A new collection of stories—dazzling, poignant, wickedly funny, and highly addictive—by the internationally acclaimed writer whose work The Times (London) calls “dangerously close to perfection.” These thirteen stories brilliantly focus on aspects of contemporary living and unerringly capture a generation, a type, a social class, a pattern of behavior. They give us the small detail that reveals large secrets and summons up the inner stresses of our lives (“It is a blissful relief to turn to the coolness and clarity of Helen Simpson . . . She is, to my mind, the best short story writer now working in English” —Ed Crooks, Financial Times). Whether her subject is single women or wives in stages of midlife-ery, marriage or motherhood, youth, young love, homework, or history, Simpson writes near to the bone and close to the heart. In one story, a squirrel trapped under a dustbin lid in the back garden vanishes, and a woman’s marriage is revealed in the process . . . In another, a young woman on her way for an MRI reflects on new love, electromagnetism, and Sherlock Holmes, and afterward goes to a museum and finds herself wanting to escape into one of the paintings. And in the title story, two men on a flight from London to Chicago—one an elderly scientist, the other a businessman upgraded to first class—discuss climate change and what flying is doing to “our shrunken planet,” this while the “in-flight entertainment” shows the crop-duster scene from Hitchcock’s North by Northwest. When a passenger in the seat across the aisle suddenly becomes ill and dies, the plane is forced to land in Goose Bay, Labrador, to the utter frustration of the two men. In the story’s moment of reckoning, one of the men, furious at the delay, says to the other, “I don’t care about you. You don’t care about me. We don’t care about him [the deceased passenger]. We all know how to put ourselves first, and that’s what makes the world go round.” These darkly comic, brave, and, says The Guardian, “deeply unsentimental” stories brilliantly evoke life’s truest sensations—love, pain, joy, and grief—and give us, with precision and complex economy, a shrewd and painfully true glimpse into our dizzying 3-D age.

A new literary journal arrives on the scene with unpublished works from such superstars as Dave Eggers, Louise Erdrich, Haruki Murakami, and others. In this inaugural edition of Freeman’s, a new biannual of unpublished writing, former Granta editor and NBCC president John Freeman brings together the best new fiction, nonfiction, and poetry about that electrifying moment when we arrive. Strange encounters abound. David Mitchell meets a ghost in Hiroshima Prefecture; Lydia Davis recounts her travels in the exotic territory of the Norwegian language; and in a Dave Eggers story, an elderly gentleman cannot remember why he brought a fork to a wedding. End points often turn out to be new beginnings. Louise Erdrich visits a Native American cemetery that celebrates the next journey, and in a Haruki Murakami story, an aging actor arrives back in his true self after performing a role, discovering he has changed, becoming a new person. Featuring startling new fiction by Laura van den Berg, Helen Simpson, and Tahmima Anam, as well as stirring essays by Aleksandar Hemon, Barry Lopez, and Garnette Cadogan, who relearned how to walk while being black upon arriving in NYC, Freeman’s announces the arrival of an essential map to the best new writing in the world. “A terrific anthology . . . Haruki Murakami, David Mitchell and a host of other lively writers let loose their imaginations in editor John Freeman’s first outing with a new literary journal that is sure to become a classic in years to come.” —San Francisco Chronicle

In "Under Capricorn," Helen Simpson delves into the complexities of human relationships and the tumultuous landscape of early 20th-century Australia. This lyrical novel, woven with rich imagery and poignant introspection, paints a vivid portrait of life on the isolated Australian frontier. Simpson's prose is marked by a delicate balance of wit and melancholy, offering readers an insightful exploration of identity, ambition, and social mores amidst the challenges of a fledgling society. Set against the backdrop of a newly established colony, the narrative skillfully interlaces personal struggles with broader societal issues, reflecting the intricate tapestry of human experience. Helen Simpson, a prominent contemporary author, is known for her incisive character studies and her ability to capture the subtleties of emotional landscape. Her own background, including her experiences in rural settings and the influence of both Australian and British culture, undoubtedly inform her nuanced portrayal of life in "Under Capricorn." Simpson's literary career has often emphasized themes of gender and resilience, making her insights particularly relevant in today's sociocultural climate. This novel is highly recommended for readers seeking a profound exploration of personal and societal dilemmas, enriched by evocative prose and a thoughtful perspective. Simpson's narrative not only captivates the imagination but also invites reflection on our own identities and the communities we inhabit. In this enriched edition, we have carefully created added value for your reading experience: - Hand‐picked Memorable Quotes shine a spotlight on moments of literary brilliance. - Interactive footnotes clarify unusual references, historical allusions, and archaic phrases for an effortless, more informed read.

Ancestors and descendants of Gordon Henry Simpson (d.1955) and his wife, Helen Edominia (McWhorter) Simpson (b.1895), who married in 1924 in St. Louis, Missouri. He was an immigrant from Toronto, Ontario (the grandson of slaves who had fled from the United States). She was the great-granddaughter of a couple who had purchased their way out of slavery in Pulaski, Kentucky, and became the first settlers in Hadley, Illinois after the Indians were chased away. Includes biographical sketch of their daughter, Helen Eugenie Simpson (1934- 1972). Includes a copy of his official 1931 report (as a social worker and a member of the Cleveland Health Council) to the Cleveland, Ohio Chamber of Commerce, entitled: "Economic survey of housing in districts of the city of Cleveland occupied largely by colored people.".

Brilliant, funny and tragic, Four Bare Legs in a Bed is an outstanding and invigorating collection of short stories. In Simpson's singular and opulent voice, we hear of the mixed blessings of independence and marriage, of sex and babies. From a bed that transforms the lives of a struggling couple to a chorus of midwives telling the dramatic story of a birth, this is a playful, unique set of stories to treasure.

With "a touch of genius," this round-robin mystery follow-up to The Floating Admiral features famous detectives including Lord Peter Wimsey ( The Times Literary Supplement). Following the success of The Floating Admiral, in which certain members of the Detection Club—including Agatha Christie, Dorothy L. Sayers, and G. K. Chesterton—collaborated on a whodunit, six writers pooled their talents to create another coauthored mystery. This time the premise had an added twist: authors would swap their detective characters, allowing for some extremely entertaining parodies of one another's sleuths. When a ruthless British newspaper tycoon is shot dead in his home, the high-level suspects include the assistant commissioner of Scotland Yard, casting doubt on the impartiality of a formal police investigation. As a solution, the home secretary brings in four brilliant detectives to solve the murder: Mrs. Bradley, Sir John Saumarez, Lord Peter Wimsey, and Roger Sheringham. Featuring a preface by inaugural Detection Club member Agatha Christie, this playful tour de force gathers together half a dozen Golden Age Mystery masters: John Rhode, Helen Simpson, Gladys Mitchell, Anthony Berkeley, Dorothy L. Sayers, and Milward Kennedy.

A dark, dazzling, surprisingly funny new collection of stories (“Masterly” —Adam Mars Jones, The Observer; “A virtuoso performance” —Jane Shilling, The Sunday Telegraph) about single women and wives in various phases of midlife—anxious mothers, besotted mothers, beset mothers—in a (futile) search for security and consolation. Helen Simpson’s stories are short but by no means small. One story takes the Iraq war as its subject; another describes a smoker’s reprieve from death by lung cancer; in another, a simple tale of home maintenance—a woman in a conversation with the carpenter replacing her door after a break-in—becomes a deftly sketched study of grief. In still another, Simpson manages the seemingly impossible—producing laughter at terminal illness and untimely death (this might be the first story in which the amputation of a limb provides a happy ending). And finally, the story entitled “Constitutional”—a pun on one of the word’s meanings: a walk taken for the benefit of one’s health—deals with memory, family, Alzheimer’s, oak trees, pregnancy for the over-forties, stolen photographs, and crossword puzzles. Helen Simpson’s stories move and disturb us as they light up the human gift for making the best of it—whatever it is.

A wickedly wry, tender new collection from one of our finest internationally acclaimed short story writers. Nine virtuoso stories that take up the preoccupations and fixations of time's passing and of middle age and that take us from today's London and Berlin to the wild west of the USA and the wilder shores of Mother Russia; stories finely balanced between devastation and optimism. In the title story, long-ago school pals take the London Underground to the end of the Piccadilly line--Cockfosters Station--to retrieve a lost pair of newly prescribed bifocals ("The worst thing about needing glasses is the bumbling," says Julie. "I've turned into a bumbler overnight. Me! I run marathons!"); each station stop prompting reflections on their shared past, present, and possible futures . . . In "Erewhon," a gender-role flip: after having sex with his wife, who has turned over and instantly fallen asleep, a man lies awake fretting about his body shape, his dissatisfaction with sex, his children, his role in the marriage . . . In "Kythera," lemon drizzle cake is a mother's ritual preparation for her (now grown) daughter's birthday as she conjures up memories of all the birthday cakes she has made for her, each one more poignant than the last; this new cake becoming a memento mori, an act of love, and a symbol of transformation ... And in "Berlin," a fiftysomething couple on a "Ring package" to Germany spend four evenings watching Wagner's epic, recalling their life together, reckoning with the husband's infidelity, the wife noting the similarity between their marriage and the Ring Cycle itself: "I'm glad I stuck it out but I'd never want to sit through it again."