Winner of the Weidenfeld Translation Prize and the Premio Montale, an acclaimed translation of Italy's greatest modern poet Eugenio Montale is universally recognized as having brought the great Italian lyric tradition that begins with Dante into the twentieth century with unrivaled power and brilliance. Montale is a love poet whose deeply beautiful, individual work confronts the dilemmas of modern history, philosophy, and faith with courage and subtlety; he has been widely translated into English and his work has influenced two generations of American and British poets. Jonathan Galassi's versions of Montale's major works--Ossi di seppia, Le occasioni, and La bufera e altro--are the clearest and most convincing yet, and his extensive notes discuss in depth the sources and difficulties of this dense, allusive poetry. This book offers English-language readers uniquely informed and readable access to the work of one of the greatest of all modern poets.

Eugenio Montale's second book of poetry was first published in 1939. This book is his most experimental work, but a work no less tradition-saturated than Eliot's. As poet, private individual, and ""good European"," Montale's way of dealing with his difficulties was to seize the occasions offered him by writing poetry in which the lover's passions for his beloved country would convey the truth of both his public and his private situations.

Acclaiming the late Eugenio Montale (1897-1981) as "one of the most important poets of the contemporary West," the Swedish Academy awarded him the 1975 Nobel Prize for Literature. This selection, introduced by Glauco Cambon, presents sixty-nine poems chosen from Montale's first three books--Ossi di seppia (Cuttlefish Bones), Le occasioni (The Occasions), and La bufera e altro (The Storm and Other Things)--as rendered by sixteen translators, many of them distinguished poets in their own right.

Eugenio Montale's epoch-making first book, Cuttlefish Bones (1925), has been hailed as one of the truly important works of poetry in the twentieth century. At once an earned poetic manifesto and spiritual autobiography, its dialogue between self and others, hope and despair, is sustained with absolute musical mastery and that simplicity-in-complexity that marks only the greatest poetry. -- W.W. Norton & Company.

Winner of the PEN Translation Prize, these translations by noted American poet Charles Wright bring one of the major collections of poetry in this century to English-speaking authors. Nobel laureate Eugenio Montale considered La Bufera e Altro (The Storm and Other Poems) his best book.

A beautiful hardcover Pocket Poets selection of the works of Nobel Prize-winning Italian poet Eugenio Montale, one of the giants of twentieth-century poetry. Eugenio Montale (1896–1981) is not only Italy’s greatest modern poet but a towering figure in twentieth-century literature. His incandescently beautiful body of work is deeply rooted in the venerable lyric tradition that began with Dante, but he brilliantly reinvents that tradition for our time, probing the depths of love, death, faith, and philosophy in the bracing light of modern history. Dynamic innovation and a coiled, fierce energy fuel the poet’s quest for liberation from the self. Marked by musicality and rhythmic variety, Montale’s poems manage to be buoyant with allusion and metaphor while also densely studded with things—with concrete, elemental images that keep his complex and restless musings firmly tethered to the world. Montale’s reputation is international and enduring; his widely translated work has profoundly influenced generations of poets around the world. This volume contains selections from all his greatest works, rendered into English by the accomplished poet and translator Jonathan Galassi. It serves as both an essential introduction to an important poet and a true pleasure for lovers of contemporary

A collection of poems in Italian and English by the 1975 winner of the Nobel Prize in Literature reveals an innovative use of dialogue, journalistic language, song, and other techniques.

In its literary impact, Montale's Xenia, published in 1966 in an edition of just 50 copies, might be described as Italy's The Waste Land. This now-famous sequence came in profound response to the death, in 1963, of his beloved wife whom he nicknamed Mosca, a woman so short-sighted as to have reputedly apologised when bumping into a mirror. At the end of the Xenia sequence, Montale allegorises the story of his Florentine ark of precious artefacts overwhelmed in the 1966 flood of the Arno. Those objects resurface in the poem as a metaphor for a loss that is as personal as it is historical. Montale's personal past with Mosca has been submerged, but also Europe's high literary culture. This exciting new translation is launched in October 2016 to coincide with two anniversaries: the 50th anniversary of Xenia's 1966 private (and first) edition in Italian, and the 120th anniversary of Montale's birth.