetrical blond bob worthy of a Voguecover circa 1987, his hands clutched girlishly at his upper thigh; or with a glisteningly lipsticked cupid's bow, shadowed eyes downcast; or draped, from the armpits down, in a white sheet, his upper chest startlingly pale. In these portraits, made by Christopher Makos (born 1948), the gender-transgressive themes of the 1980s collide with the spirit of Man Ray's famous "Rrose Sélavy" pictures of Marcel Duchamp as a coy Parisian lady. The project entailed, Makos recalls, "eight wigs, two days of posing, 16 contact sheets, 349 shots"; this volume includes Makos' original contact sheets, an essay by the photographer about his friendship with Warhol, and full-page prints of the most striking images to emerge from one of Pop's most singular photo shoots.

In Exhibitionism, Christopher Makos reveals some of the most extraordinary photographs ever taken of male portraiture, resulting in this astonishing visual essay. But it's not just the selection of these remarkable artworks that makes this collection special--it's the assembly and editing, finessed in partnership with Calvin Klein--which juxtaposes extraordinary photographs of men against extraordinary portraits of other man-made abstract forms.

This book contains a relentless sequence of photos, most of which have never been published before, of the more private, reserved Warhol.

Andy Warhol called Christopher Makos "the most modern photographer in America." The man who first introduced Warhol to the work of Jean-Michel Basquiat and Keith Haring here presents the photographic remains of their more than 10 years of intimate friendship and frequent collaboration. For the first time ever, all of Warhol's camouflage portraits, taken by Makos under the direct supervision of the artist himself, appear together, in full-page reproductions complete with Warhol's touch-ups and markings. In the photographic portraits that Warhol regarded as genuine self-portraits, he appears dressed up and in drag, wearing colored wigs and make-up, looking melancholic and shameless. Published in collaboration with Edition Bruno Bischofberger, Zurich.

Andy Modeling Makos Portfolio is a decisive photographic collection of an unknown time in the life of Andy Warhol as he made a foray into the world of modeling circa the 1980s, photographed by his friend and confidant, Christopher Makos, who himself is now a luminary in the world of photography.

Christopher Makos was the first photographer to record the convergence of "uptown" and "downtown" (according to Debbie Harry), in this, is his first book, which gave him recognition within popular culture today.

In this latest collection, internationally famous photographer Christopher Makos brings his keen eye and considerable talents to bear upon the male nude. Ranging from formal compositions and head shots to the more traditional male nude, Makos displays the full range of one of the seminal figures in the modern art world. True to his boldly graphic photojournalistic style, Makos is that rarest of items...a truly original look at the male form.