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  • Book cover of The Magic

    When one young man sets out on a quest for magical powers, his journey- and the great master wizard he meets along the way- will teach him and young readers about the power that resides in all of us. An inspirational and fun tale that children will read again and again.

  • Book cover of The Moment of Seeing

    Founded by Ansel Adams, directed by Minor White, and staffed by such luminaries as Imogen Cunningham, Dorothea Lange, Lisette Model, and Edward Weston, the first fine-art photography department in the United States was created in 1946 at the California School of Fine Arts (now known as the San Francisco Art Institute). Under White's leadership and against a backdrop of revolutions in photography as an art form, this dynamic faculty developed the modern photography curriculum, bringing a new academic pedigree to the medium and establishing the future of photography education. The Moment of Seeing is much more than a history of the program and those who comprised it. Including White's never-before-published writings on the teaching of photography, it is also a rich gallery of iconic images by both renowned faculty members and the dedicated students they taught.-publisher description.

  • Book cover of Ed Hardy: Deeper than Skin
    Karin Breuer

     · 2022

    Legendary American tattoo artist Ed Hardy's groundbreaking tattoos, flash, drawings, and artworks are gathered together for the first time in one brash book. Ed Hardy's (b. 1945) unique vision spans decades, creating an indelible mark on popular culture. Accompanying a major exhibition, this profusely illustrated survey of his life in art traces his inspirations, rooted both in traditional American tattooing of the first half of the twentieth century and in the imagery of Japan's ukiyo-e era. Hardy, raised in Southern California, became intrigued with tattoo art at the age of ten, setting up shop in his parents' den. After attending the San Francisco Art Institute in the 1960s, he rejected a graduate fellowship from Yale to apprentice at studios up and down the West Coast. It was his intention to rescue tattooing from its subculture, "outsider" status and elevate it to at least the level of folk art. Hardy's success at breathing new life into the art form is chronicled in a plethora of tattoo designs, paintings, drawings, prints, and three-dimensional work spanning fifty years. While the world that inspires him may be lost, Hardy's distinct visual language is vibrantly alive within American visual vernacular, synonymous to some with the spirit of the West Coast itself.

  • Book cover of Just Say It

    As a prelude to the release of my children's book 'The Magic' in the early summer of 2007, I have decided to publish my thoughts and prose. Yes; they may be simple, poetic and comical. That is just me and that is why it is titled, Just Say It.

  • Book cover of Saying It Again...

    A collection of prose, poetry and short stories

  • Book cover of Keep Saying It

    The response from my first book 'Just Say It' was wonderful. So, I decided to follow it up. I couldn't help it. I just had to 'Keep Saying It'.

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    This guide highlights harmful aquatic invasive fish that pose threats to the recreational, environmental, and economic value of the Great Lakes region. Similar-looking native species are included for comparison.

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  • Book cover of Adaline Kent

    The first major monograph in sixty years on the San Francisco modernist sculptor who developed a unique abstract style rooted in surrealism and inspired by nature. This beautifully produced volume celebrates the life and career of Adaline Kent (1900–1957), a member of one of the Bay Area’s most productive and innovative midcentury artistic groups. Kent is linked to modernist artists Ruth Asawa, Mark Rothko, Isamu Noguchi, and Clyfford Still. Texts by a diverse range of scholars cover such subjects as infinity and movement in Kent’s work; the influence of nature; and the diverse artistic milieu at the San Francisco Art Institute and beyond that surrounded Kent and her husband, artist Robert Howard. With an extensive chronology and a wide selection of sculptures, photographs, and rarely seen works on paper and paintings on Hydrocal, the book substantiates Kent’s achievement as one of midcentury America’s most innovative sculptors, re-excavating her work for younger generations.