· 2008
Drawing on conversations with hundreds of women about their genitalia, the author presents a collection of performance pieces from her one-woman show of the same name.
· 2011
In this daring book, internationally acclaimed author and playwright Eve Ensler offers fictional monologues and stories inspired by girls around the globe. Fierce, tender, and smart, I Am an Emotional Creature is a celebration of the authentic voice inside every girl and an inspiring call to action for girls everywhere to speak up, follow their dreams, and become the women they were always meant to be. This paperback edition features new material about starting a discussion group based on the book.
· 2005
Botox, bulimia, breast implants: Eve Ensler, author of the international sensation The Vagina Monologues, is back, this time to rock our view of what it means to have a “good body.” “In the 1950s,” Eve writes, girls were “pretty, perky. They had a blond Clairol wave in their hair. They wore girdles and waist-pinchers. . . . In recent years good girls join the army. They climb the corporate ladder. They go to the gym. . . . They wear painful pointy shoes. They don’t eat too much. They . . . don’t eat at all. They stay perfect. They stay thin. I could never be good.” The Good Body starts with Eve’s tortured relationship with her own “post-forties” stomach and her skirmishes with everything from Ab Rollers to fad diets and fascistic trainers in an attempt get the “flabby badness” out. As Eve hungrily seeks self-acceptance, she is joined by the voices of women from L.A. to Kabul, whose obsessions are also laid bare: A young Latina candidly critiques her humiliating “spread,” a stubborn layer of fat that she calls “a second pair of thighs.” The wife of a plastic surgeon recounts being systematically reconstructed–inch by inch–by her “perfectionist” husband. An aging magazine executive, still haunted by her mother’s long-ago criticism, describes her desperate pursuit of youth as she relentlessly does sit-ups. Along the way, Eve also introduces us to women who have found a hard-won peace with their bodies: an African mother who celebrates each individual body as signs of nature’s diversity; an Indian woman who transcends “treadmill mania” and delights in her plump cheeks and curves; and a veiled Afghani woman who is willing to risk imprisonment for a taste of ice cream. These are just a few of the inspiring stories woven through Eve’s global journey from obsession to enlightenment. Ultimately, these monologues become a personal wake-up call from Eve to love the “good bodies” we inhabit.
· 2006
“Why has all this focus on security made me feel so much more insecure? Nothing is secure. And this is the good news. But only if you are not seeking security as the point of your life.”–Eve Ensler When her stage play The Vagina Monologues became a runaway hit and an international sensation, Eve Ensler emerged as a powerful voice and champion for women everywhere. Now the brilliant playwright gives us her first major work written exclusively for the printed page. Insecure at Last is a timely and urgent look at our security-obsessed world, the drastic measures taken to keep us safe, and how we can truly experience freedom by letting go of the deceptive notion of vigilant “protection.” Ensler draws on personal experiences and candid interviews with burka-clad women in Afghanistan; female prisoners in upstate New York; survivors at the Superdome after Katrina; and anti-war activist Cindy Sheehan–sharing unforgettable snapshots that chronicle a post-9/11 existence in which hyped obsession for safety and security has undermined our humanity. The us-versus-them mentality, Ensler explains, has closed our minds and hardened our compassionate hearts. Provocative, illuminating, inspiring, and boldly envisioned, Insecure at Last challenges us to reconsider what it means to be free, to discover that our strength is not born out of that which protects us. Ensler offers us the opportunity to reevaluate our everyday lives, expose our vulnerability, and, in doing so, experience true freedom and fulfillment.
· 2019
From the bestselling author of The Vagina Monologues-a powerful, life-changing examination of abuse and atonement. “A triumph of artistry and empathy.” -Naomi Klein “A crucial step forward . . . This is an urgently needed book right now.” -Jane Fonda “Courageous, transformative, and yes-healing.” -Anne Lamott Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused by her father, Eve has struggled her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an anti-violence activist, she decided she would wait no longer; an apology could be imagined, by her, for her, to her. The Apology, written by Eve from her father's point of view in the words she longed to hear, attempts to transform the abuse she suffered with unflinching truthfulness, compassion, and an expansive vision for the future. Through The Apology Eve has set out to provide a new way for herself and a possible road for others, so that survivors of abuse may finally envision how to be free. She grapples with questions she has sought answers to since she first realized the impact of her father's abuse on her life: How do we offer a doorway rather than a locked cell? How do we move from humiliation to revelation, from curtailing behavior to changing it, from condemning perpetrators to calling them to reckoning? What will it take for abusers to genuinely apologize? Remarkable and original, The Apology is an acutely transformational look at how, from the wounds of sexual abuse, we can begin to re-emerge and heal. It is revolutionary, asking everything of each of us: courage, honesty, and forgiveness.
· 2013
The bestselling author of The Vagina Monologues shares her “extraordinarily riveting, graphic story of survival” (Publishers Weekly). In this extraordinary and evocative memoir, playwright, author, and activist V, formerly Eve Ensler, traces many paths of reconnection: with her body, after she is diagnosed with cancer; with the people of the world, in the face of injustice and abuse; and with the earth, victim of mass exploitation. Working in the Congo, V meets survivors of horrific rape and violence and sees firsthand how these women are creating hope and possibility out of horror. Just as she is about to help open a revolutionary leadership center called City of Joy, she is diagnosed with uterine cancer, resulting in months of difficult treatment. Through her experience, V is forced to become first and foremost a body—pricked, punctured, cut, scanned. As she recovers from her illness, V is able to let go of everything that doesn’t matter and find strength in what does. In the Body of the World is a haunting, revelatory work that calls on us to reestablish our connection to our bodies, to the world, and to those around us. Praise for In the Body of the World “Warm, funny, furious, and astute, as well as poetic, passionate, and heroic, Ensler harnesses all that she lost and learned to articulate a galvanizing vision of the essence of life: ‘The only salvation is kindness.’ . . . [A] scorching and enlightening memoir.” —Booklist (starred review) “A necessary book to read for its fierce, passionate commitment to making the world a safe place for women.” —The Boston Globe
· 2019
In May 2010, while helping rape victims in the Democratic Republic of the Congo, Eve Ensler received a life-threatening diagnosis: She had uterine cancer. Told with her signature brand of humor, Ensler’s journey through her illness uncovers connections between her body and the earth, as well as the transformative and transcendent potential of illness itself. From Tony Award-winning author, performer, and activist Eve Ensler comes this powerful one-woman show based on her critically acclaimed memoir.
· 2008
Selections from the “Until the Violence Stops” Festival Featuring writings by Abiola Abrams • Edward Albee • Tariq Ali • Maya Angelou • Periel Aschenbrand • Patricia Bosworth • Nicole Burdette • Kate Clinton • Kimberle Crenshaw • Michael Cunningham • Edwidge Danticat • Ariel Dorfman • Mollie Doyle • Slavenka Drakulic • Michael Eric Dyson • Dave Eggers • Kathy Engel • Eve Ensler • Jane Fonda • Carol Gilligan • Jyllian Gunther • Suheir Hammad • Christine House • Marie Howe • Carol Michèle Kaplan • Moisés Kaufman • Michael Klein • Nicholas Kristof • James Lecesne • Elizabeth Lesser • Mark Matousek • Deena Metzger • Susan Miller • Winter Miller • Susan Minot • Robin Morgan • Kathy Najimy • Lynn Nottage • Sharmeen Obaid-Chinoy • Sharon Olds • Hanan al-Shaykh • Anna Deavere Smith • Diana Son • Monica Szlekovics • Robert Thurman • Betty Gale Tyson • Alice Walker • Jody Williams • Erin Cressida Wilson • Howard Zinn This groundbreaking collection, edited by author and playwright Eve Ensler, features pieces from “Until the Violence Stops,” the international tour that brings the issue of violence against women and girls to the forefront of our consciousness. These diverse voices rise up in a collective roar to break open, expose, and examine the insidiousness of brutality, neglect, a punch, or a put-down. Here is Edward Albee on S&M; Maya Angelou on women’s work; Michael Cunningham on self-mutilation; Dave Eggers on a Sudanese abduction; Carol Gilligan on a daughter witnessing her mother being hit; Susan Miller on raising a son as a single mother; and Sharon Olds on a bra. These writings are inspired, funny, angry, heartfelt, tragic, and beautiful. But above all, together they create a true and profound portrait of this issue’s effect on every one of us. With information on how to organize an “Until the Violence Stops” event in your community, A Memory, a Monologue, a Rant, and a Prayer is a call to the world to demand an end to violence against women. “In the current era, it takes some brain racking to think of anyone else doing anything quite like Ensler. She’s a countercultural consciousness-raiser, an empowering figure, a truth-teller.” –Chicago Tribune
· 2001
In her first new work since The Vagina Monologues, her Obie Award-winning smash hit, Eve Ensler tells the story of two American women, a Park Avenue psychiatrist and a human rights worker, who go to Bosnia to help women confront their memories of war and emerge deeply changed themselves. Necessary Targets is a groundbreaking play about women and war—about the violence of dark memories and the enduring resilience of the human spirit. Melissa, an ambitious young writer, and J.S., a successful but unsatisfied middle-aged psychiatrist, have nothing in common beyond the methods they have been taught to distance themselves from other people. As J.S. begins to feel compassion for the women whose tragedies she has been sent to expose, she turns on Melissa, who finds safety in control. In an unexpected moment of revelation, J.S. and the women she is supposedly treating find a common ground, a place to be taught and a place to learn. Necessary Targets has been staged in New York by Meryl Streep, Anjelica Huston, and Calista Flockhart, and performed in Sarajevo with Glenn Close and Marisa Tomei.
· 2023
A Publishers Weekly Top 10 Memoir of the Season The work of a lifetime from the Tony Award-winning, bestselling author of The Vagina Monologues-political, personal, profound, and more than forty years in the making. The newest book from V (formerly Eve Ensler), Reckoning invites you to travel the journey of a writer's and activist's life and process over forty years, representing both the core of ideas that have become global movements and the methods through which V survived abuse and self-hatred. Seamlessly moving from the internal to the external, the personal to the political, Reckoning is a moving and inspiring work of prose, poetry, dreams, letters, and essays drawn from V's lifelong journals that takes readers from Berlin to Oklahoma to the Congo, from climate disaster, homelessness, and activism to family. Unflinching, intimate, introspective, courageous, Reckoning explores ways to create an unstoppable force for change, to love and survive love, to hold people and states accountable, to reckon with demons and honor the dead, to reclaim the body, and to see oneself as connected to a greater purpose. It reimagines what seems fixed and intractable, providing a path to understand one's unique experience as deeply rooted in the world, to break through one's own boundaries, and to write oneself into freedom.