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  • Book cover of The Orphan of Salt Winds

    For fans of Eowyn Ivey, Rose Tremaine, and Kate Atkinson, The Orphan of Salt Winds is a bewitching debut about the secrets that haunt us. England, 1939. Ten-year-old Virginia Wrathmell arrives at Salt Winds, a secluded house on the edge of a marsh, to meet her adoptive parents—practical, dependable Clem and glamorous, mercurial Lorna. The marsh, with its deceptive tides, is a beautiful but threatening place. Virginia’s new parents’ marriage is full of secrets and tensions she doesn’t quite understand, and their wealthy neighbor, Max Deering, drops by too often, taking an unwholesome interest in the family’s affairs. Only Clem offers a true sense of home. War feels far away among the birds and shifting sands—until the day a German fighter plane crashes into the marsh, and Clem ventures out to rescue the airman. What happens next sets into motion a crime so devastating it will haunt Virginia for the rest of her life. Seventy-five years later, she finds herself drawn back to the marsh, and to a teenage girl who appears there, nearly frozen and burdened by her own secrets. In her, Virginia might have a chance at retribution and a way to right a grave mistake she made as a child. Elizabeth Brooks’s gripping debut mirrors its marshy landscape—full of twists and turns and moored in a tangle of family secrets. A gothic, psychological mystery and atmospheric coming-of-age story, The Orphan of Salt Winds is the portrait of a woman haunted by the place she calls home.

  • Book cover of Prominent Women of Texas
  • Book cover of The Wonderful Way You Are
  • Book cover of The Whispering House

    "Eerie and addictive. . . . Like Wuthering Heights, The Whispering House is a melancholy novel, its characters filled with dark longings." — The New York Times Book Review From the acclaimed author of The Orphan of Salt Winds It was like holding a couple of jigsaw pieces in my palm, knowing there was a whole picture to be made, if I could only find the rest. Freya Lyell is struggling to move on from her sister Stella’s death five years ago. Visiting the bewitching Byrne Hall, only a few miles from the scene of the tragedy, she discovers a portrait of Stella—a portrait she had no idea existed, in a house Stella never set foot in. Or so she thought. Driven to find out more about her sister’s secrets, Freya is drawn into the world of Byrne Hall and its owners: charismatic artist Cory and his sinister, watchful mother. But as Freya lingers in this mysterious, centuries-old house, her relationship with Cory crosses the line into obsession and the darkness behind the locked doors of the estate threatens to spill out. In prose as lush and atmospheric as Byrne Hall itself, Elizabeth Brooks weaves a simmering, propulsive tale of art, sisterhood, and all-consuming love: the ways it can lead us toward tenderness, nostalgia, and longing, as well as shocking acts of violence.

  • Book cover of Language Reader
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  • Book cover of The House in the Orchard

    CrimeReads Best Gothic Fiction of 2022 A BuzzFeed, Good Housekeeping, and Departures Magazine Best Book of Fall “Reading this one feels like wandering darkened hallways with a candle flickering in a ghostly breeze. . . . A gorgeous historical novel.”—Good Housekeeping A startling gothic tale of corrupted innocence that asks—when we look closely—what it really means to know the truth. When a World War II widow inherits a dilapidated English estate, she uncovers a diary written by an adolescent girl named Maude Gower. Looking for answers, she begins reading, only to unravel more questions about the mysterious past and many secrets hidden deep within the walls of Orchard House. In 1876, orphaned Maude is forced to leave London, and her adored brother, Frank, to live with a stranger. Everyone—especially Frank—tells her not to trust Miss Greenaway, the enigmatic owner of Orchard House, but Maude can’t help warming to her new guardian. Encouraged by Miss Greenaway, Maude finds herself discovering who she is for the first time, and learning to love her new home. But when Frank comes for an unexpected visit, the delicate balance of Maude’s life is thrown into disarray. Complicating matters more, Maude witnesses an adult world full of interactions she cannot quite understand. Her efforts to regain control result in a violent tragedy, the repercussions of which will haunt Orchard House for the rest of Maude’s life—and beyond. With each psychologically gripping turn, Elizabeth Brooks masterfully explores the blurred lines between truth and manipulation, asking us who we can trust, how to tell guilt from forgiveness, and whether we can ever really separate true love from destruction.

  • Book cover of Nights in Sandbridge

    Andy Howard dropped out of college to get away from his abusive father. When his longtime boyfriend reveals similar tendencies, Andy refuses to endure another moment of it, running away with nothing more than the cash in his pockets. He makes it to Virginia, where he's taken in by Scooter Stahl, a restaurant owner looking for an extra hand who's willing to be paid cash under the table. Scooter's been struggling for years: to keep the beachside restaurant he inherited from his parents above water (both financially and literally); to live down the fact that he's gay in a small southern town; to get over the man who's owned his heart since he was fourteen. But he's never had to struggle as hard as he is now, to keep his hands off Andy.

  • Book cover of Language Reader [first to Sixth Year ]
  • Book cover of A Practical Guide To The Forensic Examination Of Hair

    A Practical Guide to the Forensic Examination of Hair: From Crime Scene to Court presents current best practices and methodologies for forensic microscopists and trace evidence analysts, in addition to lawyers and judges, to detail the utilisation of hair evidence in court cases. The 30-year evolution and development of forensic DNA analysis has placed very heavy focus on its value in identifying the source of biological materials in other evidence. In addition to some recent controversies over the reliability of hair evidence and analysis, the question arises: what to do with hairs and hair evidence presented in court cases? The reality is that this is a fairly common form of evidence present at, and relevant in, many types of crime scenes and scenarios. Are we to simply ignore hairs as an evidence type? This book outlines the case for hair evidence’s continued relevance as a valuable biological source that can contribute to assisting in answering questions of identity and questions of what happened or the criminalistic potential of hairs. The authors present a four-level approach to the case management of recovered hairs. This system, which can be incorporated into contemporary forensic practice, stresses the need for thorough and systematic recording of hairs and their microscopic features and on the need to focus on differences to effectively triage recovered hairs. The approach focuses on the efficient and accurate selection of hairs for nuclear and mitochondrial DNA analysis while addressing the criminalistic potential of hairs. Key Features: Outlines the latest advances in the collection and forensic hair fibres, and includes full-colour illustrative figures throughout. Covers the advances in DNA extraction and analysis of hair samples including nuclear and mt-DNA testing. Addresses all forensic aspects of hair evidence including recovery, collection, examination, analysis, testing and presentation of such results in court. A Practical Guide to the Forensic Examination of Hair is a practical reference written for practitioners and promotes the need for quality assurance measures, process standardization and proficiency testing to ensure the scientific reliability of hair examination. The book discusses how to interpret and report on hair findings to impart to investigators, and to the broader legal system, the appropriate weight that should be attributed to hair findings. It provides invaluable methodologies and guidelines that reinforce the ongoing value and validity of hair examinations.