In this extraordinary book, Alexander Masters has created a moving portrait of a troubled man, an unlikely friendship, and a desperate world few ever see. A gripping who-done-it journey back in time, it begins with Masters meeting a drunken Stuart lying on a sidewalk in Cambridge, England, and leads through layers of hell…back through crimes and misdemeanors, prison and homelessness, suicide attempts, violence, drugs, juvenile halls and special schools–to expose the smiling, gregarious thirteen-year-old boy who was Stuart before his long, sprawling, dangerous fall. Shocking, inspiring, and hilarious by turns, Stuart: A Life Backwards is a writer’s quest to give voice to a man who, beneath his forbidding exterior, has a message for us all: that every life–even the most chaotic and disreputable–is a story worthy of being told.

A biography that plumbs the ambiguous life of the gentlemanly novelist and historian

The lives of the Romantic poets have been examined mainly through the evidence they have left behind: letters, journals, diaries, and their own self-revealing poems and essays. In the case of William Wordsworth, that evidence is massive, but it often obscures the real person behind the writings. In this fascinating account, Kenneth R. Johnston portrays a Wordsworth different in crucial ways from the one that the poet intended us to know. Taking advantage of unprecedented access to archives, family papers and intimate letters, he reveals, for example, the poet's complex relationship with his sister Dorothy; the true story of his affair with Annette Vallon during his year in France in 1791-92, the illegitimate child he fathered with her, and the impact of her frank eroticism on his poetry; and, most astonishing of all, Wordsworth's likely spy missions for the newly formed British Secret Service in Germany and at home. This brilliantly insightful biography is the first to break through the carefully crafted but frequently misleading accounts of his youth that Wordsworth created in his conservative later years. The Hidden Wordsworth reveals the radical young poet whose fiery intellect revolutionized English poetry.

When Henry David Thoreau died in 1862, friends and admirers remembered him as an eccentric man whose outer life was continuously fed by deeper spiritual currents. But scholars have since focused almost exclusively on Thoreau's literary, political, and scientific contributions. This book offers the first in-depth study of Thoreau's religious thought and experience. In it Alan D. Hodder recovers the lost spiritual dimension of the writer's life, revealing a deeply religious man who, despite his rejection of organised religion, possessed a rich inner life, characterised by a sort of personal, experiential, nature-centered, and eclectic spirituality that finds wider expression in America today. At the heart of Thoreau's life were episodes of exhilaration in nature that he commonly referred to as his ecstasies. Hodder explores these representations of ecstasy throughout Thoreau's writings, from the riverside reflections of his first book through Walden and the later journals, when he conceived of his journal writing as a spiritual discipline in itself and a kind of forum in which to cultivate experiences of contemplative non-attachment. In doing so, Hodder restores to our understanding

A heritage of conflict in author-character relations emerges through works by Dostoevsky, Mauriac, O'Connor, and DeLillo, where the issue of a character's freedom from the author's perspective proves essential to understanding narrative form.

One of the largest southern cities and a hub for the cotton industry, Memphis, Tennessee, was at the forefront of black political empowerment during the Jim Crow era. Compared to other cities in the South, Memphis had an unusually large number of African American voters. Black Memphians sought reform at the ballot box, formed clubs, ran for office, and engaged in voter registration and education activities from the end of the Civil War through the Brown v. Board of Education decision of 1954. In this groundbreaking book, Elizabeth Gritter examines how and why black Memphians mobilized politically in the period between Reconstruction and the beginning of the civil rights movement. Gritter illuminates, in particular, the efforts and influence of Robert R. Church Jr., an affluent Republican and founder of the Lincoln League, and the notorious Memphis political boss Edward H. Crump. Using these two men as lenses through which to view African American political engagement, this volume explores how black voters and their leaders both worked with and opposed the white political machine at the ballot box. River of Hope challenges persisting notions of a "Solid South" of white Democratic control by arguing that the small but significant number of black southerners who retained the right to vote had more influence than scholars have heretofore assumed. Gritter's nuanced study presents a fascinating view of the complex nature of political power during the Jim Crow era and provides fresh insight into the efforts of the individuals who laid the foundation for civil rights victories in the 1950s and '60s.

Recipient of the 2015 PEN New England Award for Nonfiction “The arrival of a significant young nonfiction writer . . . A measured yet bravura performance.” —Dwight Garner, The New York Times James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to the book’s landmark federal obscenity trial in 1933. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say Yes to Ulysses.

In her study of the married couple as the smallest political unit, Phyllis Rose uses the marriages of five Victorian writers who wrote about their own lives with unusual candor: Charles Dickens, John Ruskin, Thomas Carlyle, John Stuart Mill, and George Eliot--née Marian Evans.