At the beginning of Whitebread Protestants, Daniel Sack writes "When I was young, church meant food. Decades later, it's hard to point to particular events, but there are lots of tastes, smells, and memories such as the taste of dry cookies and punch from coffee hour - or that strange orange drink from vacation Bible school." And so he begins this fascinating look at the role food has played in the daily life of the white Protestant community in the United States. He looks at coffee hours, potluck dinners, ladies' afternoon teas, soup kitchens, communion elements, and a variety of other things. A blend of popular culture, religious history and the growing field of food studies, the book will reveal both conflict and vitality in unexpected places in American religious life.

With its mixture of American evangelicalism, popular psychology and show business, Moral Re-Armament attracted men and women on six continents. This book traces Moral Re-Armament's reinventions over fifty years, from its Ivy League beginnings to its spiritual heirs, Up With People and Alcoholics Anonymous.

"We lay there without moving. But under us all moved, and moved us." - Krapp Samuel Beckett’s most accessible play is also one of the twentieth century’s most moving dramas about aging, memory, and disappointment. Daniel Sack offers the first comprehensive survey of Krapp’s Last Tape (1958) with a general reader in mind. Structured around a series of questions, five approachable sections contextualize the play in the larger career of its Nobel-Prize-winning writer, explore its major thematic concerns, and offer comparative analyses with Beckett’s other signal works. Sack also uses discussions of significant productions, including those directed by the playwright himself, to ground interpretation of the play in terms of its performance and provide a useful resource to directors and actors. Both a critical and personal exploration of this haunting play, this volume is a must-read for anyone with an interest in Beckett’s work.

An exploration of how live events--theater, dance, and installation art--stage encounters between the present and a radically ambivalent future

Lively essays on the meanings and methods of tears in performance

Taken together, the research presented in this dissertation contributes to the literatures on essentialist and coalitional psychology. Specifically, the results underscore that the input cues of essentialism are unknown, and lend support to the idea that coalitional reasoning may play an important role in the precursory processes of stereotyping and prejudice.