"A significant contribution to our understanding of minor parties and party system change. The authors develop a new theory and provide strong empirical evidence in support of it. They show that the Perot's candidacy has had a strong and lasting impact on partisan competition in elections. ---Paul Herrnson, Director, Center for American Politics and Citizenship Professor, Department of Government and Politics, University of Maryland "Powerfully persuasive in its exhaustive research, Three's a Crowd may surprise many by revealing the long- ignored but pivotal impact of Perot voters on every national election since 1992." ---Clay Mulford, Jones Day and General Counsel to the 1992 Perot Presidential Campaign and to the Reform Party. "Rapaport and Stone have written an engaging and important book. They bring fresh perspectives, interesting data, and much good sense to this project. Three's a Crowd is fundamentally about political change, which will, in turn, change how scholars and pundits think of Ross Perot in particular, and third parties in general." ---John G. Geer, Professor of Political Science at Vanderbilt University and Editor of The Journal of Politics "The definitive analysis of the Perot movement, its role in the 1994 GOP victory, and the emergence of an enduring governing majority." ---L. Sandy Maisel, Director, Goldfarb Center for Public Affairs, Colby College Three's a Crowd begins with the simple insight that third parties are creatures of the American two-party system, and derive their support from the failures of the Democratic and Republican parties. While third parties flash briefly in the gaps left by those failures, they nevertheless follow a familiar pattern: a sensation in one election, a disappointment in the next. Rapoport and Stone conclude that this steep arc results from one or both major parties successfully absorbing the third party's constituency. In the first election, the third party raises new issues and defines new constituencies; in the second, the major parties move in on the new territory. But in appropriating the third party's constituents, the major parties open themselves up to change. This is what the authors call the "dynamic of third parties." The Perot campaign exemplified this effect in 1992 and 1996. Political observers of contemporary electoral politics missed the significance of Perot's independent campaign for the presidency in 1992. Rapoport and Stone, who had unfettered-and unparalleled-access to the Perot political machine, show how his run perfectly embodies the third-party dynamic. Yet until now no one has considered the aftermath of the Perot movement through that lens. For anyone who seeks to understand the workings of our stubbornly two-party structure, this eagerly awaited and definitive analysis will shed new light on the role of third parties in the American political system.

Max Müller is often referred to as the 'father of Religious Studies', having himself coined the term 'science of religion' (or religionswissenschaft) in 1873. It was he who encouraged the comparative study of myth and ritual, and it was he who introduced the oft-quoted dictum: 'He who knows one [religion], knows none'. Though a German-born and German-educated philologist, he spent the greater part of his career at Oxford, becoming one of the most famous of the Victorian arm-chair scholars. Müller wrote extensively on Indian philosophy and Vedic religion, translated major sections of the Vedas, the Upanisads, and all of the Dhammapada, yet never visited India. To be sure, his work bears the stamp of late Nineteenth-Century sensibilities, but as artifacts of Victorian era scholarship, Müller's essays are helpful in reconstructing and comprehending the intellectual concerns of this highly enlightened though highly imperialistic age.

The methodology used to construct tree structured rules is the focus of this monograph. Unlike many other statistical procedures, which moved from pencil and paper to calculators, this text's use of trees was unthinkable before computers. Both the practical and theoretical sides have been developed in the authors' study of tree methods. Classification and Regression Trees reflects these two sides, covering the use of trees as a data analysis method, and in a more mathematical framework, proving some of their fundamental properties.

An in-depth look at Maya cave painting from Preconquest times to the Colonial period, plus a complete visual catalog of the cave art of Naj Tunich. In 1979, a Kekchi Maya Indian accidentally discovered the entrance to Naj Tunich, a deep cave in the Maya Mountains of El Peten, Guatemala. One of the world’s few deep caves that contain rock art, Naj Tunich features figural images and hieroglyphic inscriptions that have helped to revolutionize our understanding of ancient Maya art and ritual. In this book, Andrea Stone takes a comprehensive look at Maya cave painting from Preconquest times to the Colonial period. After surveying Mesoamerican cave and rock painting sites and discussing all twenty-five known painted caves in the Maya area, she focuses extensively on Naj Tunich. Her text analyzes the images and inscriptions, while photographs and line drawings provide a complete visual catalog of the cave art, some of which has been subsequently destroyed by vandals. This important new body of images and texts enlarges our understanding of the Maya view of sacred landscape and the role of caves in ritual. It will be important reading for all students of the Maya, as well as for others interested in cave art and in human relationships with the natural environment. “Not only an extraordinarily detailed and insightful analysis of the painted representations and texts found in Naj Tunich but also a complete survey of all known Maya painted caves. . . . A major monograph on a major Maya site. For completeness of presentation, for clarity of writing, and for depth and scope of analysis, [Images from the Underworld] is a model of what a final report should be.” —Journal of Anthropological Research

The present volume covers the physiology of the visual system beyond the optic nerve. It is a continuation of the two preceding parts on the photochemistry and the physiology of the eye, and forms a bridge from them to the fourth part on visual psychophysics. These fields have all developed as independent speciali ties and need integrating with each other. The processing of visual information in the brain cannot be understood without some knowledge of the preceding mechanisms in the photoreceptor organs. There are two fundamental reasons, ontogenetic and functional, why this is so: 1) the retina of the vertebrate eye has developed from a specialized part of the brain; 2) in processing their data the eyes follow physiological principles similar to the visual brain centres. Peripheral and central functions should also be discussed in context with their final synthesis in subjective experience, i. e. visual perception. Microphysiology and ultramicroscopy have brought new insights into the neuronal basis of vision. These investigations began in the periphery: HARTLINE'S pioneering experiments on single visual elements of Limulus in 1932 started a successful period of neuronal recordings which ascended from the retina to the highest centres in the visual brain. In the last two decades modern electron microscopic techniques and photochemical investigations of single photoreceptors further contributed to vision research.

An excellent introduction for computer scientists and electrical and electronics engineers who would like to have a good, basic understanding of stochastic processes! This clearly written book responds to the increasing interest in the study of systems that vary in time in a random manner. It presents an introductory account of some of the important topics in the theory of the mathematical models of such systems. The selected topics are conceptually interesting and have fruitful application in various branches of science and technology.

This book offers an important new perspective on the Western tradition of musical aesthetics through an examination of Anicius Boethius and Immanuel Kant. Within the trajectory illuminated by these two thinkers, musical meaning is framed by and formed through the concept of beauty--a concept which is shaped by prior understandings about notions of the self and the world. Beauty opens up a space within which the boundary between the self and the world, subject and object, is negotiated and configured. In doing so, either the subject or the object is asserted to the detriment of the other, and to the physicality of music. This book asserts that the uniqueness of music's ontology emerges from its basis in sound and embodied practice. It suggests that musical beauty is generated by the mutuality of subject and object arising within the participation that music encourages, one which involves an ekstatic mode of attention on the part of the subject.

"Some portion of the material for the present volume has already appeard as articles in the Month and the Dublin review".

Probability spaces; Combinatorial analysis; Discrete random variables; Expectation of discrete random variables; Continuous random variables; Jointly distributed random variables; Expectations and the central limit theorem; Moment generating functions and characteristic functions; Random walks and poisson processes.