The first definitive monograph of color photographs by American street photographer Vivian Maier. Photographer Vivian Maier’s allure endures even though many details of her life continue to remain a mystery. Her story—the secretive nanny-photographer who became a pioneer photographer—has only been pieced together from the thousands of images she made and the handful of facts that have surfaced about her life. Vivian Maier: The Color Work is the largest and most highly curated published collection of Maier’s full-color photographs to date. With a foreword by world-renowned photographer Joel Meyerowitz and text by curator Colin Westerbeck, this definitive volume sheds light on the nature of Maier’s color images, examining them within the context of her black-and-white work as well as the images of street photographers with whom she clearly had kinship, like Eugene Atget and Lee Friedlander. With more than 150 color photographs, most of which have never been published in book form, this collection of images deepens our understanding of Maier, as its immediacy demonstrates how keen she was to record and present her interpretation of the world around her.

In this book, the authors explore and discuss the development of one of the most interesting and dynamic of photographic genres. Hailed as a landmark work when it was first published in 1994, Bystander is widely regarded by street photographers as the "bible" of street photography. It covers an incredible array of talent, from the unknowns of the late 19th century to the acknowledged masters of the 20th, such as Atget, Stieglitz, Strand, Cartier-Bresson, Brassai, Kertesz, Frank, Arbus, Winogrand, and Levitt to name just a few. In this new and fully revised edition, the story of street photography is brought up to date with a re-evaluation of some historical material, the inclusion of more contemporary photographers, and a discussion of the ongoing rise of digital photography.

Through text and photographs portrays the history of the art of photography from 1839 to the present

An accessible monograph on the work of the American photographer who is best known for his color photos of Cape Cod seascapes.

Edited by Colin Westerbeck. Essays by Colin Westerbeck and Dawoud Bey.

Presents the photography of Yasuhiro Ishimoto, covering several decades of his career. A native of Japan, Ishimoto studied photography at the Institute of Design in Chicago from 1948 through 1952, and photographed in Chicago during 1959-61. His distinguished career in Japan would, by itself, make him worthy of American attention, but his work holds the double fascination that, even at its most Japanese, his American influence remains obvious. Includes three essays, a chronology, and high-quality bandw photos. Distributed by the U. of Washington Press. Annotation copyrighted by Book News, Inc., Portland, OR