Verdi came to Shakespeare through Italian translation and had never seen Macbeth on stage when he wrote his first version of the opera in 1847. Giorgio Melchiori draws a parallel between the conditions in which the playwright and the composer were working and compares their achievements. The supernatural was a vital element in both conceptions: the opera is &quote;in the fantastic style&quote;, with bizarre music for the witches' dances and choruses. Theatre historian Michael Booth vividly introduces the staging of Shakespeare in the nineteenth century. Harold Powers discusses how the dramatic situations lent themselves to the forms and purposes of Italian opera.Contents: 'Macbeth': Shakespeare to Verdi, Giorgio Melchiori; Making 'Macbeth' 'Musicabile', Harold Powers; 'Macbeth' and the Nineteenth-Century Theatre, Michael R. Booth; A Note on Shakespeare's 'Macbeth', August Wilhelm Schlegel; The Preface in the Ricordi Libretto; Piave's Intended Preface for the 1847 Libretto; Macbeth: Libretto by Francesco Maria Piave (1865); Macbeth: English translation by Jeremy Sams

Rigoletto was first produced at the Teatro La Fenice, Venice, in 1851, and is generally seen as marking the beginning of Giuseppe Verdi's extraordinary middle period. It was followed in quick succession by Il trovatore and La traviata, and even after the great success of these two works Verdi regarded it as his 'best opera' up to that time. Based on Victor Hugo's play Le Roi s'amuse, which was banned after its premiere in Paris in 1832, the opera faced considerable difficulties with local censors before performance was permitted. In the story of the hunchbacked court jester and his beloved daughter, Verdi believed he had found &quote;the greatest subject and perhaps the greatest drama of modern times&quote;.The guide contains articles on the place of Rigoletto in Verdi's oeuvre and the background to its composition, a detailed examination of its musical structure and a survey of its performance history including discussions of some of its most distinguished interpreters. A further article highlights aspects of the opera's particularly Italian character. The guide also includes the full Italian libretto with English translation, sixteen pages of illustrations, a musical thematic guide, a bibliography and discography, and DVD and website guides.

Alfredo falls in love with the beautiful courtesan, Violetta Valery, who is dying from consumption. Violetta is persuaded by Giorgio, Alfredo's father, to sacrifice her happiness with Alfredo for the sake of family honor.

The English National Opera Guides were originally conceived in partnership with the English National Opera and edited by Nicholas John, the ENO's dramaturg, who died tragically in an accident in the Alps. Most of the guides are devoted to a single opera, which is described in detail--with many articles that cover its history and information about the composer and his times. The complete libretto is included in both the original language and in a modern singing translation--except where the opera was written in English. Each has a thematic guide to the most important musical themes in musical notation and each guide is lavishly illustrated. They also contain a bibliography and a discography which is updated at each reprint. The ENO guides are widely regarded as the best series of their kind and excellent value.

These 301 letters between Verdi and Bioto show a picture of daily life of European art and artists during the last decades of the 19th century.

The operas of the Italian composer Giuseppe Verdi are among the greatest achievements of nineteenth century culture and remain at the heart of the opera repertory today. His extraordinary works took the opera world by storm, transforming and dominating the world of opera for over 30 years. Verdi modified the rigid conventions of the bel canto style, which had previously depended on the showcasing of singers at the expense of dramatic values. He changed this system to form an overall dramatic masterpiece, giving the singers melody and brilliance in ample measure. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Verdi’s masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1) * Concise and informative overview of Verdi’s masterworks * Learn about the operas that made Verdi a celebrated composer * Links to popular streaming services (free and paid), allowing you to listen to the masterpieces that you’re reading about * Features a special ‘Complete Compositions’ section, with an index of Verdi’s complete works and links to popular streaming services * Includes a selection of English translations of the librettos * Also features three biographies, including Frederick James Crowest’s seminal study — explore Verdi's intriguing musical and personal life Please visit www.delphiclassics.com to browse through our range of exciting eBooks CONTENTS: The Masterworks Oberto Un giorno di regno Nabucco Ernani I due Foscari Macbeth Il corsaro La battaglia di Legnano Luisa Miller Rigoletto Il trovatore La traviata Les vêpres siciliennes Inno delle nazioni Don Carlos Aida Messa da Requiem Falstaff Complete Compositions Index of Verdi’s Compositions The Librettos Rigoletto Il trovatore La traviata La Forza del Destino Aida The Biographies Verdi: Man and Musician, by Frederick James Crowest Giuseppe Verdi by Harriette Brower History of the Opera by Henry Sutherland Edwards Please visit www.delphiclassics.com to learn more about our wide range of exciting titles

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Verdi's War and Peace', writes Peter Conrad of this epic opera composed in 1862. It encompasses the extremes of a religious and secular existence - the worlds of the lovers pursued by an uncompromising fate and of the people in the scenes at the inn and on the battlefield. Despite its beautiful score, this opera has often seemed perplexing: Richard Bernas shows us how the music is devised as a convincing entity, and Bruce A. Brown traces the tortuous but fascinating history of its revisions. Here translated into English by Andrew Porter, La forza del destino deserves a serious reassessment.Contents: War and Peace, Peter Conrad; The Music of 'The Force of Destiny', Richard Bernas; The Revision of 'The Force of Destiny'; 'That Damned Ending', Bruce A. Brown; La forza del destino: Libretto by Francesco Piave (1862) with additions by Antonio Ghislanzoni (1869); The Force of Destiny: English translation by Andrew Porter

A comprehensive guide to Verdi's RIGOLETTO, featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with over 35 Music Highlight Examples, a complete, newly translated LIBRETTO with English/Italian side-by-side, selected Discography and Videography, Dictionary of Opera and Musical Terms, and an insightful and in depth Commentary and Analysis by Burton D. Fisher, noted opera author and lecturer.