Eric White's hyper-intensive, distortedly lucid paintings explore the shifting boundaries between beauty and horror. Developing out of the artist's fascination with the illusory properties and constructions of film, the paintings examine the varying layers of human perception by manipulating planes of focus and the reliability of form and colour. With work from four different galleries, this is a comprehensive collection of Eric White's career as a painter.

The book Then What? will take us on a series of questions and ways on how we think as individuals with our hearts. While taking that journey down integrity lane, the honesty that we portray will also give us a chance to take a good look at ourselves. It doesnt try and point out whether we are bad people or not. It only points to some of the ways that we may have some questions and answers resolved.

"This final report was prepared by Bruno Losch, Sandrine Fraeguin-Gresh and Eric White (World Bank), with contributions of Thierry Giordano and Jean-Franocois Baeliaeres (Cirad). It was peer-reviewed by Derek Byerlee, Don Larson (World Bank), and Andrae Pouilles-Duplaix (AFD). The report draws extensively on two sets of seven country reports and data work developed by the national teams during the two phases of the RuralStruc Program."

Psychological novel exploring the minds of three men and the choices they make. The work delves into questions of morality and judgement.

Open your mind and heart to some things from the past and present and some time to change.

Whether you are using Windows Forms to build rich-client business applications, or the ASP.NET 2.0 framework to build powerful web applications or web services, the use of well-designed graphics will greatly enhance their usability, impact, and visual appeal. This book provides a comprehensive guide to the use of graphics in .NET applications and aims to provide you with all the information you need to build effective custom controls. The opening section of the book investigates the .NET Framework classes that implement graphics. It covers all of the classes, methods, and techniques needed to create, manipulate, and display precise graphics in a form, a page being sent to a printer, or an image. On this foundation, the second section describes how to design and build effective custom controls for use in a business environment. Topics covered include building composite controls, implementing keyboard navigation, and enhancing design-time support. The final section of the book explores the use of GDI+ and ASP.NET to build custom controls that can provide reusable, GUI components for web projects, and to deliver customized graphics over the Internet.

A revisionist account of technology's role in the aesthetics, spaces and politics of transatlantic avant-gardesExplores of a range of key avant-garde formations in the modernist transatlantic period, from the Italian futurists and English Vorticists to the Dada-surrealist and post-Harlem Renaissance African American experimentalistsExplores writers' and artists' inventions as well as their texts, and involves them directly in the messy transductions of technology in cultureDraws on previously unknown photos, manuscripts and other evidence that reveals the untold story of Bob and Rose Brown's 'reading machine' - a cross-disciplinary, meta-formational, and transnational project that proposed to transform the everyday act of readingReading Machines in the Modernist Transatlantic provides a new account of aesthetic and technological innovation, from the Machine Age to the Information Age. Drawing on a wealth of archival discoveries, it argues that modernist avant-gardes used technology not only as a means of analysing culture, but as a way of feeding back into it. As well as uncovering a new invention by Mina Loy, the untold story of Bob Brown's 'reading machine' and the radical technicities of African American experimentalists including Gwendolyn Bennett and Ralph Ellison, the book places avant-gardes at the centre of innovation across a variety of fields. From dazzle camouflage to microfilm, and from rail networks to broadcast systems, White explores how vanguardists harnessed socio-technics to provoke social change.

Reading Machines in the Modernist Transatlantic provides a new account of aesthetic and technological innovation, from the Machine Age to the Information Age.

The Gutenberg Bible is widely recognized as Europe's first printed book, a book that forever changed the world. However, despite its initial impact, fame was fleeting: for the better part of three centuries the Bible was virtually forgotten; only after two centuries of tenacious and contentious scholarship did it attain its iconic status as a monument of human invention. Editio princeps: A History of the Gutenberg Bible is the first book to tell the whole story of Europe's first printed edition, describing its creation at Mainz circa 1455, its impact on fifteenth-century life and religion, its fall into oblivion during the sixteenth and seventeenth centuries, and its rediscovery and rise to worldwide fame during the centuries thereafter. This comprehensive study examines the forty-nine surviving Gutenberg Bibles, and fragments of at least fourteen others, in the chronological order in which they came to light. Combining close analysis of material clues within the Bibles themselves with fresh documentary discoveries, the book reconstructs the history of each copy in unprecedented depth, from its earliest known context through every change of ownership up to the present day. Along the way it introduces the colorful cast of proud possessors, crafty booksellers, observant travelers, and scholarly librarians who shaped our understanding of Europe's first printed book. Bringing the 'biographies' of all the Gutenberg Bibles together for the first time, this richly illustrated study contextualizes both the historic cultural impact of the editio princeps and its transformation into a world treasure.

Provides an alternative account of the modernist transatlanticTransatlantic Avant-Gardes offers a revisionary account of the evolution of twentieth-century modernism. Complimenting recent studies of modernist expatriates, Eric White explores new points of contact between European and American avant-gardes to place 'located' figures such as William Carlos Williams, Marianne Moore, Wallace Stevens, Jean Toomer, and Alfred Kreymborg back into the 'global design' of literary modernism. Focusing on artist-run 'little magazines' (including Others, Contact, The Little Review, Blast, The Dial, Fire!!, and Pagany) and selected fine press publications and mainstream periodicals, White also reconsiders the boundaries that traditionally divide modernist literature into 'exile' and 'localist', or 'regionalist' and 'cosmopolitan', factions. Thus, the book proposes a version of localist modernism that prioritises issues of geographic and textual 'location' to deliver a 'networked' approach to American modernism in the transatlantic context. Combining literary-historical, textual, and cultural criticism, Transatlantic Avant-Gardes provides a new reading of the specialised literary networks that interrogated the relationship between geographic place, textual space and national identity in the modernist transatlantic.