Pennsylvania naturalist William Bartram (1739–1823) is best known as the author of a travelogue describing his botanizing journey through the American South in the late eighteenth century. Writing was not, however, Bartram’s only or even preferred method of recording the natural world around him. His deeply unconventional drawings, depicting sentient plants and hybrid organic forms, lie at the heart of his understanding of nature. With this book, Elizabeth Athens considers the strangeness of Bartram’s graphic enterprise, exploring the essential role his renderings played in his natural history. For Bartram, the making and interpretation of figures on a surface was a dynamic and collaborative relationship between nature, the observing artist-naturalist, and the audience. This book offers the first in-depth investigation of Bartram’s drawing practice as central to his understanding of nature. Through an examination of Bartram’s approach to botanical and zoological representation, Athens highlights the struggle between different modes of seeing nature in eighteenth-century Enlightenment science.

Explores more than 70 Impressionist and Realist paintings from the Metropolitan's collection. It presents works by some of America's foremost artists of the late nineteenth and early twentieth centuries, including Whistler, Sargent, Winslow Homer, Childe Hassam, and Mary Cassatt.

Catalog of an exhibition held at Worcester Art Museum, Worcester, Massachusetts, November 11, 2017-February 4, 2018, and at Milwaukee Art Museum, Milwaukee, Wisconsin, March 2-May 20, 2018.

A fascinating exploration of the time Winslow Homer spent in England and how it influenced his art. Winslow Homer (1836-1910) is widely regarded as the greatest American painter of the 19th century, but it is not well known that he spent a pivotal period of time on the other side of the Atlantic. The eighteen months Homer spent in England in 1881 and 1882-studying the work of masters such as J. M. W. Turner and Lawrence Alma-Tadema, and exploring the landscape of coastal villages-irrevocably shaped his creative identity. This beautifully designed and produced publication explores Homer's time in England and how it influenced his art, as he attempted to reconcile his affinity for traditional subject matter with his increasingly modern aesthetic vision. Coming Away complicates our understanding of his work and convincingly argues that it has more cosmopolitan underpinnings than previously thought.

"This multidisciplinary resource develops topics of interest to all those who care about and for individuals with co-occurring intellectual disabilities and mental illness. Each chapter presents current evidence informed practice knowledge. Each topic is also presented with audio enabled text boxes emphasizing 'Key Points for Caregivers.' For those who are interested in background knowledge, we provided the comprehensive literature base. And, for those interested mainly in 'what to do, ' we provided text box summaries for reading and listening."--BC Campus website.