Danged Black Thing is an extraordinary collection of stories about love and migration, gender and class, patriarchy and womanhood, from a remarkable and original voice. Traversing the West and Africa, they celebrate the author’s hybridity with breathtaking sensuousness and lyricism. Simbiyu wins a scholarship to study in Australia, but cannot leave behind a world of walking barefoot, the orange sun, and his longing for a “once pillow-soft mother.” In his past, darkness rose from the river and something nameless and mystical continues to envelop his life. In “A Taste of Unguja” sweet taarab music, full of want, seeps into a mother’s life on the streets of Melbourne as she evokes the powers of her ancestors to seek vengeance on her cursed ex. In the cyberfunk of “Unlimited Data” Natukunda, a village woman, gives her all for her family in Old Kampala. Other stories explore what happens when the water runs dry—and who pays, capture the devastating effects on women and children of societies in which men hold all the power, and themes of being, belonging, and otherness. Speculative, realistic, and even mythological, but always imbued with truth, empathy, and Blackness, Danged Black Thing is a literary knockout.

In the one tumultuous day, Ch’anzu loses hir job and finds wife Scarlet in bed with a stranger. As life unexpectedly spirals out of control, Ch’anzu turns to hir charismatic Aunt Maé for comfort and wisdom, and makes the bold move to work on a project in Serengotti, a migrant African outpost in rural Australia. In a novel haunted by the strangeness and yearnings of a displaced community – both beautiful and fractured – Ch’anzu is forced to confront hir many demons. Back in the city, brother Tex has gone missing. In Serengotti violence and infidelity simmer. This is a novel bathed in sensuous, original language, a love letter to the strong women who bind families together despite everything. It’s also a tender remembrance of the many who haven’t or couldn’t survive the dislocations and tragedies of their turbulent pasts. 'Thrillingly alive, visceral, funny, and poetic, this is a story of what happens after your world falls apart, and you are forced to piece together a new one — a bittersweet tale of love, desire and kin, of what we carry and what holds us afloat. A novel that dances with a haunted grace, with characters who will sear themselves into your memory.' — David Carlin, award-winning author and editor of eight books, including The After-Normal, Our Father Who Wasn’t There and A–Z of Creative Writing Method ‘An energetic, provocative exploration of racial identity, sexuality and the crucial need for community. The novel brilliantly combines crime and romance, gritty realist dialogue and sumptuous language, caustic humour and emotional gravity, to evoke different and unexpected ways of seeing and being in the world.' — Susan Midalia, award-winning author of A History of the Beanbag, An Unknown Sky and Feet to the Star ‘Bacon’s voice is unique. Her African Australian perspective resonates … Characters living on the edge, love lost and found, here’s a story of striking honesty.’ — Anne Maria Nicholson, journalist and author of Poker Protocol, Pliny’s Warning and Weeping Water

Chasing Whispers is a unique Afro-irrealist collection of black speculative fiction in transformative stories of culture, longing, hybridity, unlimited futures, a collision of worlds and folklore. It contains 13 stories, 11 of which are original, with a commanding introduction by D. Harlan Wilson. The collection is aligned with the themes of Eugen Bacon's other fiction, and her recognition in the honor list of the 2022 Otherwise Fellowships for "doing exciting work in gender and speculative fiction." Chasing Whispers casts a gaze at mostly women and children haunted by patriarchy, in stories packed with affection, dread, anguish and hope. The connecting theme is a black protagonist with a deep longing for someone, someplace, something... and a recurring phrase in each story: "a deep and terrible sadness."

In this engaging and accessible guide, Eugen Bacon explores writing speculative fiction as a creative practice, drawing from her own work, and the work of other writers and theorists, to interrogate its various subgenres. Through analysis of writers such as Stephen King, J.R.R. Tolkien and J. K. Rowling, this book scrutinises the characteristics of speculative fiction, considers the potential of writing cross genre and covers the challenges of targeting young adults. It connects critical and cultural theories to the practice of creative writing, examining how they might apply to the process of writing speculative fiction. Both practical and critical in its evaluative gaze, it also looks at e-publishing as a promising publishing medium for speculative fiction. This is essential reading for undergraduate and postgraduate students of creative writing, looking to develop a critical awareness of, and practical skills for, the writing of speculative fiction. It is also a valuable resource for creators, commentators and consumers of contemporary speculative fiction. Chapter 8, 'Horror and the Paranormal' was shortlisted for the Australasian Horror Writers Association (AHWA)'s 2019 Australian Shadows Awards.

In this debut collection of personal essays, Eugen Bacon offers critical perspectives on blackness, Afrofuturism, colonialism, historicity, and (mis)recognition as she explores the untapped possibilities of speculative fiction. Using a variety of analytic, narrative, and anecdotal techniques, Bacon shares her experiences as an African Australian woman, mother, and writer who occupies a liminal space that is "betwixt" worlds and genres. She also considers work by "other" writers-ranging from Roland Barthes and Jorge Luis Borges to Suyi Davies Okungbowa, Ngũgĩ wa Thiong'o, Toni Morrison, Octavia Butler, and Sheree Renée Thomas-in an effort to chart a path towards greater social and cultural truth. Literary, adventurous, and insightful, Bacon excavates the world(s) that not only construct contemporary authorship but the fluid nature of identity itself. An Earnest Blackness received the British Fantasy Award for best work of nonfiction. It was also a finalist for the Locus and Ditmar Awards.

Dominion is the first anthology of speculative fiction and poetry by Africans and the African Diaspora. An old god rises up each fall to test his subjects. Once an old woman's pet, a robot sent to mine an asteroid faces an existential crisis. A magician and his son time-travel to Ngoni country and try to change the course of history. A dead child returns to haunt his grieving mother with terrifying consequences. Candace, an ambitious middle manager, is handed a project that will force her to confront the ethical ramifications of her company's latest project—the monetization of human memory. Osupa, a newborn village in pre-colonial Yorubaland populated by refugees of war, is recovering after a great storm when a young man and woman are struck by lightning, causing three priests to divine the coming intrusion of a titanic object from beyond the sky. A magician teams up with a disgruntled civil servant to find his missing wand. A taboo error in a black market trade brings a man face-to-face with his deceased father—literally. The death of a King sets off a chain of events that ensnare a trickster, an insane killing machine, and a princess, threatening to upend their post-apocalyptic world. Africa is caught in the tug-of-war between two warring Chinas, and for Ibrahima torn between the lashings of his soul and the pain of the world around him, what will emerge? When the Goddess of Vengeance locates the souls of her stolen believers, she comes to a midwestern town with a terrible past, seeking the darkest reparations. In a post-apocalyptic world devastated by nuclear war, survivors gather in Ife-Iyoku, the spiritual capital of the ancient Oyo Empire, where they are altered in fantastic ways by its magic and power.

A Place Between Waking and Forgetting is dark speculative fiction, an Afro-Irreal collection in which transformative stories of culture, diversity, climate change, unlimited futures, collisions of worlds, mythology, and more, inhabit. It cases black people stories in bold and evocative text, at times deeply flawed but potentially redeemable protagonists in rich hues of blackness and light. Something beautiful, something dark in lyrical language packed with affection, dread, anguish and hope. Featuring the World Fantasy Award finalist story “The Devil Don’t Come With Horns”, this collection of short stories is the latest offering by a genre-bending, multi-award winner. It arrives with a poetic introduction by award-winning writer and poet Linda D. Addison, the first African-American recipient of the world-renowned HWA Bram Stoker Award, and has received five awards for her collections. Addison has been honored with the HWA Lifetime Achievement Award, HWA Mentor of the Year and SFPA Grand Master of Fantastic Poetry.

A mind-blowing anthology of 18 stories bringing you the infinite Earths of the multiverse. Featuring Alastair Reynolds, Ian McDonald, Lavie Tidhar, Eugen Bacon and more. INFINITY. HERE. NOW. What if every decision you’ve ever made created a new reality. A new life, a new world of possibilities for what you could become? What if the best of all possible worlds is just around the corner? Or the worst? This anthology brings together an international cast of luminaries to explore the infinite worlds of what could be. The smashed together chaos of multiple Londons piled on top of each other; a world where a tunnel turns Japan and the United States into close neighbours; catastrophic accidents on multidimensional spacecraft; shadowy organisations and the merciless assassins they control; the unstoppable force of your infinite grandmothers. Explore the infinite beauties and terrors of the multiverse with the finest minds writing in science fiction today, and see what could have been… Featuring stories from: Alvaro Zinos-Amaro Charlie Jane Anders Eugen Bacon Clive Barker Paul Di Filippo Alix E. Harrow Rumi Kaneko (translated by Preston Grassmann) Ken Liu Ian McDonald Annalee Newitz Yukimi Ogawa Chana Porter Alastair Reynolds Jayaprakash Satyamurthy D. R. G. Sugawara Jeffrey Thomas Lavie Tidhar

Foreword INDIES - 2023 Finalist Science Fiction Something is happening to Green. He is an ordinary guy, time-jumping forward at a startling, uncontainable rate. He is grappling to understand his present; his relationship is wholly tattered; his ultimate destination is a colossal question mark. Zada is a scientist in the future. She is mindful of Green's conundrum and seeks to unravel it by going backwards in time. Can she stop him from jumping to infinity? Their point of intersection is fleeting but memorable, each one's travel impacting the other's past or future. And one of them doesn't even know it yet. Secondhand Daylight is a reverse story in alternate timelines between two protagonists whose lives must one day intersect. A titillating offering from World Fantasy Award-finalist Eugen Bacon, an Otherwise Fellowships honouree for ‘doing exciting work in gender and speculative fiction'. In collaboration with three-time British Fantasy Society Award-winner Andrew Hook.

A cocktail of the finest short stories by Eugen M. Bacon. IMPACT is an unforgettable collection of compelling, almost lyrical science fiction, fantasy and mystery crime shorts that both challenge and captivate