A "lavishly entertaining" (Publishers Weekly) distillation of Waugh's genius--abundant evidence that one of the twentieth century's most admired and enjoyed English novelists was also a master of the short form. Evelyn Waugh's short fiction reveals in miniaturized perfection the elements that made him the greatest satirist of the twentieth century. The stories collected here range from delightfully barbed portraits of the British upper classes to an alternative ending to Waugh's novel A Handful of Dust; from a "missing chapter" in the life of Charles Ryder, the nostalgic hero of Brideshead Revisited, to a plot-packed morality tale that Waugh composed at a very tender age; from an epistolary lark in the voice of "a young lady of leisure" to a darkly comic tale of scandal in a remote (and imaginary) African outpost.

"Evelyn Waugh kept a diary almost continuously from the age of seven until a year before his death in 1966. Extracts from the diaries caused sensation when they were published by the 'Observer'. They are a unique literary document of 300,000 words which provide the background to the novels which made Waugh famous, and gives a continuously sharp and baleful view of the social history of our times. The Diaries throw new light not only on Waugh's work, but on the character of a puzzling, cantankerous and formidable man." --Publisher description.

William Boot, a young man who lives in genteel poverty, far from the iniquities of London, contributes nature notes to Lord Copper’s Daily Beast, a national daily newspaper. He is dragooned into becoming a foreign correspondent, when the editors mistake him for John Courtney Boot, a fashionable novelist and a remote cousin. He is sent to Ishmaelia, a fictional state in East Africa, to report on the crisis there. Lord Copper believes it “a very promising little war” and proposes “to give it fullest publicity”. Despite his total ineptitude, Boot accidentally gets the journalistic “scoop” of the title. When he returns, the credit goes to the other Boot and William is left to return to his bucolic pursuits, much to his relief.

“A work of art as rich and subtle and unnerving as anything [Waugh] has ever done,” satirizing 1940s California and the Anglo-American cultural divide (New Yorker). Following the death of a friend, the poet and pets' mortician Dennis Barlow finds himself entering the artificial Hollywood paradise of the Whispering Glades Memorial Park. Within its golden gates, death, American-style, is wrapped up and sold like a package holiday—and Dennis gets drawn into a bizarre love triangle with Aimée Thanatogenos, a naïve Californian corpse beautician, and Mr. Joyboy, a master of the embalmer's art. Waugh's dark and savage satire depicts a world where reputation, love, and death cost a very great deal. “Fiendishly entertaining.”—New York Times “As a piece of writing it is nearly faultless; as satire it is an act of devastation.” —The New Republic “Mr. Waugh's treatment of his macabre material is uninhibited, and wickedly funny . . . as sadistic, playful, and decisive as a cat's paw on a mouse.” ―Alice S. Morris, New York Times Book Review

Put Out More Flags is set during the first year of the war and follows the wartime activities of characters introduced in Waugh’s earlier satirical novels Decline and Fall, Vile Bodies, and Black Mischief.<P>The dormant conflict is reflected in the activity of the novel’s main characters. Earnest would-be soldier Alistair Trumpington finds himself engaged in incomprehensible manoeuvres instead of real combat, while Waugh’s recurring ne’er-do-well Basil Seal, finds ample opportunity for amusing himself in the name of the war effort.

Decline and Fall is a novel by the English author Evelyn Waugh, first published in 1928. It was Waugh's first published novel; an earlier attempt, titled The Temple at Thatch, was destroyed by Waugh while still in manuscript form. Decline and Fall is based in part on Waugh's schooldays at Lancing College, undergraduate years at Hertford College, Oxford, and his experience as a teacher at Arnold House in north Wales. It is a social satire that employs the author's characteristic black humour in lampooning various features of British society in the 1920s.

“A wickedly witty and iridescent novel” satirizes the generation of Bright Young Things that dominated London high society in the 1920s (Time). In the years following the First World War a new generation emerged, wistful and vulnerable beneath the glitter. The Bright Young Things of 1920s London, with their paradoxical mix of innocence and sophistication, exercised their inventive minds and vile bodies in every kind of capricious escapade. In these pages a vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the hedonistic fulfillment of their desires. Evelyn Waugh's acidly funny satire reveals the darkness and vulnerability beneath the sparkling surface of the high life. “Vile Bodies may shock you, but it will make you laugh.” —New York Times

Brideshead Revisited harkens back to the perceived 'golden age' prior to World War II. In these halcyon days, Charles Ryder is infatuated with the Marchmains and the rapidly-disappearing world of privilege they inhabit. Enchanted first by Sebastian at Oxford, then by his doomed Catholic family, in particular his remote sister, Julia, Charles comes finally to recognize only his spiritual and social distance from them.

The Jungle, as it turns out, is not the best place to forgot your troubles. Tony Last has it all: A loving wife, a delightful son, and a splendid home in the countryside. Or so he thinks. His life is left in shambles when, in the wake of his son's death, he discovers that his wife has been having an affair and wants to divorce him. To get away from it all, he joins an expedition to Brazil, but the incompetence of its organizer may prove to be even more trouble for Tony.

Selected by Modern Library as one of the 100 best novels of the century, this "absolutely delightful" novel (New York Times) movingly and comically chronicles the breakdown of a marriage and the disintegration of English society in the years after World War I. After seven years of marriage, the beautiful Lady Brenda Last has grown bored with life at Hetton Abbey, the Gothic mansion that is the pride and joy of her husband, Tony. She drifts into an affair with the shallow socialite John Beaver and forsakes Tony for the Belgravia set. In a novel that combines tragedy, comedy, and savage irony, Evelyn Waugh indelibly captures the irresponsible mood of the "crazy and sterile generation" between the wars.