Spoon River Anthology (1915), by Edgar Lee Masters, is a collection of short free-form poems that collectively describe the life of the fictional small town of Spoon River, named after the real Spoon River that ran near Masters' home town. The collection includes two hundred and twelve separate characters, all providing two-hundred forty-four accounts of their lives and losses. (wikipedia)

"Originally published in "Reedy's Mirror" from May 29, 1914 until January 5, 1915 and then first in book form in 1915 with an expanded edition in 1916, "Spoon River Anthology" is a collection of poetry inspired by the tombstones of the dead in a small rural American town. There is no real Spoon River as the entire town and its inhabitants are fictional but much of the town and its deceased occupants are based in part on Masters' own childhood growing up in small towns in Illinois. "Spoon River Anthology" is Edgar Lee Masters' masterpiece, a collection of poetry that weaves a tapestry of the lives of a group of small-town Americans, which taken together reads like a novel critiquing the notion of the idyllic rural American life. A critical and financial success from its first publication, "Spoon River Anthology" is a truly original work of American literature, the likes of which there has not been before or since. This edition is printed on premium acid-free paper; follows the expanded 1916 edition with its additional thirty-five poems, "The Spooniad", and the epilogue; and includes an introduction by May Swenson."

CLASSIC POETRY Spoon River Anthology by Edgar Lee Masters Spoon River Anthology (1915), by Edgar Lee Masters, is a collection of short free-form poems that collectively narrates the epitaphs of the residents of Spoon River, a fictional small town named after the real Spoon River that ran near Masters' home town. The aim of the poems is to demystify the rural, small town American life. The collection includes two hundred and twelve separate characters, all providing two-hundred forty-four accounts of their lives and losses. The poems were originally published in the magazine Reedy's Mirror. Each following poem is an epitaph of a dead citizen, delivered by the dead themselves. They speak about the sorts of things one might expect: some recite their histories and turning points, others make observations of life from the outside, and petty ones complain of the treatment of their graves, while few tell how they really died. Speaking without reason to lie or fear the consequences, they construct a picture of life in their town that is shorn of facades. The interplay of various villagers - e.g. a bright and successful man crediting his parents for all he's accomplished, and an old woman weeping because he is secretly her illegitimate child - forms a gripping, if not pretty, whole."

Originally published: New York: MacMillan, 1915.

The memoirs of one of Illinois' great poets, author of Spoon River Anthology, with many vignettes of the Chicago Renaissance. This intimate and provocative autobiography, first published in 1936, reveals the innermost thoughts of a great American poet. Edgar Lee Masters was a transitional figure in American literature with one foot planted in the nineteenth century and the other firmly placed on the path of what we now think of as the modern period. Richly illustrated throughout with black and white photographs. "Across Spoon River: An Autobiography is blunt and cranky about a life [Masters] saw as largely "scrappy and unmanageable." Emphasizing life on his grandfather's farm, his school days, his political battles, the workday world, and the growth of a poet's mind through wide reading, the book is a valuable record of Masters's work habits and offers considerable insight on his position as a critic and his place in American literature."—Ronald Primeau, American National Biography

Differentiated book- It has a historical context with research of the time-Spoon River Anthology by Edgar Lee Masters.The purpose of realizing this historical context is to approach the understanding of a historical epoch from the elements provided by the text. Hence the importance of placing the document in context. It is necessary to unravel what its author or authors have said, how it has been said, when, why and where, always relating it to its historical moment.Masters, Edgar Lee, 1868-1950, The Spoon River Anthology is a collection of 245 free verse epitaphs in the form of monologues. They are spoken from beyond the grave by former residents of a sad and confined small town like the same Masters he had known during his childhood in Illinois. Speakers speak of their hopes and ambitions and of their bitter and unfulfilled lives. The realistic poems were controversial when they were first published, as they contradicted the popular view of small towns as repositories of moral virtue and respectability.