The authors of After the Revolution return with an incisive study of the work of contemporary women artists. In After the Revolution, the authors concluded that "The battles may not all have been won . . . but barricades are gradually coming down, and work proceeds on all fronts in glorious profusion." Now, with The Reckoning, authors Heartney, Posner, Princenthal, and Scott bring into focus the accomplishments of 24 acclaimed international women artists born since 1960 who have benefited from the groundbreaking efforts of their predecessors. The book is organized in four thematic sections: "Bad Girls" profiles artists whose work represents an assault on conventional notions of gender and racial difference. "History Lessons" offers reflections on the self in the context of history and globalization. "Spellbound" focuses on women’s embrace of the irrational, subjective, and surreal, while "Domestic Disturbances" takes on women's conflicted relationship to home, family, and security. Written in lively prose and fully illustrated throughout, this book gives an informed account of the wonderful diversity of recent contemporary art by women. "An indispensable contribution to the literature on contemporary art by women." (Whitney Chadwick, author of Women, Art and Society) "In the 2007 book After the Revolution: Women Who Transformed Contemporary Art, [the authors] set a new standard in documenting and evaluating the work of a dozen key women artists, spanning generations between the 1960s to the 2000s. . . The beat goes on with the appearance of The Reckoning, written by the same authors in the same accessible scholarly style, but reflecting important historical changes over the past decade and more. In line with the increased presence of women in mainstream art, the book includes twice as many artists as its predecessor. And its global reach has expanded vastly, stretching from Europe and the Americas to Africa and China." (Holland Cotter, The New York Times)

"Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.

Through her explorations of the human body and the natural world, internationally acclaimed artist Kiki Smith has confronted the most urgent social and spiritual issues of our day. Direct and accessible, Smith's expressive art engages social and cultural issues in a sometimes viscerally disturbing way. In her recent work, Smith has extended these themes, incorporating rites of passage and cycles of life, death, and rebirth through an iconography of animal, human, and fairy tale imagery. Helaine Posner's monograph is a comprehensive survey of Smith's work in installation, sculpture, and graphic media. She discusses its origins and proposes an interpretive framework, locating it with the artistic traditions that have nourished Smith and tracing its development from the 1980s to present. An interview with Smith adds the artist's own perspective on the work.

Essay by Helaine Posner. Visual Essay by Kiki Smith. Introduction by Willis E. Hartshorn.

Artwork by Leon Golub, Nancy Spero. Contributions by Katy Kline. Text by Helaine Posner.