· 2015
Our lives are naturally translucent, keeping certain private things hidden from public view. Dr. George Copes book, God Knows Where You Live, is he perfect demonstration of the state of being divinely transparent, unashamedly sharing his personal stories freely. This book is truly a gift that will empower you to live and inspire you to unveil your testimony to the watching world. -Bishop Allen T.D. Wiggins, The Hope Church of Orlando One thing is for sure, when I am feeling despondent and discouraged, I am going to once again read George Copes journey, God Knows Where You Live. It is vitamins for the soul! -John A. Kilpatrick Founder and Senior Pastor Church of His Presence Daphne, Alabama
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Following the Cope inventory are the accounts, personal and estate, of Sir Thomas Temple of Stowe, 1617-1637, which form the bulk of the manuscript. At the back of the volume are accounts of Cope's administrators, John Dryden and John Temple in 1572.
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
· 2008
At age forty-five – her life a mess – Cora Gordon was persuaded to reinvent herself as an artist. Cora paid for her decision with agonies of self-doubt; but prodded by family and friends, she bent to her talents and found acceptance as a rising sculptor. Years later, now almost eighty – celebrated for her art and longevity – Cora is upset to learn that a troublemaker from her past has attacked the posthumous reputation of photographer Thorold Carey, a headstrong friend from her hardscrabble days. As she reflects on past struggles with the countering claims of art, love and loyalty – on the colleagues and relatives who regularly made life so hard – Cora feels more than ever grateful to Carey, for being there when she needed him – for his enduring inspiration. A vindication of her obstreperous friend, Cora's is a wry tale of two mid-lives in disarray and of the circumstances that brought them together; lives seeming to have little in common – unlikely to benefit from second chances.
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